When the Centre Pompidou opened, the Parisians nicknamed it ‘the refinery’. It is a unique construction. But quite hard to maintain given all the angles and open spaces. The art collection inside is nice to walk around when in Paris. Always a place to visit again, when there.
The Musée d’Orsay. One of my favourite museums. Not only for its architecture, but also for their collection of impressionist paintings. Here school kids, drawing in front of them.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
The Notre Dame in Paris before the fire. A view from the quay toward the Île de la Cité. From a walk along the river, the third I took at almoste the same point. The previous ones I published yesterday and the day before yesterday, showing bridge arches.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
The Notre Dame in Paris before the fire. The bridge arch offers a template on a sunny Winter morning. The first shot in a set of shots of three. The second I published yesterday.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
The Notre Dame in Paris before the fire. The bridge arch offers a template on a sunny Winter morning. Earlier published but a bit adjusted. This is the second shot in a set of three. The first one will be on tomorrow, the third the day after.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
The Spanish Steps in Rome. Nowadays people are not allowed to sit on the steps, but back then you could. Another one from the archives for Lens Artist’s Photo Challenge 414 looking back at challenge 44: Harmony.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
One from the archives, 32 years ago. A street photo of a smoking sunglass wearing young woman in front of the Trevi Fountain in Rome.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Lens Artist’s Photo Challenge 414 looks back at challenge 44: Harmony. One from the archives, 32 years ago. The Trevi Fountain – without water – in Rome.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Lens Artist’s Photo Challenge 414 looks back at challenge 44: Harmony. One from the archives, 32 years ago. The fountain at the Piazza d’Aracoeli, at the bottom of the stairs to the Piazza di Campidoglio, Capitol Hill in Rome.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Lens Artist’s Photo Challenge 414 looks back at challenge 44: Harmony. A silent image of a peaceful sunset.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
I can’t choose. I like them both. Same rose in two frames.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
The days before I published photos that I took at the same time as this one. This overview gives you an idea how the previous photos came about, and show you the canal in a different way, to give an idea of the canal, its size and its environment.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
A slightly different shot than yesterday. With a bit more of the atmosphere of the canal itself.
The Netherlands has its fair share of water (canals, lakes, ponds) and a fair share of bridges and even aquaducts. LAPC #413 is ‘bridges’. The two overlapping bridges (behind the front one is a motorway bridge) are not my favourites as the brief of LAPC asks for. They are the most practical in daily life to cross the canal. In the Archive bridges you find more photos of bridges. Most of them are from ordinary daily life close to home. But two of my favourites are the Millennium Bridge in London and the Pont de Normandie in Normandy.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
The Netherlands has its fair share of water (canals, lakes, ponds) and a fair share of bridges and even aquaducts. LAPC #413 is ‘bridges’. The two overlapping bridges (behind the front one is a motorway bridge) are not my favourites as the brief of LAPC asks for. They are the most practical in daily life to cross the canal. In the Archive bridges you find more photos of bridges. Most of them are from ordinary daily life close to home. But two of my favourites are the Millennium Bridge in London and the Pont de Normandie in Normandy.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
During a visit to the Apple Store in Den Haag, this scene was outside. In the frame of the door, looking into the Passage, and old shopping mall.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
The Netherlands has its fair share of water (canals, lakes, ponds) and a fair share of bridges and even aquaducts. LAPC #413 is ‘bridges’. This two bridges (overlapping) are not my favorites, but with the bridge this one is taken from, the most common I see every day.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
Just after take off, a plane with most likely a holiday destination, comes straight over Zandvoor circuit.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
Beaches and sunsets, sea meeting land, space wide open.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
The beach at Zandvoort. A kite surfer taking on the wind and waves.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
The beach at Zandvoort. The west coast of The Netherlands is one big sand beach. Choosing for mono or colour is a choice for atmosphere. But also a way to get more attention to certain parts of the frame. Silhouettes in black in mono work stronger than in colour for me. But in the end, it is a matter of taste of course.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
Waiting for boarding can be boring, but sometimes there is an opportunity for a nice photo. And again, a tough choice, pick your favourite. LAPC #412 is ‘places shaped by water’. The airport Schiphol is located in what used to be a lake till the mid 1800 century.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
A polder landscape. Living below sea level water management is needed to keep us dry. Here you see a typical polder landscape.
