The Netherlands has its fair share of water (canals, lakes, ponds) and a fair share of bridges and even aquaducts. LAPC #413 is ‘bridges’. This two bridges (overlapping) are not my favorites, but with the bridge this one is taken from, the most common I see every day.
The beach at Zandvoort. The west coast of The Netherlands is one big sand beach. Choosing for mono or colour is a choice for atmosphere. But also a way to get more attention to certain parts of the frame. Silhouettes in black in mono work stronger than in colour for me. But in the end, it is a matter of taste of course.
One of the first questions I had buying my first digital DSLR was ‘how do I shoot monochrome photos from now?’. In the past it was just choosing what film I put in a camera. Going digital implied using editing to revert from color to monochrome. More recently black and white modes came back on devices. Not only on iPhone. My choice for Nikon Zf was influenced by it. But it all is a question of taste. And taste is specific. When I see a subject nowadays I try to use the monochrome settings and the standard colour settings; knowing that I can nowadays see the results straight away. That is a blessing.
Two different photos of the road over the Volkerakdam. This dam and the locks in it, are part of the Delta Works, safeguarding The Netherlands against floods.
After a long dry period a day of rain, just during a drive from the UK back home through Belgium. In The Netherlands we have ‘open tarmac’ that drains rain fast. Rain and poor visibility make a drive more difficult.
Incoming traffic for Schiphol Airport, which is an overhead blues for us being disturbed every two minutes for another one, while sitting in the garden.
One of the first questions I had buying my first digital DSLR was ‘how do I shoot monochrome photos from now?’. In the past it was just choosing what film I put in a camera. Going digital implied using editing to revert from color to monochrome. More recently black and white modes came back on devices. Not only on iPhone. My choice for Nikon Zf was influenced by it. But it all is a question of taste.
Two photos of the power lines at St. George-sur-L’Aa in France. Pick one or both. Both were shot on iPhone without the mono setting.
France, St. George-sur-L’Aa -August 2026
Every time we travel to or from the UK via the Channel Tunnel, I try to take photos of these steel giants. They carry power lines in the area of St. George-sur-l’Aa. No worries, I’m in the passenger seat.
One of the first questions I had buying my first digital DSLR was ‘how do I shoot monochrome photos from now?’. In the past it was just choosing what film I put in a camera. Going digital implied using editing to revert from color to monochrome. More recently black and white modes came back on devices. Not only on iPhone. My choice for Nikon Zf was influenced by it. But it all is a question of taste.
The same photo of the station of Haarlem in color and (edited) monochrome. Pick one or both.
The Final Lap. The sixth and last episode of F1 racing on Zandvoort. A big event, bigger than motor racing. A major event with an atmosphere that is now a benchmark for F1 races. But unfortunately is commercially no longer interesting enough for the big greed. The last time the Orange Army is out to cheer Max Verstappen a final time on his home circuit. Which unfortunately lasted one lap in the race.
The photos are shot on the Friday. It was my first visit to a F1 event. Quite remarkable to witness. And hear. Just snapped a bit noticing the limitations of an iPhone under these circumstances.
It seems I’m into sky and clouds during the warm days this Summer. This landscape is typical Dutch with some hints towards paintings of Vincent Van Gogh. Sun is setting. Not a starry night yet.
Sunsets these days are sometimes interesting with cloud shapes light up. With poor light conditions it can turn out to be a quite rough photo. I added to that roughness deliberately.
LAPC #408 is ‘over the top’. The sky at dusk, showing what we call ‘schapenwolken’ in Dutch. Literally over the top. In case you can not sleep, counting them would help. But where do they go after you counted them?
Every time we travel to of from the UK via the Channel Tunnel, I try to take photos of these steel giants. They carry power lines in the area of St. George-sur-l’Aa. No worries, I’m in the passenger seat.