A bicycle park facility at Tesco’s in Swaffham in Norfolk. A bit of street art for this week’s Lens Artists photography challenge #170 Street Art.
Shot with iPhone 11 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
The Orange Tree Inn in Thornham.
Shot with iPhone 11 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
Something ordinary, a bridge to cross. But some bridges make it a bigger experience. Queen Elizabeth bridge at Dartford Crossing. For this week’s lens artists challenge #169: the ordinary.
Shot with iPhone 11 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
A sunrise on a road near Horsham for this week’s lens artists challenge #169: the ordinary.
Shot with iPhone 11 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
Coastal defense in Zeeland. For this week’s lens artists challenge #169: the ordinary.
The B4 retouch series
I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The picture was originally shot with Pentax K1000 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Coastal defense in Zeeland. The added ball makes it look like a practice for a free kick in a soccer match. For this week’s lens artists challenge #169: the ordinary.
The B4 retouch series
I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The picture was originally shot with Pentax K1000 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
A click and collect with a hazy morning sun for this week’s lens artists challenge #169: the ordinary.
Shot with iPhone 11 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
An ordinary fence on the side of the motor way in the north of France for this week’s lens artists challenge #169: the ordinary.
Shot with iPhone 11 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
One from the archive. Père Lachaise is a famous graveyard in Paris, with lots of celebrities being rested there; another one for this week’s lens artistists challenge #168: seen better days. You can buy a map with the names of the famous on it, to find their graves. One of the youngest to be buried there was Jim Morrisson. Lead singer of The Doors, icon. The first time I visited Père Lachaise was early in 1985. Together with a friend we took a look at his grave; which was not that difficult to find because ‘helpful’ signs on gravestones, with arrows, pointed one in the right direction. At his grave we found a very young girl mourning. I asked her why she was so sad. “Jim is gone!”, she said. She must have been very young when he died in 1971. But her grieve was real. And years later in 2021, on a walk around the local lake, young people were playing The Doors loud on a big ghetto blaster like device. They looked at me as I walked by, smirking at me because they thought I did not like the loudness nor the music. “Great music boys”, I said as I walked by. They were surprised and replied: “Yes, this is great music sir!”. We grinned together, two different generations but the same love for The Doors. Break on through to the other side.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
One from the archive. Père Lachaise is a famous graveyard in Paris, with lots of celebrities being rested there for this week’s lens artistists challenge #168: seen better days.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
