This weeks challenge #186 is ‘Low Light’. Meet Murphy, the cutest dog ever. Even if the original is not that well, software helps us to make it look good and show his cheeky eyes.
In the paradox of Achilles and the tortoise, Achilles is in a footrace with the tortoise. Achilles allows the tortoise a head start of 100 meters, for example. Suppose that each racer starts running at some constant speed, one faster than the other. After some finite time, Achilles will have run 100 meters, bringing him to the tortoise’s starting point. During this time, the tortoise has run a much shorter distance, say 2 meters. It will then take Achilles some further time to run that distance, by which time the tortoise will have advanced farther; and then more time still to reach this third point, while the tortoise moves ahead. Thus, whenever Achilles arrives somewhere the tortoise has been, he still has some distance to go before he can even reach the tortoise.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
No man is an island, Entire of itself, Every man is a piece of the continent, A part of the main. If a clod be washed away by the sea, Europe is the less. As well as if a promontory were. As well as if a manor of thy friend’s Or of thine own were: Any man’s death diminishes me, Because I am involved in mankind, And therefore never send to know for whom the bell tolls; It tolls for thee. John Donne
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The theme for this week’s Lens Artists Photo Challenge #172 is a day of my week. The photo above was one of a series I took during a morning when I visited a little village in Norfolk, Wells next the Sea. From the dock the view on the low tide coastline was amazing: boats, gulls, water, sun and clouds. It felt like a photographer heaven where there is too much to shoot in a short time. So this week I publish some of the photo’s from that morning in September.
The theme for this week’s Lens Artists Photo Challenge #172 is a day of my week. The photo above was one of a series I took during a morning when I visited a little village in Norfolk, Wells next the Sea. From the dock the view on the low tide coastline was amazing: boats, gulls, water, sun and clouds. It felt like a photographer heaven where there is too much to shoot in a short time. So this week I publish some of the photo’s from that morning in September.
The theme for this week’s Lens Artists Photo Challenge #172 is a day of my week. The photo above was one of a series I took during a morning when I visited a little village in Norfolk, Wells next the Sea. From the dock the view on the low tide coastline was amazing: boats, gulls, water, sun and clouds. It felt like a photographer heaven where there is too much to shoot in a short time. So this week I publish some of the photo’s from that morning in September.
The theme for this week’s Lens Artists Photo Challenge #172 is a day of my week. The photo above was one of a series I took during a morning when I visited a little village in Norfolk, Wells next the Sea. From the dock the view on the low tide coastline was amazing: boats, gulls, water, sun and clouds. It felt like a photographer heaven where there is too much to shoot in a short time. So this week I publish some of the photo’s from that morning in September.
The theme for this week’s Lens Artists Photo Challenge #172 is a day of my week. The photo above was one of a series I took during a morning when I visited a little village in Norfolk, Wells next the Sea. From the dock the view on the low tide coastline was amazing: boats, gulls, water, sun and clouds. It felt like a photographer heaven where there is too much to shoot in a short time. So this week I publish some of the photo’s from that morning in September.
The theme for this week’s Lens Artists Photo Challenge #172 is a day of my week. The photo above was one of a series I took during a morning when I visited a little village in Norfolk, Wells next the Sea. From the dock the view on the low tide coastline was amazing: boats, gulls, water, sun and clouds. It felt like a photographer heaven where there is too much to shoot in a short time. So this week I publish some of the photo’s from that morning in September.
The theme for this week’s Lens Artists Photo Challenge #172 is a day of my week. The photo above was one of a series I took during a morning when I visited a little village in Norfolk, Wells next the Sea. From the dock the view on the low tide coastline was amazing: boats, gulls, water, sun and clouds. It felt like a photographer heaven where there is too much to shoot in a short time. So this week I publish some of the photo’s from that morning in September.
The theme for this week’s Lens Artists Photo Challenge #172 is a day of my week. The photo above was one of a series I took during a morning when I visited a little village in Norfolk, Wells next the Sea. From the dock the view on the low tide coastline was amazing: boats, gulls, water, sun and clouds. It felt like a photographer heaven where there is too much to shoot in a short time. So this week I publish some of the photo’s from that morning in September.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The picture was originally shot with Pentax K1000 on Kodak Plusx, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The picture was originally shot with Pentax K1000 on Kodak Plusx, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The picture was originally shot with Pentax K1000 on Kodak Plusx, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Bretagne has one of the most beautiful coastlines in the world. I love the rocks and the breaking water. A dangerous shore for sure, but a beautiful source of inspiration. Here a part of the marked entrance to the port of Saint-Malo,.
Bretagne has one of the most beautiful coastlines in the world. I love the rocks and the breaking water. A dangerous shore for sure, but a beautiful source of inspiration. Here the rocks near Saint-Malo,.
The harbor of Barfleur, a small village in the West of Normandy. Years ago I had an idea to sell postcards from photos I was shooting. It never came to reality. This would be a pretty one I think.
The airport of Samos is just near a beach. Luckily there were about two flights a day. The backroads of the Greek islands are the ferry services between them.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
The picture was originally shot with Pentax K1000 on Kodak Plusx, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Thinking of the coast, most photos are of the sea and beach. This time beach and dunes, the actual barrier that keeps the land dry. For Frank’s Tuesday Challenge – Coast