The theme for LAPC 234 is ‘messages’. The coast of north Norfolk is one big nature resort with salt marshes and wildlife. The continuous change of the sea water coming in and out, the light changes during the day time and the vastness and beauty are stunning.
The theme for LAPC 234 is ‘messages’. Meet Murphy (the brown Show Cocker) and Cooper (the white brown). Both of them love water (and mud) and love chasing a ball together. When there is water or mud (preferably both) and a ball to catch, they do not stop playing.
The theme for LAPC 234 is ‘messages’. The dunes and the retreated sea create a wonderful open space that connects land, sea, sky and men. A space for stories, dreams and desires.
The Lens Artists Photo Challenge #233 is ‘a one lense walk‘. The first week of 2023 we had a short stay at Norfolk; the beauty of its coast and its wildlife gave ample opportunities for photos. The Nikon D500 has the 18-105 mm lens on it. The marshes on the quay of Blakeney around sunrise.
The Lens Artists Photo Challenge #233 is ‘a one lense walk‘. The first week of 2023 we had a short stay at Norfolk; the beauty of its coast and its wildlife gave ample opportunities for photos. The Nikon D500 has the 18-105 mm lens on it.
For the first time after the pandemic we were able to spend time at the end of the year in England. This time we welcomed the New Year at the coast of Norfolk. This set of snaps shows the road from Surrey to Norfolk, passing the Dartford Tunnel into Essex and Norfolk.
The views of the landscapes are taken from the car in the passenger seat. And sometimes that leads to seeing surprising objects in the front of the picture. LAPC #209 is surreal.
This week’s Lens Artists Photo Challenge is #206 ‘Treasures’. Life deserves to be treasured as it rolls out with us on our journey through our years. Lots of change happens during that trip. One of The Netherlands most wonderful features is the low horizon. Meaning we have so much sky, as a giant canvas to show clouds and patterns. The flat horizon does not attract too much attention, just offers some texture to the straight line. Showing the changes over the years as urbanization and commercial estates grow.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta Click the picture for a bigger version.
The Lens-artists challenge #197 is ‘rule of thirds’. The rule of thirds is a rule of thumb how to compose images. There are more ‘rules’; another is the ‘s’ like in the photo above. Whatever rule you like to use: break them and tweak them till you are happy with the result of the photo you are putting together. In the end your gut tells a lot about what constitutes a decent picture to your liking.
Each year the growers of bulbs try to keep the public out of the fields. If people enter the fields there is an imminent risk of diseases to the bulbs. It is impossible to patrol all fields so soft tactics with signs are being used. And some growers have volunteers to address people who do enter their fields. But in the end it all is depending on the behavior and goodwill of people. Unfortunately some think a field is public space. The other day I heard an anecdote about this ‘freedom confusion’. One day a grower saw a family enter his field, passing by at that moment. He noticed that the car of the man was left open. So he sat in the car. The man ran from the field to his car asking ‘what are you doing? this is my car!’. The grower just replied: ‘and that is my field you entered’.
Covid is still among us, but slowly we start up to the new normal. That means going back to the office some days a week, hence being in a train again. Here a view out of the window.
Covid is still among us, but slowly we start up to the new normal. That means going back to the office some days a week, hence being in a train again. Here a view out of the window.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Fuji Film, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version