LAPC #412 is ‘places shaped by water’.
One of the first questions I had buying my first digital DSLR was ‘how do I shoot monochrome photos from now?’. In the past it was just choosing what film I put in a camera. Going digital implied using editing to revert from color to monochrome. More recently black and white modes came back on devices. Not only on iPhone. My choice for Nikon Zf was influenced by it. But it all is a question of taste. And taste is specific. When I see a subject nowadays I try to use the monochrome settings and the standard colour settings; knowing that I can nowadays see the results straight away. That is a blessing.
Two different photos of the road over the Volkerakdam. This dam and the locks in it, are part of the Delta Works, safeguarding The Netherlands against floods.
LAPC #412 is ‘places shaped by water’. I think that applies exactly to the existence of The Netherlands.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
After a long dry period a day of rain, just during a drive from the UK back home through Belgium. In The Netherlands we have ‘open tarmac’ that drains rain fast. Rain and poor visibility make a drive more difficult.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
The light of the setting sun from behind the horizon reflects in the clouds for the last moments.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
A glimmer of light in a darkening sky. A plane approaches London Gatwick.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
Clouds and sky at dusk.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
Sun baked green in monochrome.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
Waiting for boarding on Schiphol Amsterdam.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
Incoming traffic for Schiphol Airport, which is an overhead blues for us being disturbed every two minutes for another one, while sitting in the garden.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
Clouds and sky, into the wide open.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
Herbs in the kitchen window that needs a wash.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
One of the first questions I had buying my first digital DSLR was ‘how do I shoot monochrome photos from now?’. In the past it was just choosing what film I put in a camera. Going digital implied using editing to revert from color to monochrome. More recently black and white modes came back on devices. Not only on iPhone. My choice for Nikon Zf was influenced by it. But it all is a question of taste.
Two photos of the power lines at St. George-sur-L’Aa in France. Pick one or both. Both were shot on iPhone without the mono setting.
Every time we travel to or from the UK via the Channel Tunnel, I try to take photos of these steel giants. They carry power lines in the area of St. George-sur-l’Aa. No worries, I’m in the passenger seat.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
Drought in England after months without rain and an unusual amount of heatwaves. The landscape turned dramatically.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
One of the first questions I had buying my first digital DSLR was ‘how do I shoot monochrome photos from now?’. In the past it was just choosing what film I put in a camera. Going digital implied using editing to revert from color to monochrome. More recently black and white modes came back on devices. Not only on iPhone. My choice for Nikon Zf was influenced by it. But it all is a question of taste.
The same photo of the station of Haarlem in color and (edited) monochrome. Pick one or both.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
The Final Lap. The sixth and last episode of F1 racing on Zandvoort. A big event, bigger than motor racing. A major event with an atmosphere that is now a benchmark for F1 races. But unfortunately is commercially no longer interesting enough for the big greed. The last time the Orange Army is out to cheer Max Verstappen a final time on his home circuit. Which unfortunately lasted one lap in the race.
The photos are shot on the Friday. It was my first visit to a F1 event. Quite remarkable to witness. And hear. Just snapped a bit noticing the limitations of an iPhone under these circumstances.
Summer heat starting up with the sunrise.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
We witnessed the last partial eclipse in Western Europe for the next 58 years in the beginning of August.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
It seems I’m into sky and clouds during the warm days this Summer. This landscape is typical Dutch with some hints towards paintings of Vincent Van Gogh. Sun is setting. Not a starry night yet.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
Sunsets these days are sometimes interesting with cloud shapes light up.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
Sunsets these days are sometimes interesting with cloud shapes light up. With poor light conditions it can turn out to be a quite rough photo. I added to that roughness deliberately.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
Sunsets these days are sometimes interesting with cloud shapes light up.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
Sunsets these days are sometimes interesting with cloud shapes light up. At the golden hour.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
Sunsets these days are sometimes interesting with cloud shapes light up. Even in monochrome.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
Sunsets these days are sometimes interesting with cloud shapes light up.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
Sunsets these days are sometimes interesting with cloud shapes light up.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
This Sumer a lot of nights were really warm, so a sheet is just what you need for cover LAPC #408 is ‘over the top’.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
This was the last rain we had, and before that we had more than a month without rain. It is dry, rivers run low.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
The sky at dusk, showing scenery that takes your imagination far. LAPC #408 is ‘over the top’.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
