Moon Rise
The moon is up over an off shore supply vessel.
Shot with iPhone 13 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.
The moon is up over an off shore supply vessel.
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Arriving by LeShuttle (formerly known as Eurotunnel) and passing through Dover to catch a different glimpse of the famous white cliffs.
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Last weekend we stored the Christmas decorations for this season of light.
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A view up north towards Deal.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.


England, Walmer – December 2024
The panoramic mode on the iPhone is not a favorite setting for me. On Instagram you get bombarded by adds about all Apple did not tell you about taking photos on iPhone: some work, eg using panorama setting for a wider angle (the fun for me using an iPhone is to be curious about all you can do finding it out for yourself).
But making a panorama having a straight line in front of you (a road eg) is hilarious. What would a sky panorama look like? So I did a 360 sky and a 180 horizon of the sea front at Walmer. Just for fun.
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The Pier of Deal on a wet evening at the end of December.
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On the road to Christmas to Le Shuttle in Belgium.
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Each time I pass here on the way to or from Calais, I take a picture of the power lines in St. Georges-sur-l’Aa.
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Belgium, Veurne and Koksijde – December 2023
On the road to Calais and Le Shuttle, on a dark grey morning through le plat pays of Jacques Brel.
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2023 is in its final day, tomorrow opens a brand new year. Not a complete blank canvas, but one with lots of room and opportunities for new initiatives, changes, life! I wish you a wonderful new year in freedom, as a gull on his wings soaring the sea and land. Carpe diem!
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
Each time I pass here on the way to or from Calais, I take a picture of the power lines in St. Georges-sur-l’Aa.
Shot with iPhone 13 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Jingle in monochrome, time to put the decorations away, and focus on the new coming year.
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Wishing you all a merry Christmas, as darkness and shadows seem to grow in the world, our own bright lights are able to light up all corners of the world. Simply be.
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Each year the supply of items for the Christmas tree grows. How more Dutch can it get with this cheesy one?
Merry Christmas to all!
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This week LAPC #260 is ‘overlooked’. Taking the word literally, one from the film archives. One of the ponds in Les Tuileries in Paris, looking at the small arch and the Louvre.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta . Click the picture for a bigger version.
The Lens Artists Photo Challenge #246 is ‘still life’.
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The Netherlands, Katwijk – March 2023
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The weekly theme for LAPC #244 is ‘glowing moments’.
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The Netherlands, Oegstgeest – February 2023
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The weekly theme for LAPC #238 is ‘alone time’. Fog makes the world smaller.
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Shot with iPhone 13 Pro Max edited using Snapseed and Marksta Click the picture for a larger version


Shot with iPhone 13 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 13 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 13 Pro Max edited using Snapseed and Marksta Click the picture for a larger version


