Amersfoort 4
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
The Scheepvaartmuseum/National Maritime Museum in Amsterdam.
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The cellar of the Scheepvaartmuseum/National Maritime Museum in Amsterdam.
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Incoming and outgoing traffic at Schiphol Amsterdam. Just a drive by, and no worries, I was not driving the car.
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A left over from an earlier LAPC ‘balconies’.
The B4 retouch series
I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
Shot with Nikon F90 on KodakTriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version.
LAPC 309 is about balconies. I have to admit that I do not pay special attention to balconies, unless they trigger me as I look around and they catch my eye. This in Rethymnon on Crete. A bit of a messy shot, but I spotted the sign of the night club (does one have to be envious to visit?) and the adjacent balconies and roof, mimicking the eye lashes of the club sign. A kind of eyebrows raised photo.
shot with Nikon D7000, edited using Snapseed and Marksta. Click the picture for a larger version.


LAPC 309 is about balconies. I have to admit that I do not pay special attention to balconies, unless they trigger me as I look around and they catch my eye. This in Rethymnon on Crete. My first entry was an original monochrome on film. With this one I could not decide between the original and the edited monochrome version. Hence you see them both. Beauty is in the eye of the beholder.
shot with Nikon D7000, edited using Snapseed and Marksta. Click the picture for a larger version.


LAPC 309 is about balconies. I have to admit that I do not pay special attention to balconies, unless they trigger me as I look around and they catch my eye. This in Antwerp. My previous entry was an original monochrome on film. With this one I could not decide between the original and the edited monochrome version. Hence you see them both. Beauty is in the eye of the beholder.
Shot with iPhone 13 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Lines in the sky seen from one of the most beautiful frames for pictures in The Netherlands: a train window offering a beautiful frame with always changing content in it.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version


Architecture can be beautiful in full color as well in monochrome. In ‘twins’ I show the monochrome twin of the color shot at the Kop van Zuid in Rotterdam. The fourth set is New Orleans.
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Architecture can be beautiful in full color as well in monochrome. In ‘twins’ I show the monochrome twin of the color shot at the Kop van Zuid in Rotterdam. The third set is the Montevideo.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version


Architecture can be beautiful in full color as well in monochrome. In ‘twins’ I show the monochrome twin of the color shot at the Kop van Zuid in Rotterdam. The second set is an old elevator at the Rijnhaven.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version


Architecture can be beautiful in full color as well in monochrome. In ‘twins’ I show the monochrome twin of the color shot of the high risings in Rotterdam on the Kop van Zuid in Rotterdam. The first set is De Rotterdam by Rem Koolhaas.
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LAPC challenge #305 is about composition: two rectangles as a play tool to frame a photo. Sometimes you get lots more than two, which adds to another aspect of composition: repetition. Not sure if this qualifies as a valid entry, but I do like the building. This is De Rotterdam by Rem Koolhaas.
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The Rijnhaven in Rotterdam seen from the Kop van Zuid in Rotterdam.
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The Rijnhaven in Rotterdam seen from the Kop van Zuid in Rotterdam.
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The outside terrace of The Parrot in Forest Green/Dorking.
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A pub, one of the best places for community connections (connect LAPC 303).
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Today we remember that 80 years ago thousands were willing to pay the highest price to give us our freedom. John Steele landed on the pinnacle of this church in the early morning of June 6 1944 in Sainte-Mère-Église.
To the brave and courageous
Who were willing to pay the ultimate price
And gave me my freedom
As a precious treasure
Never to be taken as a right
But like they did then to be defended
Again and again
Lest not forget
shot with Nikon D7000, edited using Snapseed and Marksta. Click the picture for a larger version.
The view from the outside terrace of The Parrot in Forest Green/Dorking.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
An approach of any plane over a motorway strikes me always with a little anxiety. Not it will crash but the opportunity to have a nice shot at it.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
An old commercial estate on the Haarlemmerweg in Leiden.
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Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version



