Glimpse
This week lens artists challenge #323 is ‘silence’. How to depict silence?
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This week lens artists challenge #323 is ‘silence’. How to depict silence?
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version

Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
This week’s Lens Artists Photo Challenge #322 is ‘there is a crack in everything, that’s how the light gets in’. It is from a verse by Leonard Cohen about imperfection and beauty. This photo is just a blunt statement: the light comes from the right. But considering my more frequent photo moments in the early morning on this spot, it is after noon. A total different view on the same view. The way the light hits a scene gives it meaning. And shows different details. It softens, warms an strikes with a tender touch, showing the deeper beauty. Not perfect, but priceless.
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Summer is gone, the garden turns to Winter. The warm weather pulled out some more flowers.
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This week’s Lens Artitsts Photo Challenge (#321) is Intentional Camera Movement (ICM). Yesterday I published photos shot analogue on film: the result is only visible after developing the film. This one is from 2004 with my first digital Nikon D70. The fun of digital is that you can actually see on the back what the result is, and use this feedback to try again. Digital gives freedom and is cheap and gives instant feedback. 20 years of digital playing.
shot with Nikon D70, edited using Snapseed and Marksta. Click the picture for a larger version.



A fossil power plant on smoke, next to the A5 in Amsterdam-Sloterdijk.
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Maybe I am not the only one. When I see a wonderful subject, that has to be on a photo, I tend to try out different things fast, to avoid the moment goes. And in the end there is a series of photos that are hard to choose from. What is the solution? I just publish them all. So after SUP Paddler in focus and


