About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta Click the picture for a bigger version
Pont de Normandie is a beautiful bridge over the river Seine between Le Havre and Honfleur. It towers over you as you approach it. The first time I passed it I was in admiration and also in awe. This week’s Lens Artists Photo Challenge #181 is double dipping: send in a photo that is related to another creative challenge on WordPress. This photo is a response to the monthly Thursday special of Lost in Translation. A beautiful blog with great creative photography. Each month one can enter photo’s portraying words: in December 2021 Introspective, Anticipating, Befriending, Choices, Wish. This photo describes anticipation and choices. If you choose to cross a bridge like this, what will it be like?
Mona Lisa is one of the most famous and genius works of art in the world. I was lucky to view it for the first time when the Louvre was not modernized. On a Monday morning in February 1984 me and a friend were the only persons in the room to admire her mysterious smile. In 2008 I saw her again from a distance, in a sea of pressing people, holding up phones and camera’s to get a glimpse of her. I have not been there since, but I can imagine what it must look like on a normal day before the pandemic. A wave of smartphones will be raised towards her, in a never ending stream of people on visiting times of the Louvre. Apparently 80% of the visitors of the Louvre come to see her.
I read in an article that at present people seek personal attention in combination with important objects and/or moments. A selfie is the instrument to gain that attention on Instagram or Twitter or Facebook or Tiktok. Mona Lisa/Lisa Gherardini never wanted that attention, a brilliant artist painted her portrait. And the rest is history. She must feel lonely now, no one is coming to see her. Or is she finally getting her well deserved rest.
Le Mont Saint Michel is an old village on a rock in a bay on the west of France in Brittany. It is positioned in between Normandy and Brittany, and is famous for its abbey.
One from the archive. Père Lachaise is a famous graveyard in Paris, with lots of celebrities being rested there; another one for this week’s lens artistists challenge #168: seen better days. You can buy a map with the names of the famous on it, to find their graves. One of the youngest to be buried there was Jim Morrisson. Lead singer of The Doors, icon. The first time I visited Père Lachaise was early in 1985. Together with a friend we took a look at his grave; which was not that difficult to find because ‘helpful’ signs on gravestones, with arrows, pointed one in the right direction. At his grave we found a very young girl mourning. I asked her why she was so sad. “Jim is gone!”, she said. She must have been very young when he died in 1971. But her grieve was real. And years later in 2021, on a walk around the local lake, young people were playing The Doors loud on a big ghetto blaster like device. They looked at me as I walked by, smirking at me because they thought I did not like the loudness nor the music. “Great music boys”, I said as I walked by. They were surprised and replied: “Yes, this is great music sir!”. We grinned together, two different generations but the same love for The Doors. Break on through to the other side.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The picture was originally shot with Pentax K1000 on Kodak Plusx, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The picture was originally shot with Pentax K1000 on Kodak Plusx, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The picture was originally shot with Pentax K1000 on Kodak Plusx, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Bretagne has one of the most beautiful coastlines in the world. I love the rocks and the breaking water. A dangerous shore for sure, but a beautiful source of inspiration. Here a part of the marked entrance to the port of Saint-Malo,.
Bretagne has one of the most beautiful coastlines in the world. I love the rocks and the breaking water. A dangerous shore for sure, but a beautiful source of inspiration. Here the rocks near Saint-Malo,.
In Domfront in Normandy they show old knights and medeaval games to tourists in Summer, in a superb backdrop of the old town. That delivers contrasting images.
The harbor of Barfleur, a small village in the West of Normandy. Years ago I had an idea to sell postcards from photos I was shooting. It never came to reality. This would be a pretty one I think.
The gorge of the river Tarn in France, looking right from the Point Sublime (if you turn this around you have the English translation). This view point shows the Tarn in a splendid panoramic view. This is the right side, yesterday I published the left. This area of France is the lowest populated part of France. Small roads, beautiful nature, nature.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Olympus Mju on Fuji Color, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The gorge of the river Tarn in France, looking left from the Point Sublime (if you turn this around you have the English translation). This view point shows the Tarn in a splendid panoramic view. This is left, tomorrow right. This area of France is the lowest populated part of France. Small roads, beautiful nature, nature.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Olympus Mju on Fuji Color, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F301 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F301 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
La Défense is a big, modern office area in Paris. I remember my teacher for French saying she did not like it at all, too modern, on the old axe of the Champs Elysées and Louvre. Years later I was curious about the area and went there on a long weekend trip, hoping for some nice images. Feeling small between the buildings of big companies, rising high up over the skyline of Paris. An alienating place, where human size did not seem to matter.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F301 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The picture was originally shot with Pentax K1000 on Kodak Plusx, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Paris in December 1981. A view from the hill of Sacré Coeur into the city at the end of the Winter afternoon just before sunset. A shot on Kodak Color II brought back to monochrome. Camera unknown.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot on Kodak color II, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