Bycycles passing the townhall of Leiden at the Breestraat, for Lens Artists Photo Challenge #292 ‘People here, there and everywhere’.
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The townhall of Leiden.
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This week’s Lens Artists Photo Challenge #292 is ‘People here, there and everywhere’. One of the stations in Den Haag, Laan van Nieuw Oost-Indië.
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The theme for the weekly Lens-Artists Photo Challenge #289 is ‘tools of photo composition’. Waiting for a train, enjoying the sun.
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Central Station Den Haag, a busy mobility hub. This week’s Lens Artists Challenge #287 is ‘Sound’
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Wishing you all a merry Christmas, as darkness and shadows seem to grow in the world, our own bright lights are able to light up all corners of the world. Simply be.
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Some photos do not fit the LAPC’s themes, so there is a rest category ‘last chance’ being #280. I never am guided by the themes in the photos I shoot. Some fit in, some don’t. But I never know the theme while shooting. Here is one from the archive I recently stumbled upon, never published.
Slane Hill in Ireland. Close to Slane Castle castle that is famous among other historical facts, for being the recording site for U2’s The unforgettable fire’ in 1984. And famous open air concerts.
Outside the village is The Hill of Slane with a small old ruined chapel, a ruined monastery and a graveyard, overlooking the landscape and the river Boyne.
The most interesting place is a small hill with undergrowth right behind the site, from which this photo was taken.
shot with Nikon D70, edited using Snapseed and Marksta. Click the picture for a larger version.
Two days ago I published a detail of the ceiling at Westfield Mall of the Netherlands in color. This is the monochrome version of the same image, in my opinion even more magical than the color version. In the feedback some wondered how this structure can be a ceiling. Here is an earlier publication showing the top light window in the ceiling in mono.
The lens artists photo challenge #279 is ‘magical’.
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A detail of the ceiling at Westfield Mall of the Netherlands, showing it is easy to hold lots of balls in the air at once at Christmas, but it looks kind of magical. The lens artists photo challenge #279 is ‘magical’.
Shot with iPhone 13 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
A detail of the ceiling at Westfield Mall of the Netherlands, quite uniqe. The lens artists photo challenge #279 is ‘magical’.
Shot with iPhone 13 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
These sculpture (nicknamed The Elgin Marbles) are originally from the Parthenon in Athens. Lord Elgin supposedly bought them from the Ottomans, who occupied the present Greece at that moment. The Greek try to return these marbles for decades, the UK government refuses, saying it’s British heritage. Last week a meeting of the UK prime minister with the prime minister of Greece was cancelled, after the Greek PM reiterated the ownership of the marbles. How mesmerizing and wonderful must it be to see these ornaments in the place they belong, on top of the Acropolis over Athens.
The lens artists photo challenge #278 is ‘unique’.
shot with Nikon D70, edited using Snapseed and Marksta. Click the picture for a larger version.
The windmill ‘Hoop doet leven’ between Oegstgeest and Voorhout in a backdrop of rain with matching cars to the dark sky.
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From a drive by, Amsterdam Zuidas.
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Lens Artists Photo Challenge #270 is ‘on display’. British Museum in London. Again one from the film archive.
The B4 retouch series
I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The picture was originally shot with a Pentax K1000 on Ilford FP4, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Shot with iPhone 13 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Lens Artists Photo Challenge #266 is ‘Time’. It takes a lot of time to tell everything about the concept of time.
One of the most heard excuses for having a drink is connected to time. ‘I never drink before 10 pm, but somewhere in the world it is 10 pm’. Cheers.
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Lens Artists Photo Challenge #266 is ‘Time’. It takes a lot of time to tell everything about the concept of time.
One of the best musical stories about time is by Pink Floyd: Time of the brilliant timeless album The Dark Side of the Moon, that was released 50 years ago.
This week I try to show aspects that come to my mind. The first is history at present. Places where important moments in time happened. Which you observe from the present.
This is a recent sunset over the Galgewater in Leiden. ‘Where? Why? Of what importance?’ I hear you say. At the bridge on the left side of the frame Rembrandt van Rijn was born. A copy of the mill his father used for his business is on the right. The only thing Rembrandt would have seen is the sunset, and the mills. All the buildings and boats etc are ‘after Rembrandt’.
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Shot with iPhone 13 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
Shot with iPhone 13 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version

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The Netherlands, Langbroek – July 2023
Kasteel Sandenburg in Langbroek. An old estate in the center of The Netherlands. Lovingly nicknamed the sugar cake. I wonder why.
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This week’s Lens Artists Challenge is ‘Simplicity Photography’.
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This week LAPC #254 is ‘spiritual places’; I use an old photo that I also published in October 2021 of a little chapel in Naxos that could do with some tender loving care for lens artistists challenge #168: seen better days. I edited it with a lighter atmosphere and took out the most obvious dust and scratches this time, so if you want to compare, here is that post.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but still, like most of the archive, do have scratches, dust and stains.
The picture was originally shot with Pentax K1000 on Kodak Plusx, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Shot with iPhone 13 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
The Lens Artists Photo Challenge #251 is ‘buildings and other structures’. This the Alrijne Hospital in Leiden. The wings form a beautiful shape with some organic trees and green under a contrasting sky.
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