Impressions of a bridge in Winter (2)
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Crossed to a new year, 2025 is just started. I wish everyone a wonderful 2025 in good health, with loads of love and moments in which wishes become reality. Where we can talk and bridge judgments.
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And off he went.
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The Klinkenberger Plas in Autumn.
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View on Scheveningen in the distance.
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2341@TCOgst16


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A leave on a window.
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A tree obscures the Flowermill (Meelfabriek) is an old industrial monument as seen from a passing car while not driving.
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The Flowermill (Meelfabriek) is an old industrial monument being converted into hotels and apartments. As seen from a passing car while not driving.
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The Zijlpoort in Leiden seen from a passing car while not driving.
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This week’s Lens Artists Photo Challenge #322 is ‘there is a crack in everything, that’s how the light gets in’. The quote is from a verse by Leonard Cohen about imperfection and beauty, redemption, healing and growth to overcome pain and hurt. The origin is more ‘cosmic’ and is much older (e.g. Rumi): the only perfect ‘being’ (the light) is the source of all. As humans we are not perfect but we can let the light in to heal our wounds and pain. And essentially learn from it.
Yesterday I showed a photo from the bright side, this one is from the sunrise, and I must say I love the light and the atmosphere.
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This week’s Lens Artists Photo Challenge #322 is ‘there is a crack in everything, that’s how the light gets in’. It is from a verse by Leonard Cohen about imperfection and beauty. This photo is just a blunt statement: the light comes from the right. But considering my more frequent photo moments in the early morning on this spot, it is after noon. A total different view on the same view. The way the light hits a scene gives it meaning. And shows different details. It softens, warms an strikes with a tender touch, showing the deeper beauty. Not perfect, but priceless.
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Summer is gone, the garden turns to Winter. The warm weather pulled out some more flowers.
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This week’s Lens Artitsts Photo Challenge (#321) is Intentional Camera Movement (ICM). Yesterday I published photos shot analogue on film: the result is only visible after developing the film. This one is from 2004 with my first digital Nikon D70. The fun of digital is that you can actually see on the back what the result is, and use this feedback to try again. Digital gives freedom and is cheap and gives instant feedback. 20 years of digital playing.
shot with Nikon D70, edited using Snapseed and Marksta. Click the picture for a larger version.



A fossil power plant on smoke, next to the A5 in Amsterdam-Sloterdijk.
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In about six months these fields will be covered with blooming bulb flowers. Can you imagine the colors?
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The roses did well this year.
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A view over the meadows in an old Dutch masters light.
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The Netherlands is famous for its Spring bulbflower fields, but we produce flowers in Summer and Autumn as well.
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Yes, we produce flowers in Summer and Autumn as well.
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A bicycle tour brought us to the Zijwatering, a canal from Wassenaar to the Oude Rijn (in the time of the Roman Empire the present Old Rhine was part of the Rhine estuary and came into the Northsea at Katwijk). It was a surprise and also a delight to see the beauty of the landscape under a beatiful early Autumn sun. The bottom photo is a panorama, using this feature on the iPhone makes straight lines bend.
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LAPC #316 is ‘Finding beauty in unexpected places’.
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The Moerdijkbrug over the Hollands Diep, seen from the Moerdijkbrug for the motorway. In the middle of the Dutch delta.
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Incoming and outgoing traffic at Schiphol Amsterdam. Just a drive by, and no worries, I was not driving the car.
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Willy Zuid, a beach pavillion.
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The Netherlands, Katwijk aan Zee – August 2024
Sometimes it just happens. You are in a place and the light is fantastic, and there is so much to frame in a photo. The sunset is spectacular and for some odd 30 minutes you are in a photography candy shop. This is a selection of what ended up on my phone on that hot August evening.
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And the last one of a brilliant hour at the beach on a Summer evening to enjoy the sunset while having dinner. That was a nice bubble to be in.
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Yesterday I told you about my passion and history in monochrome. And that I do shoot sunsets in black and white. Here is another one of the same sunset, but framed different. I will publish an overview of all those shots of same sunset that evening. Each of them show a bit of it, it’s in my humble opinion nice to see the big picture.
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If you did not notice, I am a big fan of monochrome. In fact, monochrome film was way back the medium I started with. It was cheap and you print your own photos in a darkroom. That was adventurous and frustrating at the same time. Not to sound old, but nowadays with wonderful software, editing images is easier, faster and more fun. And you instantly see what you get! But sometimes I do miss the anxiety of the darkroom, seeing a photo come up in the developer. Back to now. I do shoot sunsets in black and white, and here is one. The atmosphere of the shot is different, more dark and eerie.
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When there are landscapes, what is the landscape of a sea called? To me watching the sea is like an escape of the real world, dreaming into the image that is presented. This is the layered story of an image, with each of the layers adding to it. The beach with the humans grounded on the sand under their feet, almost insignificant in size. The vast sea stretching into the far distance, rippled in the wind and current, offering a seemingly flat smooth surface. The boats and windmills that seem to float on the water that sparkles in the light of the lowering sun. And on top of all that the backdrop of the sky painted lightly by the softer light that lays a filter over the all of it. Put a frame around it and you have a nice photo.
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