What's (in) the Picture?

Chris Breebaart Photography – finding stories

Posts tagged ‘Weekly Photo Challenge’

Rejected Photos

Lens-artists Photo Challenge #382 is about rejected photos. What do you do with photos you do not like? You can throw them away, or you can keep them. And if you keep them what can you do with them? First a story of myself, how I work. And in the end an example.

I am a snap shooter for a long time. When looking at this question for myself, I have to distinguish between the analog age and the digital age. But in both ages it is about quality, how you can assess that and what instruments are available after shooting. And above all: how can you be creative, and how much room is there to experiment?

The analog age was expensive: film was expensive, darkroom materials were expensive too. And being a poor student I shot as efficient as possible. You had to be patient while shooting, and selective. You also needed to trust your skills. Experience was essential to figure out what worked and what not. To produce good prints you needed to develop darkroom skills. And some negatives were impossible to print. But you kept them all. I never threw away negatives. That decision was beneficial in the digital age. After scanning my negatives, I properly made them look like what I had in mind when shooting them. What the darkroom did not deliver, software did.

In the digital age the cost of a photo is nearly non existent. The original photo (the former negative) can be copied lots of times. From the start technology offers instruments to oversee the quality of the photos. What you shoot is instantly visible on the camera. You can try different changes in the photo. Adjustments like shutter time, focus, and shutter opening can be tested most of the time. The RAW format offers flexibility for editing the ‘negative’ after the shoot. Software offers lots of creative tools to change the photo, or create new images.

So, do you keep rejected (bad) photos or not? I do reject photos, overseeing the result on my camera. I keep photos that can come to a good result after editing. The rest I remove straight away (e.g. bracketing shots).What I keep is stored on my NAS, where I use Lightroom as my archiving tool. I use editing tools to tweak a photo slightly. My favorite is Snapseed for web and social media publication. And Lightroom and Photoshop for prints.

The digital age is a time for unlimited creativity. The photos of ‘dinner at Wiveton Bell’ are an example of testing out the iPhone in a very dark situation. I shot about 8 frames, I kept them all but had my doubts. At home I worked them in Lightroom and Snapseed. And was surprised by what came out. And the ones that did not work were indeed deleted.

On the left the photo published and on the right the original RAW file.

Four silhouetted figures walking in a dimly lit parking area at night, with a church tower in the background under a starry sky.
Four figures walking on a gravel path toward a church under a starry sky, with parked cars on either side.
Silhouettes of two people walking in a dimly lit street surrounded by parked cars and a faint glow from a nearby light source.
Two silhouetted figures walking on a dimly lit street at night, with a faint light illuminating their path, and a distant building silhouette against a darkened sky.
A moody, abstract landscape featuring silhouetted structures against a dark, colorful sky with hints of light.
A nighttime scene featuring dark clouds and a few visible stars, with silhouettes of buildings in the foreground.
A dimly lit pathway at night with a bright moon overhead, featuring shadowy figures walking along the path, illuminated by faint light.
A group of people walking along a dark path illuminated by flashlights, with a bright moon in the night sky.

Marshes With a bit of Cley Next The Sea (on the left)

Black and white landscape of a grassy marshland with distant trees and a cloudy sky.
England, Blakeney – December 2025

The last in the series of monochrome, more or less minimal photos for this week’s Lens artists photo challenge #381 (minimalism in black and white photography). 

Shot with Nikon Zf,edited using Snapseed and Marksta. Click the picture for a larger version.

Marshes

Black and white image of tall grass in a field, with varying shades and textures, capturing the natural landscape.
England, Blakeney – December 2025

Lens artists photo challenge #381 is ‘minimalism in black and white photography’. The marshes at first sunlight, as the light details the waving reeds.

Shot with Nikon Zf,edited using Snapseed and Marksta. Click the picture for a larger version.

View on Cley Next The Sea

Black and white landscape featuring a vast field of tall grass and a lone tree, with a distant view of a windmill and hills under a muted sky.
England, Blakeney – December 2025

Lens artists photo challenge #381 is ‘minimalism in black and white photography’. Overlooking the marshes at first sunlight in the direction of Cley next the sea.

Shot with Nikon Zf,edited using Snapseed and Marksta. Click the picture for a larger version.

No Horizon

England, Blakeney – December 2025

Lens artists photo challenge #381 is ‘minimalism in black and white photography’. The marshes at first sunlight.

Shot with Nikon Zf,edited using Snapseed and Marksta. Click the picture for a larger version.

The Runner

A person walking down a path towards the horizon, surrounded by a grassy landscape and a cloudy sky, in black and white.
England, Blakeney – December 2025

Lens artists photo challenge #381 is ‘minimalism in black and white photography’. The marshes at Blakeney are a place for running and hiking.

Shot with Nikon Zf,edited using Snapseed and Marksta. Click the picture for a larger version.