the monochrome loneliness of the SUP Paddler here is the last of three. I hope you enjoyed all of them.
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The roses did well this year.
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The canal is one of my long period objects for photos. I always look if there is something worth a photo when I cross it. Most of the time it is empty, sometimes there is a boat. But this time there was a first: a SUP paddler in a beautiful moody Autumnal sunrise. As if he knew this week’s theme for LAPC #319 is ‘setting a mood’.
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A view over the meadows in an old Dutch masters light.
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The Netherlands is famous for its Spring bulbflower fields, but we produce flowers in Summer and Autumn as well.
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Yes, we produce flowers in Summer and Autumn as well.
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A bicycle tour brought us to the Zijwatering, a canal from Wassenaar to the Oude Rijn (in the time of the Roman Empire the present Old Rhine was part of the Rhine estuary and came into the Northsea at Katwijk). It was a surprise and also a delight to see the beauty of the landscape under a beatiful early Autumn sun. The bottom photo is a panorama, using this feature on the iPhone makes straight lines bend.
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LAPC #316 is ‘Finding beauty in unexpected places’. One of the objects for photographs is the canal that runs through my village. It is quite ordinary, there is a vast amount of small and little canals to dispose of water in The Netherlands. To manage water in a country that is partly under sea level, one has to build infrastructure to keep dry feet. Two pictures taken at the same moment of the day, slightly different in monochrome style. The first is with the silvertone setting, the last with the dark setting on the iPhone. It changes the atmosphere completely. And one may be more beautiful than the other, it is all in the eye of the beholder.
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LAPC #316 is ‘Finding beauty in unexpected places’.
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The Moerdijkbrug over the Hollands Diep, seen from the Moerdijkbrug for the motorway. In the middle of the Dutch delta.
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Incoming and outgoing traffic at Schiphol Amsterdam. Just a drive by, and no worries, I was not driving the car.
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Willy Zuid, a beach pavillion.
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And the last one of a brilliant hour at the beach on a Summer evening to enjoy the sunset while having dinner. That was a nice bubble to be in.
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Yesterday I told you about my passion and history in monochrome. And that I do shoot sunsets in black and white. Here is another one of the same sunset, but framed different. I will publish an overview of all those shots of same sunset that evening. Each of them show a bit of it, it’s in my humble opinion nice to see the big picture.
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If you did not notice, I am a big fan of monochrome. In fact, monochrome film was way back the medium I started with. It was cheap and you print your own photos in a darkroom. That was adventurous and frustrating at the same time. Not to sound old, but nowadays with wonderful software, editing images is easier, faster and more fun. And you instantly see what you get! But sometimes I do miss the anxiety of the darkroom, seeing a photo come up in the developer. Back to now. I do shoot sunsets in black and white, and here is one. The atmosphere of the shot is different, more dark and eerie.
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When there are landscapes, what is the landscape of a sea called? To me watching the sea is like an escape of the real world, dreaming into the image that is presented. This is the layered story of an image, with each of the layers adding to it. The beach with the humans grounded on the sand under their feet, almost insignificant in size. The vast sea stretching into the far distance, rippled in the wind and current, offering a seemingly flat smooth surface. The boats and windmills that seem to float on the water that sparkles in the light of the lowering sun. And on top of all that the backdrop of the sky painted lightly by the softer light that lays a filter over the all of it. Put a frame around it and you have a nice photo.
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The view at the beach from the boulevard of Katwijk aan Zee, a few hours before sunset.
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The view at the Northsea just before dinner 🙂 at the boulevard of Katwijk aan Zee.
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The theme for this week LAPC 316 is ‘Destanation: Fun‘. Going to the beach is fun, but witnessing a brilliant sunset on a warm Summer evening, while a dispaly of boats and windmills complete the scene, is true fun. I published a few of them already two weeks ago (see the archive Katwijk). I hope you still have fun watching them.
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The sky over The Netherlands is a wonderful object for photos, we do have lot of sky over our flat land above the low horizon. And that sky can be quite dramatic, even more in monochrome.
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In Summer the fields that grow the Spring’s bulb flowers (tulips, daffodils and hyacinths) may grow other flowers. Some years the fields are flooded or covered up to be gassed, to clean, other years they produce crops like these.
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The Netherlands is as flat as a pancake. That is the way foreigners describe my precious habitat. It is not completely accurate, we do have some hills and dunes. The advantage of a flat surface is that we have lots of sky above the horizon. Here a typical Summer scene: rain filled sky and cows in the meadows, the odd windmill and farm.
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The use of glasshouses is widespread in The Netherlands for all kinds of crops and flowers. Lens Artists Weekly Photo Challenge #316 is ‘Common Object’.
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The theme for this week LAPC 314 is ‘shorelines‘. My main shoreline is the beach of the Noordzee. And the views it offers, particularly at special moments of the day like a sunset. The sky looks like it offers an extra layer of reflection for the sun, a second horizon.
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The sun sets, everything is cleaned up and ready for tomorrow for new clients. It is the Summer rhythm of the beach on the shoreline of the Noordzee. The theme for this week LAPC 314 is ‘shorelines‘.
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Sunsets can be shared! The theme for this week LAPC 314 is ‘shorelines‘.
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The sun sets in Katwijk, exposing the sea to a layer of gold. The theme for this week LAPC 314 is ‘shorelines‘.
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A balanced rollercoaster at Drievliet.
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The Netherlands, Den Haag – August 2024
Drievliet is a small and very old amusement park. A view from the ferris wheel looking at downtown Den Haag.
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Drievliet is a small and very old amusement park. Over fifty years ago I first went there on a school trip. Then most of the attractions had to be moved by muscle power. Last week I had my second visit to Drievliet with our grand children. The park is dramatically changed but still has the same appeal to kids: lots of fun to be had on rides, slides, rollercoasters, ferris wheels, merrygorounds etc. And of course the fries and icecream in between. The weather was not that good, but the clouds added to the view from the ferris wheel looking at downtown Den Haag.
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Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Dramatic morning over the Haarlemmermeerpolder near Abbenes.
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Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
The sky is amazing. And everyone with a creative open mind can instantly play with it in lots of ways. Racing clouds home or seeing objects in it. And sometimes it shows an old map leading you into the unknown. The longer you look the more you find. Drawing you in more and more. Connecting with something new but familiair.
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The sky is amazing. And everyone with a creative open mind can instantly play with it in lots of ways. Racing clouds home or seeing objects in it. And sometimes it shows an old map leading you into the unknown.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
The weekly LAPC #312 is sense of scale’.
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The weekly LAPC #312 is sense of scale’. When you look up to the sky for a while, it seems you are looking down from the sky to earth.
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The weekly LAPC #312 is sense of scale’. When you look up to the sky and see a plane coming over, one is never that much aware of the enormous scale of the space over our heads.
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The sky and clouds are a magnificent and continuous source of inspiration.
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Sunset over a rooftop.
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Windmill De Valk is one of few left in the city. It is a museum, but since 2000 is it being used for milling again.
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