The Pier of Scheveningen, blocked out by a fence that is erected to work on the boulevard. A weird composition of lines, colours and objects, filled in with some gulls. And I do like the lamp post.
The Netherlands, Scheveningen – June 2024 (top) The Netherlands, Katwijk aan Zee – June 2024 (bottom)
LAPC 308 is about perfect pairs, by creating a diptych (two images placed in proximity to one another, forming a pair). Every self respecting town and village needs a ferris wheel.
The basin of an old watertower against the sky. It is not the nicest of buildings, but somehow it draws my attention when I see it. Last year I published its head in color, this time I choose for mono.
Lines in the sky seen from one of the most beautiful frames for pictures in The Netherlands: a train window offering a beautiful frame with always changing content in it.
The A12 motorway leading into Den Haag downtown. You have to get into town to get out of the car, a free wording of a slogan used in the sixties and later in a beautiful Genesis song ‘Carpet Crawlers’ (the link to the Ray Wilson/Steve Hackette live version of 2014 in the Royal Albert Hall)
Architecture can be beautiful in full color as well in monochrome. In ‘twins’ I show the monochrome twin of the color shot at the Kop van Zuid in Rotterdam. The fift and last set is again New Orleans.
Architecture can be beautiful in full color as well in monochrome. In ‘twins’ I show the monochrome twin of the color shot at the Kop van Zuid in Rotterdam. The fourth set is New Orleans.
Architecture can be beautiful in full color as well in monochrome. In ‘twins’ I show the monochrome twin of the color shot at the Kop van Zuid in Rotterdam. The third set is the Montevideo.
Architecture can be beautiful in full color as well in monochrome. In ‘twins’ I show the monochrome twin of the color shot of the high risings in Rotterdam on the Kop van Zuid in Rotterdam. The first set is De Rotterdam by Rem Koolhaas.
LAPC challenge #305 is about composition: two rectangles as a play tool to frame a photo. Sometimes you get lots more than two, which adds to another aspect of composition: repetition. Not sure if this qualifies as a valid entry, but I do like the building. This is De Rotterdam by Rem Koolhaas.
Today we remember that 80 years ago thousands were willing to pay the highest price to give us our freedom. John Steele landed on the pinnacle of this church in the early morning of June 6 1944 in Sainte-Mère-Église.