The 140th Weekly Lens Artists Challenge is ‘change of scenery’. During the pandemic my window to the world shrunk. But this year I do what I always do in Spring: shooting the flowers growing right outside the kitchen window. The good old Nikon D500 with long lens being in use again, waiting on the kitchen table each morning when I open the shutters. A micro or macro change of scenery, but nature nurtures not only its plants. Indeed you do not have to go far for a change of scenery.
The 140th Weekly Lens Artists Challenge is ‘change of scenery’. During the pandemic my window to the world shrunk. But this year I do what I always do in Spring: shooting the flowers growing right outside the kitchen window. The good old Nikon D500 with long lens being in use again, waiting on the kitchen table each morning when I open the shutters. A micro or macro change of scenery, but nature nurtures not only its plants. Indeed you do not have to go far for a change of scenery.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
This week’s theme of the weekly lens artists challenge (#135) is ‘glimpse into your world’. The brief is simple: show us what makes your world spin, or what makes you delirious with joy. Let me start by showing what makes my world spin in photography. That is to visit places, travel, and monochrome photography. One of the most impressive trips was to Yemen in 1998. A beautiful country with amazing scenery and a rich culture. A mountain view near Sanaa in the Haraz mountais in Yemen.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
This week’s theme of the weekly lens artists challenge (#135) is ‘glimpse into your world’. The brief is simple: show us what makes your world spin, or what makes you delirious with joy. Let me start by showing what makes my world spin in photography. That is to visit places, travel, and monochrome photography. One of the most impressive trips was to Yemen in 1998. A beautiful country with amazing scenery and a rich culture. A mountain view near Manakhah in the Haraz mountais in Yemen.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
This challenge sends me back to the days of film. Ample of good objects around, but did they come out on film the way I hoped? In those days you could not check the backside of your camera, and try a few settings and tweaks to find out what worked best. It was shoot and go. Film was expensive so most of the time it was a lucky shot based on intuition and experience. Most of them came out ok, some really were disappointing.
The photo above has a story behind it that comes close to this theme. At the end of the post is the scanned negative of the original photo. I am not sure the edited one above is a keeper, but it shows my line of thought and the original intention of framing this rock wall in a forest in the Ardennes. It did not strike me as a spot I would go for a pick nick. The road next to it, mud, rock, nothing to see but passing cars. But the details of the rock and the trees, with the strange object of the pick nick table triggered my shutter. This photo was kept on archive for a long time. It was in my secondary school notebook (the time we actually wrote with pens on paper). And recently when I was scanning my archive from negative it popped up again.
In a way I do like the object. It is kind of sinister and powerful. I wonder about your thoughts on it.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
You can find a short overview of my photographic journey on ‘my about/Chris Breebaart’ page . I hope you do not mind me referring to that information briefly. This week an uplifting photo of Spring. I am looking
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
What's (in) the Picture? 