The Lens-artists challenge #197 is ‘rule of thirds’. The rule of thirds is a rule of thumb how to compose images. There are more ‘rules’; another is the ‘s’ like in the photo above. But there are other ‘rules’ to make a photo attractive, and one is the use of lines. The city hall of Leiden.
The Lens-artists challenge #197 is ‘rule of thirds’. The rule of thirds is a rule of thumb how to compose images. There are more ‘rules’; another is the ‘s’ like in the photo above. Whatever rule you like to use: break them and tweak them till you are happy with the result of the photo you are putting together. In the end your gut tells a lot about what constitutes a decent picture to your liking.
A picture that does not fit in a category has to fit in ‘odds and ends’, lens artists photo challenge #189. Though this one could have been in ‘cleaning’, ‘swans in habitat’, ‘grooming for professionals’ etc.
This week lens artists photo challenge is ‘that special place‘. The empty branches of a tree in Winter. During this pandemic I realized that the immediate outside of my house is an inspiration for photos. During the seasons and days it is always nice to look out and sometimes catch a nice view. Looking back over the years I realize that I have always been intrigued by little details near the places where I lived. Making these places special in a certain way.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
This weeks challenge #187 is ‘water’. The Galgenwater in Leiden. In the background a replica a of the mill that was used by the father of Rembrandt van Rijn, who was born to the left of the bridge in the distance in 1606, 410 years before this photo.
This weeks challenge #186 is ‘Low Light’. Monochrome gives a soft grey tone from light to dark, aand nice details in the darker areas, which you can not see easily by eye.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta Click the picture for a bigger version.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Fuji Film, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version
This weeks challenge #186 is ‘Low Light’. Meet Murphy, the cutest dog ever. Even if the original is not that well, software helps us to make it look good and show his cheeky eyes.
This weeks challenge #186 is ‘Low Light’. Using the available light is primarily a question of creativity and secondarily the available technology. The advice when using a Kodak Instamatic (a very old point and shoot film camera in the 1970’s) was to keep the sun in the back. My advice is not to do that. When using film it was a calculated guess (the result came after developing of the film). Nowadays in digital times the result is immediately available on your camera, hence a source of more playing around and tweaking. Playing with light is playing with the source of light. This photo of Strandhill was taken on a ‘normal’ sunny day. The angle used makes it much more dramatic. This photo ‘See Sea’ gives an idea of the light as it was that day. The fog and dark sky added to the atmosphere (in the Archive Ireland you can find two more photo’s of this perspective taken at the same moment).
Strandhill in Sligo is a small town, looking out over the Atlantic Ocean to the West. Rising over it is Knocknarea with Queen Maeve.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta Click the picture for a bigger version
This weeks challenge #186 is ‘Low Light’. In black and white light is key for tones in the picture. It needs body (black) but soft greys give it atmosphere. Here I used the darker tones for the main objects of the photo, the couple playing cards, while having a drink and a bite. But all these signs in the background about what to do in Kathmandu add to the atmosphere of the photo.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta Click the picture for a bigger version.
This weeks challenge #186 is ‘Low Light’. Modern camera’s and even smartphones offer possibilities to take photo’s in poor light conditions. That can be at night or dusk, dawn, but also in poorly lit situations like a museum, church etc. In the old days of film the limits where much tighter. When light was not plenty available there were two options: making the film more sensitive (a few stops) and develop longer. Or flash. I hate flashing, so I always tried to work with existing light. Nowadays that is much more easy with digital technology. Here a photo mady by iPhone on an evening just after dusk.
This weeks challenge #185 is ‘change’. Kodari on the border of Tibet and Nepal. Change means you have to cross bridges, but before you can do that, you have to create a bridge first.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta Click the picture for a bigger version.
What's (in) the Picture? 