Exit Santa 2024
And off he went.
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And off he went.
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The Klinkenberger Plas in Autumn.
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View on Scheveningen in the distance.
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2341@TCOgst16
The weekly LAPC #327 is ‘five elements’. Four of the Greek (fire, water, earth, sky) and metal from a Chinese philosophical edge. The only fire in this photo is invisible and contained in the wind sweeping the water onto the beach. And as far for metal, it keeps the wooden fence together. Water, sky and earth in abundance. Funny we do not look in ‘elements’ to a photo.
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Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
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A leave on a window.
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A tree obscures the Flowermill (Meelfabriek) is an old industrial monument as seen from a passing car while not driving.
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The Flowermill (Meelfabriek) is an old industrial monument being converted into hotels and apartments. As seen from a passing car while not driving.
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The Zijlpoort in Leiden seen from a passing car while not driving.
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The access to the J.H. Oortbrug.
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This week lens artists challenge #323 is ‘silence’. How to depict silence?
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This week’s Lens Artists Photo Challenge #322 is ‘there is a crack in everything, that’s how the light gets in’. It is from a verse by Leonard Cohen about imperfection and beauty. This photo is just a blunt statement: the light comes from the right. But considering my more frequent photo moments in the early morning on this spot, it is after noon. A total different view on the same view. The way the light hits a scene gives it meaning. And shows different details. It softens, warms an strikes with a tender touch, showing the deeper beauty. Not perfect, but priceless.
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Summer is gone, the garden turns to Winter. The warm weather pulled out some more flowers.
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This week’s Lens Artitsts Photo Challenge (#321) is Intentional Camera Movement (ICM). Yesterday I published photos shot analogue on film: the result is only visible after developing the film. This one is from 2004 with my first digital Nikon D70. The fun of digital is that you can actually see on the back what the result is, and use this feedback to try again. Digital gives freedom and is cheap and gives instant feedback. 20 years of digital playing.
shot with Nikon D70, edited using Snapseed and Marksta. Click the picture for a larger version.



A fossil power plant on smoke, next to the A5 in Amsterdam-Sloterdijk.
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Maybe I am not the only one. When I see a wonderful subject, that has to be on a photo, I tend to try out different things fast, to avoid the moment goes. And in the end there is a series of photos that are hard to choose from. What is the solution? I just publish them all. So after SUP Paddler in focus and


the monochrome loneliness of the SUP Paddler here is the last of three. I hope you enjoyed all of them.
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The roses did well this year.
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The canal is one of my long period objects for photos. I always look if there is something worth a photo when I cross it. Most of the time it is empty, sometimes there is a boat. But this time there was a first: a SUP paddler in a beautiful moody Autumnal sunrise. As if he knew this week’s theme for LAPC #319 is ‘setting a mood’.
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A view over the meadows in an old Dutch masters light.
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The Netherlands is famous for its Spring bulbflower fields, but we produce flowers in Summer and Autumn as well.
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Yes, we produce flowers in Summer and Autumn as well.
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A bicycle tour brought us to the Zijwatering, a canal from Wassenaar to the Oude Rijn (in the time of the Roman Empire the present Old Rhine was part of the Rhine estuary and came into the Northsea at Katwijk). It was a surprise and also a delight to see the beauty of the landscape under a beatiful early Autumn sun. The bottom photo is a panorama, using this feature on the iPhone makes straight lines bend.
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LAPC #316 is ‘Finding beauty in unexpected places’. One of the objects for photographs is the canal that runs through my village. It is quite ordinary, there is a vast amount of small and little canals to dispose of water in The Netherlands. To manage water in a country that is partly under sea level, one has to build infrastructure to keep dry feet. Two pictures taken at the same moment of the day, slightly different in monochrome style. The first is with the silvertone setting, the last with the dark setting on the iPhone. It changes the atmosphere completely. And one may be more beautiful than the other, it is all in the eye of the beholder.
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LAPC #316 is ‘Finding beauty in unexpected places’.
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The Moerdijkbrug over the Hollands Diep, seen from the Moerdijkbrug for the motorway. In the middle of the Dutch delta.
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Incoming and outgoing traffic at Schiphol Amsterdam. Just a drive by, and no worries, I was not driving the car.
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Willy Zuid, a beach pavillion.
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And the last one of a brilliant hour at the beach on a Summer evening to enjoy the sunset while having dinner. That was a nice bubble to be in.
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Yesterday I told you about my passion and history in monochrome. And that I do shoot sunsets in black and white. Here is another one of the same sunset, but framed different. I will publish an overview of all those shots of same sunset that evening. Each of them show a bit of it, it’s in my humble opinion nice to see the big picture.
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If you did not notice, I am a big fan of monochrome. In fact, monochrome film was way back the medium I started with. It was cheap and you print your own photos in a darkroom. That was adventurous and frustrating at the same time. Not to sound old, but nowadays with wonderful software, editing images is easier, faster and more fun. And you instantly see what you get! But sometimes I do miss the anxiety of the darkroom, seeing a photo come up in the developer. Back to now. I do shoot sunsets in black and white, and here is one. The atmosphere of the shot is different, more dark and eerie.
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