Some left overs from Tuesday 22nd of March. If Genesis would not have three postponed gigs in the O2 in London, this would probably have been their last concert. Again, thanks for the memories!
After fifty years Genesis is touring the world for what seems a final time in The last (?) Domino Tour. I admit I was a bit skeptic, having heard the you-tube video’s of the shows in 2021, given Phil Collins’ health issues. Seeing him enter the stage slowly, sitting down was emotional, and a bit scary. But when he sat he was there, eyes firing, witty (‘now we only have old songs’ (referring to his anger at a Dutch audience in 1981 in Leiden), playing the audience as he used to do. And singing his heart out. No longer able to play the drums. He is fragile, but what a persona on stage, his voice beautifully supported by two backing singers, and his son Nic Collins on drums. What a talent. The other oldies Mike Rutherford (hopping around as always) and Tony Banks (stoic and focused), with Daryl Stuermer blowing the roof of the Ziggo Dome. At times it was emotional, the music was a bright mix of their prog and pop period, with standards (I know what I like) and classics (Cinema Show, In that Quiet Earth/Afterglow, Firth of Fifth). Standing the age of time, showing an impressive body of work over the years. It was a beautiful and moving farewell, that ended with The Carpet Crawlers: you got to get in to get out. Chills and goose bombs, perfect sound and a band at work smoothly, after a break of 15 years. Thanks for the memories guys.
And it was a nice time to use my iPhone 13 Pro Max.
Covid is still among us, but slowly we start up to the new normal. That means going back to the office some days a week, hence being in a train again. Here a view out of the window.
Covid is still among us, but slowly we start up to the new normal. That means going back to the office some days a week, hence being in a train again. Here a view out of the window.
A picture that does not fit in a category has to fit in ‘odds and ends’, lens artists photo challenge #189. Though this one could have been in ‘cleaning’, ‘swans in habitat’, ‘grooming for professionals’ etc.
This week lens artists photo challenge is ‘that special place‘. The empty branches of a tree in Winter. During this pandemic I realized that the immediate outside of my house is an inspiration for photos. During the seasons and days it is always nice to look out and sometimes catch a nice view. Looking back over the years I realize that I have always been intrigued by little details near the places where I lived. Making these places special in a certain way.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
This weeks challenge #187 is ‘water’. The Galgenwater in Leiden. In the background a replica a of the mill that was used by the father of Rembrandt van Rijn, who was born to the left of the bridge in the distance in 1606, 410 years before this photo.
This weeks challenge #186 is ‘Low Light’. Monochrome gives a soft grey tone from light to dark, aand nice details in the darker areas, which you can not see easily by eye.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta Click the picture for a bigger version.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Fuji Film, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version
This weeks challenge #186 is ‘Low Light’. Meet Murphy, the cutest dog ever. Even if the original is not that well, software helps us to make it look good and show his cheeky eyes.
This weeks challenge #186 is ‘Low Light’. Using the available light is primarily a question of creativity and secondarily the available technology. The advice when using a Kodak Instamatic (a very old point and shoot film camera in the 1970’s) was to keep the sun in the back. My advice is not to do that. When using film it was a calculated guess (the result came after developing of the film). Nowadays in digital times the result is immediately available on your camera, hence a source of more playing around and tweaking. Playing with light is playing with the source of light. This photo of Strandhill was taken on a ‘normal’ sunny day. The angle used makes it much more dramatic. This photo ‘See Sea’ gives an idea of the light as it was that day. The fog and dark sky added to the atmosphere (in the Archive Ireland you can find two more photo’s of this perspective taken at the same moment).
Strandhill in Sligo is a small town, looking out over the Atlantic Ocean to the West. Rising over it is Knocknarea with Queen Maeve.