The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version.
The 140th Weekly Lens Artists Challenge is ‘change of scenery’. During the pandemic my window to the world shrunk. But this year I do what I always do in Spring: shooting the flowers growing right outside the kitchen window. The good old Nikon D500 with long lens being in use again, waiting on the kitchen table each morning when I open the shutters. A micro or macro change of scenery, but nature nurtures not only its plants. Indeed you do not have to go far for a change of scenery.
The 140th Weekly Lens Artists Challenge is ‘change of scenery’. During the pandemic my window to the world shrunk. But this year I do what I always do in Spring: shooting the flowers growing right outside the kitchen window. The good old Nikon D500 with long lens being in use again, waiting on the kitchen table each morning when I open the shutters. A micro or macro change of scenery, but nature nurtures not only its plants. Indeed you do not have to go far for a change of scenery.
In March 2004 I visited Tibet. It would be an understatement if I said it was just overwhelming. The backdrop of the Himalayas. The fact that we were ‘high’: most of the time 3500 meters over sea level, my normal level of living. The people and their close contact with religion, Buddhism. All parts of a puzzle that hopefully will bring me back there one day.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The picture was originally shot with Pentax K1000 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
A memory can be triggered by here and now. Last weekend I visited Den Haag physically for the first time after the lock down started in March. It was exciting and at the same time sad to see the city and the familiar landmarks. ‘Normally’ at this time of year, the center is crowded with people doing Christmas shopping, but now it is (depending on the hour of the day) more or less quiet. At times it is however too busy. The apparent human need to cluster closely together (in shops, or at home) is probably a reason why we see a rise in cases again. Tonight a more strict lock down will be announced. To curb the second wave. Department stores like the 150 year old Bijenkorf and other ‘unnecessary’ shops will close again. That hurts them enormously. But luckily there is light at the end of this tunnel. I hope the light of Christmas will soon turn into a bright sun that opens up our now small worlds and gives us the space and opportunities to be more human again. Till then: courage.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The picture was scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The picture was scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
In this cycle money goes from hand to hand. The fountain was created in 1976 by Karl-Henning Seemann. The people shown symbolise avarice, greed, patronage and begging. Just like money, the water in the fountain flows all year round, since it is fed by the thermal springs. In the summer in particular, the fountain is a popular meeting point for Aacheners and visitors to the city, and for young and old looking to cool down in the flowing water. (source: Aachen Tourist service)
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The picture was scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Paris in December 1981. A view from the hill of Sacré Coeur into the city at the end of the Winter afternoon just before sunset. A shot on Kodak Color II brought back to monochrome. Camera unknown.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot on Kodak color II, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
I love to take photos from a car (rest assured, I am not doing the driving at those moments). And the result can be quite surprising at times. This one gives me the feeling of a small village, hidden in the landscape.
Coming back to an area I visited a long time ago in my youth, brings back memories about the past. The beauty of nature is sometimes overwhelming, even when it rains.
Autumn has come, Summer is over. The garden is no longer the place to enjoy being outside during the pandemic, looking at plants and flowers. Seasons come and go, the natural cycle continues, and Summer is waiting to come back next year, hopefully in a different setting without restrictions.
Last week I had to kill some time in Rotterdam near the Central Station. It was the first time I saw it close. The coming days I will post some impressions.
The Pas Opweg leading to the Hidden Village in the forest near Nunspeet. In 1943 – 1944 the Dutch resistance build a village where people, wanted by the Germans, could hide. We are lucky to have thousands of kilometers of free bicycle lanes in The Netherlands. And riding an e-bike for the first time in my life in this forest was a wonderful experience.