The 140th Weekly Lens Artists Challenge is ‘change of scenery’. During the pandemic my window to the world shrunk. But this year I do what I always do in Spring: shooting the flowers growing right outside the kitchen window. The good old Nikon D500 with long lens being in use again, waiting on the kitchen table each morning when I open the shutters. A micro or macro change of scenery, but nature nurtures not only its plants. Indeed you do not have to go far for a change of scenery.
The 140th Weekly Lens Artists Challenge is ‘change of scenery’. During the pandemic my window to the world shrunk. But this year I do what I always do in Spring: shooting the flowers growing right outside the kitchen window. The good old Nikon D500 with long lens being in use again, waiting on the kitchen table each morning when I open the shutters. A micro or macro change of scenery, but nature nurtures not only its plants. Indeed you do not have to go far for a change of scenery.
In March 2004 I visited Tibet. It would be an understatement if I said it was just overwhelming. The backdrop of the Himalayas. The fact that we were ‘high’: most of the time 3500 meters over sea level, my normal level of living. The people and their close contact with religion, Buddhism. All parts of a puzzle that hopefully will bring me back there one day.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
This week’s theme of the weekly lens artists challenge (#135) is ‘glimpse into your world’. The brief is simple: show us what makes your world spin, or what makes you delirious with joy. Let me start by showing what makes my world spin in photography. That is to visit places, travel, and monochrome photography. One of the most impressive trips was to Yemen in 1998. A beautiful country with amazing scenery and a rich culture. A mountain view near Sanaa in the Haraz mountais in Yemen.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
This week’s theme of the weekly lens artists challenge (#135) is ‘glimpse into your world’. The brief is simple: show us what makes your world spin, or what makes you delirious with joy. Let me start by showing what makes my world spin in photography. That is to visit places, travel, and monochrome photography. One of the most impressive trips was to Yemen in 1998. A beautiful country with amazing scenery and a rich culture. A mountain view near Manakhah in the Haraz mountais in Yemen.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
This challenge sends me back to the days of film. Ample of good objects around, but did they come out on film the way I hoped? In those days you could not check the backside of your camera, and try a few settings and tweaks to find out what worked best. It was shoot and go. Film was expensive so most of the time it was a lucky shot based on intuition and experience. Most of them came out ok, some really were disappointing.
The photo above has a story behind it that comes close to this theme. At the end of the post is the scanned negative of the original photo. I am not sure the edited one above is a keeper, but it shows my line of thought and the original intention of framing this rock wall in a forest in the Ardennes. It did not strike me as a spot I would go for a pick nick. The road next to it, mud, rock, nothing to see but passing cars. But the details of the rock and the trees, with the strange object of the pick nick table triggered my shutter. This photo was kept on archive for a long time. It was in my secondary school notebook (the time we actually wrote with pens on paper). And recently when I was scanning my archive from negative it popped up again.
In a way I do like the object. It is kind of sinister and powerful. I wonder about your thoughts on it.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
You can find a short overview of my photographic journey on ‘my about/Chris Breebaart’ page . I hope you do not mind me referring to that information briefly. This week an uplifting photo of Spring. I am looking
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The picture was originally shot with Pentax K1000 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The picture was originally shot with Pentax K1000 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The picture was originally shot with Pentax K1000 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The picture was originally shot with Pentax K1000 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
An old tradition is ‘ringsteken’. Literally stitching a ring from a wood block, hanging from a rope over the road, sitting in a carriage, pulled by one or more horses. The jury is watching.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The picture was originally shot with Pentax K1000 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
An old tradition is ‘ringsteken’. Literally stitching a ring from a wood block, hanging from a rope over the road, sitting in a carriage, pulled by one or more horses.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The picture was originally shot with Pentax K1000 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The picture was originally shot with Pentax K1000 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
An old tradition is ‘ringsteken’. Literally stitching a ring from a wood block, hanging from a rope over the road, sitting in a carriage, pulled by one or more horses.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The picture was originally shot with Pentax K1000 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The picture was originally shot with Pentax K1000 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The picture was originally shot with Pentax K1000 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
The theme for the lens-artists#129 is ‘favorite 2020 photos’. This is the top 10 of the photos that got the most hits last year. I can’t wait to go out again, travel, go to work and snap what it is there! Till then the world is smaller unfortunately.
Christmas is about light, shining in the dark, a promise of possibilities, of new events. Small sparks that may turn into the brightness of a beautiful sun, offering warmth, comfort, trust, security, well being and new life. I wish you lots of light in the coming year, to see and observe the difference between the light and the darkness, to embrace and accept them both as parts of our life.
A memory can be triggered by here and now. Last weekend I visited Den Haag physically for the first time after the lock down started in March. It was exciting and at the same time sad to see the city and the familiar landmarks. ‘Normally’ at this time of year, the center is crowded with people doing Christmas shopping, but now it is (depending on the hour of the day) more or less quiet. At times it is however too busy. The apparent human need to cluster closely together (in shops, or at home) is probably a reason why we see a rise in cases again. Tonight a more strict lock down will be announced. To curb the second wave. Department stores like the 150 year old Bijenkorf and other ‘unnecessary’ shops will close again. That hurts them enormously. But luckily there is light at the end of this tunnel. I hope the light of Christmas will soon turn into a bright sun that opens up our now small worlds and gives us the space and opportunities to be more human again. Till then: courage.
During a visit to the world famous Royal Delft (where they make pottery with the famous blue color), this endearing two piece was on display in the shop. Portraying a precious moment between a female figurine and male figurine. For some the traditional clothes are precious too, but I am happy not to wear clogs any more :-).
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The picture was scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The picture was scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
What's (in) the Picture? 