The Netherlands, Katwijk – February 2023
Sometimes the color and mono have a fight. Two totally different tones and feelings to the same photo. And an answer to the question I phrased in the previous two posts.
This week’s Lens Artists Photo Challenge 240 is hosted by John Steiner. He invites to show my favorite type or style of photography as the road I have chosen to take most often. And – I was not really honest when I wrote this – that creates a bit of a problem for me. I might need direction.
Basically my attention gets caught and produces an image. It is not conscious, it is in the context where I am. And it results in an array of subjects. It is easier to say what road I do not take: fashion, portraits, urban. But travel, cities, landscapes etc are part of the portfolio.
I asked visitors feedback, and I am happy that those who took time to answer (thank you!) confirmed my own view on ‘my work’. Describing it as ‘random variety’ ‘context orientated’; I am in the place I should be (and I feel comfortable in). And it is a true pleasure to receive these kind phrased comments. So: I keep doing what I do, snap in context, it is fun!
Shot with iPhone 13 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
This week’s Lens Artists Photo Challenge 240 is hosted by John Steiner. He invites to show my favorite type or style of photography as the road I have chosen to take most often. And that creates a bit of a problem for me. I might need direction.
Basically my attention gets caught and produces an image. It is not conscious, it is in the context where I am. And it results in an array of subjects. It is easier to say what road I do not take: fashion, portraits, urban. But travel, cities, landscapes etc are part of the portfolio. Maybe I can not choose to continue in a specific direction? Or I shouldn’t?
I think I have to ask the visitors of this blog to give an answer to John’s question, for I can’t for myself. What do you think? Is there a red line in my snaps? Or is it a mixed bag of pieces? I appreciate your feedback.
Shot with iPhone 13 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
This week’s Lens Artists Photo Challenge 240 is hosted by John Steiner. He invites to show my favorite type or style of photography as the road I have chosen to take most often. And that creates a bit of a problem for me. I need direction.
Basically my attention gets caught and produces an image. It is not conscious, it is in the context where I am. And it results in an array of subjects. It is easier to say what road I do not take: fashion, portraits, urban. But travel, cities, landscapes etc are part of the portfolio. Maybe I can not choose to continue in a specific direction?
I think I have to ask the visitors of this blog to give an answer to John’s question, for I can’t for myself. What do you think? Is there a red line in my snaps? Or is it a mixed bag of pieces? I appreciate your feedback.
Shot with iPhone 13 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
The weekly theme for LAPC #239 is ‘finding peace’.
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The windmill ‘Hoop doet leven’ between Oegstgeest and Voorhout in a Winter sun.
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The silhouette of the windmill ‘Hoop doet leven’ between Oegstgeest and Voorhout in a Winter sun.
Shot with iPhone 13 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
The silhouette of the windmill ‘Hoop doet leven’ between Oegstgeest and Voorhout in a Winter sun.
Shot with iPhone 13 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
The weekly theme for LAPC #238 is ‘alone time’. Fog makes the world smaller.
Shot with iPhone 13 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 13 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
The weekly theme for LAPC #238 is ‘alone time’. Fog makes the world smaller.
Shot with iPhone 13 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
The weekly theme for LAPC #238 is ‘alone time’. Fog and a walk.
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The weekly theme for LAPC #238 is ‘alone time’. Dusk at Holkham Hall
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The weekly theme for LAPC #238 is ‘alone time’.
Shot with iPhone 13 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
At sunrise on the marshes at Blakeney. The weekly theme for LAPC #237 is ‘bringing softness’. I pulled the camera following a flight, coming in towards the rising sun, and here coming into the light.
Here is morning flight 1, here is morning flight 2. And if you follow my blog you have seen the photo of the same flock after they passed the sun ‘winter sunrise over the marshes’.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
At sunrise on the marshes at Blakeney. The weekly theme for LAPC #237 is ‘bringing softness’. I pulled the camera following a flight, coming in towards the rising sun. Here is morning flight 1.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
At sunrise on the marshes at Blakeney. The weekly theme for LAPC #237 is ‘bringing softness’. How sweeter can it get?
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
The weekly theme for LAPC #237 is ‘bringing softness’.
Right now the coast at Katwijk is work in progress. Sand is dredged out of the sea, pressed through tubes and added just before the beach under the water. 5,5 cubic meters of sand. Making it safe again and compliant to standards. As always Rijkswaterstaat does an amazing job.
Shot with iPhone 13 Pro Max edited using Snapseed and Marksta Click the picture for a larger versio
At sunrise on the marshes at Blakeney.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
The weekly theme for LAPC #237 is ‘bringing softness’. Softness can be achieved in processing a sharp photo. Or just use zoom on an iPhone and do not keep it still while pressing the shutter. It gives the softness that makes this beach view interesting.
Right now the coast at Katwijk is work in progress. Sand is dredged out of the sea, pressed through tubes and added just before the beach under the water. 5,5 cubic meters of sand. Making it safe again and compliant to standards. As always Rijkswaterstaat does an amazing job.
Shot with iPhone 13 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Sunrise over the marshes near Blakeney.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
Sunrise over the marshes near Blakeney.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
New Year’s Day, geese on the wing over the marshes near Blakeney.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
New Year’s Day, the sun through fog over a parking at Morston Quay near Blakeney.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
The sun rises, on one of the first days of January, over the marshes at Blakeney.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
The sun rises over Cley next the Sea on a cold Winter morning in early January.
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The weekly theme for LAPC #235 is shadows and reflections in monochrome.
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