2023 is in its final day, tomorrow opens a brand new year. Not a complete blank canvas, but one with lots of room and opportunities for new initiatives, changes, life! I wish you a wonderful new year in freedom, as a gull on his wings soaring the sea and land. Carpe diem!
Wishing you all a merry Christmas, as darkness and shadows seem to grow in the world, our own bright lights are able to light up all corners of the world. Simply be.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta . Click the picture for a bigger version.
Sometimes the color and mono have a fight. Two totally different tones and feelings to the same photo. And an answer to the question I phrased in the previous two posts.
This week’s Lens Artists Photo Challenge 240 is hosted by John Steiner. He invites to show my favorite type or style of photography as the road I have chosen to take most often. And – I was not really honest when I wrote this – that creates a bit of a problem for me. I might need direction.
Basically my attention gets caught and produces an image. It is not conscious, it is in the context where I am. And it results in an array of subjects. It is easier to say what road I do not take: fashion, portraits, urban. But travel, cities, landscapes etc are part of the portfolio.
I asked visitors feedback, and I am happy that those who took time to answer (thank you!) confirmed my own view on ‘my work’. Describing it as ‘random variety’ ‘context orientated’; I am in the place I should be (and I feel comfortable in). And it is a true pleasure to receive these kind phrased comments. So: I keep doing what I do, snap in context, it is fun!
Basically my attention gets caught and produces an image. It is not conscious, it is in the context where I am. And it results in an array of subjects. It is easier to say what road I do not take: fashion, portraits, urban. But travel, cities, landscapes etc are part of the portfolio. Maybe I can not choose to continue in a specific direction? Or I shouldn’t?
I think I have to ask the visitors of this blog to give an answer to John’s question, for I can’t for myself. What do you think? Is there a red line in my snaps? Or is it a mixed bag of pieces? I appreciate your feedback.
Basically my attention gets caught and produces an image. It is not conscious, it is in the context where I am. And it results in an array of subjects. It is easier to say what road I do not take: fashion, portraits, urban. But travel, cities, landscapes etc are part of the portfolio. Maybe I can not choose to continue in a specific direction?
I think I have to ask the visitors of this blog to give an answer to John’s question, for I can’t for myself. What do you think? Is there a red line in my snaps? Or is it a mixed bag of pieces? I appreciate your feedback.
Right now the coast at Katwijk is work in progress. Sand is dredged out of the sea, pressed through tubes and added just before the beach under the water. 5,5 cubic meters of sand. Making it safe again and compliant to standards. As always Rijkswaterstaat does an amazing job.
The weekly theme for LAPC #237 is ‘bringing softness’. Softness can be achieved in processing a sharp photo. Or just use zoom on an iPhone and do not keep it still while pressing the shutter. It gives the softness that makes this beach view interesting.
Right now the coast at Katwijk is work in progress. Sand is dredged out of the sea, pressed through tubes and added just before the beach under the water. 5,5 cubic meters of sand. Making it safe again and compliant to standards. As always Rijkswaterstaat does an amazing job.