Incoming traffic for Schiphol Airport, which is an overhead blues for us being disturbed every two minutes for another one, while sitting in the garden.
One of the first questions I had buying my first digital DSLR was ‘how do I shoot monochrome photos from now?’. In the past it was just choosing what film I put in a camera. Going digital implied using editing to revert from color to monochrome. More recently black and white modes came back on devices. Not only on iPhone. My choice for Nikon Zf was influenced by it. But it all is a question of taste.
Two photos of the power lines at St. George-sur-L’Aa in France. Pick one or both. Both were shot on iPhone without the mono setting.
France, St. George-sur-L’Aa -August 2026
Every time we travel to or from the UK via the Channel Tunnel, I try to take photos of these steel giants. They carry power lines in the area of St. George-sur-l’Aa. No worries, I’m in the passenger seat.
One of the first questions I had buying my first digital DSLR was ‘how do I shoot monochrome photos from now?’. In the past it was just choosing what film I put in a camera. Going digital implied using editing to revert from color to monochrome. More recently black and white modes came back on devices. Not only on iPhone. My choice for Nikon Zf was influenced by it. But it all is a question of taste.
The same photo of the station of Haarlem in color and (edited) monochrome. Pick one or both.
The Final Lap. The sixth and last episode of F1 racing on Zandvoort. A big event, bigger than motor racing. A major event with an atmosphere that is now a benchmark for F1 races. But unfortunately is commercially no longer interesting enough for the big greed. The last time the Orange Army is out to cheer Max Verstappen a final time on his home circuit. Which unfortunately lasted one lap in the race.
The photos are shot on the Friday. It was my first visit to a F1 event. Quite remarkable to witness. And hear. Just snapped a bit noticing the limitations of an iPhone under these circumstances.
It seems I’m into sky and clouds during the warm days this Summer. This landscape is typical Dutch with some hints towards paintings of Vincent Van Gogh. Sun is setting. Not a starry night yet.
Sunsets these days are sometimes interesting with cloud shapes light up. With poor light conditions it can turn out to be a quite rough photo. I added to that roughness deliberately.
LAPC #408 is ‘over the top’. The sky at dusk, showing what we call ‘schapenwolken’ in Dutch. Literally over the top. In case you can not sleep, counting them would help. But where do they go after you counted them?
Every time we travel to of from the UK via the Channel Tunnel, I try to take photos of these steel giants. They carry power lines in the area of St. George-sur-l’Aa. No worries, I’m in the passenger seat.
As a Dutchman this palette of fields looks beautiful. In contrast to the look of The Netherlands from the sky: fields efficiently standardized in shape and size.
The coast of The Netherlands, showing the colour original of the monochrome of two days ago. The window of the plane gives layer of colors that I did not like at first. Not Australia but from up here it is down under.
The coast of The Netherlands, showing the Dutch version of Le Plat Pays (my flat country) from an incoming Easyjet flight from London Gatwick to Schiphol Amsterdam. Lots of windmills still.
People who follow my photoblog (thank you!) know my love for monochrome. And sometimes it is a matter of taste what to choose: the original colour shot, or the monochrome version? That is if the original shot is not done in monochrome, I do that quite a lot on iPhone and Nikon Zf.
The question to you is: which one do you prefer, and why? Any comments are as always welcome.