The start of a brand new year, the first day with 365 following, given this is a leap year. A calm sea, the light breaking into the waves, painting a gorgeous sky in the clouds. It’s all in the details. The small boat heading out to a new port of call.
Lens Artists Photo Challenge #266 is ‘Time’. It takes a lot of time to tell everything about the concept of time. One aspect of time is change. In time society changes in most cases. These changes can be political (eg equal voting rights), economical (eg equal pay for men and women) or social (eg inclusion). But of course there are more emancipatory changes possible and needed.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
How much more Dutch can a landscape be? Flat, low horizon, water, boat and windmill. and Water Lillies as a substitute for tulips 😂. De Zijl near Leiden.
This week LAPC 243 is ‘it’s tricky’. Lots of tricky things.: a cold day, a cold sea, a cold dive. Snapping on the iPhone with zoom, tricky and a bit cheeky.
Sometimes the color and mono have a fight. Two totally different tones and feelings to the same photo. And an answer to the question I phrased in the previous two posts.
This week’s Lens Artists Photo Challenge 240 is hosted by John Steiner. He invites to show my favorite type or style of photography as the road I have chosen to take most often. And – I was not really honest when I wrote this – that creates a bit of a problem for me. I might need direction.
Basically my attention gets caught and produces an image. It is not conscious, it is in the context where I am. And it results in an array of subjects. It is easier to say what road I do not take: fashion, portraits, urban. But travel, cities, landscapes etc are part of the portfolio.
I asked visitors feedback, and I am happy that those who took time to answer (thank you!) confirmed my own view on ‘my work’. Describing it as ‘random variety’ ‘context orientated’; I am in the place I should be (and I feel comfortable in). And it is a true pleasure to receive these kind phrased comments. So: I keep doing what I do, snap in context, it is fun!
Right now the coast at Katwijk is work in progress. Sand is dredged out of the sea, pressed through tubes and added just before the beach under the water. 5,5 cubic meters of sand. Making it safe again and compliant to standards. As always Rijkswaterstaat does an amazing job.
The weekly theme for LAPC #237 is ‘bringing softness’. Softness can be achieved in processing a sharp photo. Or just use zoom on an iPhone and do not keep it still while pressing the shutter. It gives the softness that makes this beach view interesting.
Right now the coast at Katwijk is work in progress. Sand is dredged out of the sea, pressed through tubes and added just before the beach under the water. 5,5 cubic meters of sand. Making it safe again and compliant to standards. As always Rijkswaterstaat does an amazing job.
The theme for LAPC 234 is ‘messages’. The dunes and the retreated sea create a wonderful open space that connects land, sea, sky and men. A space for stories, dreams and desires.
The Lens Artists Photo Challenge #233 is ‘a one lense walk‘. The first week of 2023 we had a short stay at Norfolk; the beauty of its coast and its wildlife gave ample opportunities for photos. The Nikon D500 has the 18-105 mm lens on it. The marshes on the quay of Blakeney around sunrise.
The Lens-artists challenge #197 is ‘rule of thirds’. The rule of thirds is a rule of thumb how to compose images. There are more ‘rules’; another is the ‘s’ like in the photo above. Whatever rule you like to use: break them and tweak them till you are happy with the result of the photo you are putting together. In the end your gut tells a lot about what constitutes a decent picture to your liking.
This weeks challenge #187 is ‘water’. The Galgenwater in Leiden. In the background a replica a of the mill that was used by the father of Rembrandt van Rijn, who was born to the left of the bridge in the distance in 1606, 410 years before this photo.
In the paradox of Achilles and the tortoise, Achilles is in a footrace with the tortoise. Achilles allows the tortoise a head start of 100 meters, for example. Suppose that each racer starts running at some constant speed, one faster than the other. After some finite time, Achilles will have run 100 meters, bringing him to the tortoise’s starting point. During this time, the tortoise has run a much shorter distance, say 2 meters. It will then take Achilles some further time to run that distance, by which time the tortoise will have advanced farther; and then more time still to reach this third point, while the tortoise moves ahead. Thus, whenever Achilles arrives somewhere the tortoise has been, he still has some distance to go before he can even reach the tortoise.
No man is an island, Entire of itself, Every man is a piece of the continent, A part of the main. If a clod be washed away by the sea, Europe is the less. As well as if a promontory were. As well as if a manor of thy friend’s Or of thine own were: Any man’s death diminishes me, Because I am involved in mankind, And therefore never send to know for whom the bell tolls; It tolls for thee. John Donne
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The theme for this week’s Lens Artists Photo Challenge #172 is a day of my week. The photo above was one of a series I took during a morning when I visited a little village in Norfolk, Wells next the Sea. From the dock the view on the low tide coastline was amazing: boats, gulls, water, sun and clouds. It felt like a photographer heaven where there is too much to shoot in a short time. So this week I publish some of the photo’s from that morning in September.
The theme for this week’s Lens Artists Photo Challenge #172 is a day of my week. The photo above was one of a series I took during a morning when I visited a little village in Norfolk, Wells next the Sea. From the dock the view on the low tide coastline was amazing: boats, gulls, water, sun and clouds. It felt like a photographer heaven where there is too much to shoot in a short time. So this week I publish some of the photo’s from that morning in September.
The theme for this week’s Lens Artists Photo Challenge #172 is a day of my week. The photo above was one of a series I took during a morning when I visited a little village in Norfolk, Wells next the Sea. From the dock the view on the low tide coastline was amazing: boats, gulls, water, sun and clouds. It felt like a photographer heaven where there is too much to shoot in a short time. So this week I publish some of the photo’s from that morning in September.
The theme for this week’s Lens Artists Photo Challenge #172 is a day of my week. The photo above was one of a series I took during a morning when I visited a little village in Norfolk, Wells next the Sea. From the dock the view on the low tide coastline was amazing: boats, gulls, water, sun and clouds. It felt like a photographer heaven where there is too much to shoot in a short time. So this week I publish some of the photo’s from that morning in September.
The theme for this week’s Lens Artists Photo Challenge #172 is a day of my week. The photo above was one of a series I took during a morning when I visited a little village in Norfolk, Wells next the Sea. From the dock the view on the low tide coastline was amazing: boats, gulls, water, sun and clouds. It felt like a photographer heaven where there is too much to shoot in a short time. So this week I publish some of the photo’s from that morning in September.
The theme for this week’s Lens Artists Photo Challenge #172 is a day of my week. The photo above was one of a series I took during a morning when I visited a little village in Norfolk, Wells next the Sea. From the dock the view on the low tide coastline was amazing: boats, gulls, water, sun and clouds. It felt like a photographer heaven where there is too much to shoot in a short time. So this week I publish some of the photo’s from that morning in September.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The picture was originally shot with Pentax K1000 on Kodak Plusx, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
The harbor of Barfleur, a small village in the West of Normandy. Years ago I had an idea to sell postcards from photos I was shooting. It never came to reality. This would be a pretty one I think.
The airport of Samos is just near a beach. Luckily there were about two flights a day. The backroads of the Greek islands are the ferry services between them.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
The picture was originally shot with Pentax K1000 on Kodak Plusx, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with an unknown point and shoot pocket camera on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version