LAPC challenge #305 is about composition: two rectangles as a play tool to frame a photo. Sometimes you get lots more than two, which adds to another aspect of composition: repetition. Not sure if this qualifies as a valid entry, but I do like the building. This is De Rotterdam by Rem Koolhaas.
Today we remember that 80 years ago thousands were willing to pay the highest price to give us our freedom. John Steele landed on the pinnacle of this church in the early morning of June 6 1944 in Sainte-Mère-Église.
Wishing you all a merry Christmas, as darkness and shadows seem to grow in the world, our own bright lights are able to light up all corners of the world. Simply be.
Some photos do not fit the LAPC’s themes, so there is a rest category ‘last chance’ being #280. I never am guided by the themes in the photos I shoot. Some fit in, some don’t. But I never know the theme while shooting. Here is one from the archive I recently stumbled upon, never published.
Slane Hill in Ireland. Close to Slane Castle castle that is famous among other historical facts, for being the recording site for U2’s The unforgettable fire’ in 1984. And famous open air concerts.
Outside the village is The Hill of Slane with a small old ruined chapel, a ruined monastery and a graveyard, overlooking the landscape and the river Boyne.
The most interesting place is a small hill with undergrowth right behind the site, from which this photo was taken.
These sculpture (nicknamed The Elgin Marbles) are originally from the Parthenon in Athens. Lord Elgin supposedly bought them from the Ottomans, who occupied the present Greece at that moment. The Greek try to return these marbles for decades, the UK government refuses, saying it’s British heritage. Last week a meeting of the UK prime minister with the prime minister of Greece was cancelled, after the Greek PM reiterated the ownership of the marbles. How mesmerizing and wonderful must it be to see these ornaments in the place they belong, on top of the Acropolis over Athens.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The picture was originally shot with a Pentax K1000 on Ilford FP4, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
This week I try to show aspects that come to my mind. The first is history at present. Places where important moments in time happened. Which you observe from the present.
This is a recent sunset over the Galgewater in Leiden. ‘Where? Why? Of what importance?’ I hear you say. At the bridge on the left side of the frame Rembrandt van Rijn was born. A copy of the mill his father used for his business is on the right. The only thing Rembrandt would have seen is the sunset, and the mills. All the buildings and boats etc are ‘after Rembrandt’.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but still, like most of the archive, do have scratches, dust and stains.
The picture was originally shot with Pentax K1000 on Kodak Plusx, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
The theme for the weekly lens artists challenge is ‘home sweet home‘. In the middle ages one had to pay tax (toll) to use the canal to enter goods into a city. This is a toll house in Oegstgeest at the Leidsevaart or Trekvaart. I am not following the brief, pointing to the places people should visit in The Netherlands. They are well known, and the paths towards them are flattened by millions of tourists. I just point to small places telling a bit about my flat country.
Top row middle and right shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.Top left and bottom picture shot with iPhone 13 Pro Max edited using Snapseed and Marksta. Click the pictures for a larger version