Bus Stop Morning

A black and white photograph of a quiet road with street signs and a central traffic island in the distance, surrounded by trees and a cloudy sky.
England, Blakeney – December 2025

Lens artists photo challenge #381 is ‘minimalism in black and white photography’. A bus stop at sunrise.
If you wonder how it looks in color? Here is an iPhone shot of 2024 at the same spot. In the monochrome the sun is not over the horizon, in the color one it is.

Shot with Nikon Zf,edited using Snapseed and Marksta. Click the picture for a larger version.

Snowwhite

Snow-covered landscape featuring bare trees, a canal, and distant houses during a snowstorm.
The Netherlands, Oegstgeest – January 2026

Theme for Lens-Artists Photo Challenge #380 is ‘what’s around the corner’.

Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.

Heron in Snow

A heron standing on the snowy bank of a river during a snowfall.
The Netherlands, Oegstgeest – January 2026

Theme for Lens-Artists Photo Challenge #380 is ‘what’s around the corner’. A grey Heron in falling snow.

Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.

Frederik van Eedenpad

Winter scene featuring a snow-covered pathway lined with bare trees, a canal reflecting the surroundings, and residential houses in a quiet neighborhood.
The Netherlands, Oegstgeest – January 2026

Theme for Lens-Artists Photo Challenge #380 is ‘what’s around the corner’. Snow, no ice.

Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.

Snow Shopping

A snowy pathway lined with trees and street lights, with a person walking down the path carrying a bag.
The Netherlands, Oegstgeest – January 2026

Theme for Lens-Artists Photo Challenge #380 is ‘what’s around the corner’. Last week we had snow in the village.

Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.

Night View

The Netherlands, Oegstgeest – October 2025

The garden at night. The Lens-Artists Photo Challenge #375 is ‘where to find the mysterious’.

Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.

Moon over Oegstgeest

A full moon illuminating a canal at night, reflecting on the water, with a silhouetted tree in the foreground and houses in the background.
The Netherlands, Oegstgeest – November 2025

The Lens-Artists Photo Challenge #375 is ‘where to find the mysterious’. The full moon over the canal. A sight not often seen. This is a different photo of the same scene I posted yesterday.

Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.

Mondschein

A vibrant full moon illuminating the night sky above a tranquil canal, reflecting light on the water's surface.
The Netherlands, Oegstgeest – November 2025

The Lens-Artists Photo Challenge #375 is ‘where to find the mysterious’. The full moon over the canal. A sight not often seen.

Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.

Steamtrain Museum Katwijk Leiden

Close-up of an old, rusty steam locomotive in a museum with visible wear and tear, showcasing its historical significance.
Close-up view of a vintage steam train locomotive in a museum, showcasing its weathered metal exterior and unique design.
Close-up of a weathered metal plaque with inscriptions, displaying the numbers and text related to bridges, tunnels, and earthworks, mounted on a rusty background.
Close-up of an old, rusty steam engine cabin displayed in a museum, with a cobblestone floor and a transparent roof.
A close-up view of old steam locomotives in a museum, showcasing their vintage design and machinery with informational plaques in a well-lit indoor space.
Rusty steam locomotive on display at the Steamtrain Museum in Katwijk, Leiden, showcasing vintage machinery and historical preservation.
The Netherlands, Valkenburg – October 2025

The Lens-Artists Photo Challenge #374 is ‘on the move’. Most of what is on these photos has not moved in a long time. However, the machines they got moving again are brilliant. It is a place where they try to keep history alive and accessible, touchable and usable.

The Steamtrain Museum Katwijk Leiden is run by volunteers. It offers the history of steam trains and their use on narrow gauge tracks. And the volunteers fix up and restore old locomotives, carriages and other cars. They have a big storage full of old parts and rusty machines.

Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.

Letting go

Close-up of autumn leaves displaying vibrant red and orange hues, highlighting the ephemeral beauty of the season.
The Netherlands, Oegstgeest – October 2025

Autumn is the time of year were beauty is short and temporarily. Glimpses of moments that pass quickly and are gone fast. The end is the start of the new cycle of growth for the next year.

Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.

Autumn Details

Close-up of vibrant autumn leaves in shades of red, orange, and yellow with a blurred background, capturing the beauty of the season.
The Netherlands, Oegstgeest – October 2025

Autumn is there, colors and details of the leaves are beautiful. Glimpses of moments that pass quickly and are gone fast.

Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.

Smoking at Work: Reichstag Berlin

A staff member in formal attire standing on a terrace at the Reichstag, using a smartphone. Reflections of the building's modern architecture and venetian blinds are visible in the glass.
Germany, Berlin – September 2025

From the roof of the Reichstag. A member of staff has a smoke break. A slightly less common street detail nowadays for LAPC #371.

Shot with Nikon Zf, edited using Snapseed and Marksta. Click the picture for a larger version.

From the roof of the Reichstag

A cloudy view from the Reichstag roof showcasing Tiergarten, featuring the Victory Column on the left and the Carillion on the right, with Teufelsberg in the background.
Germany, Berlin – September 2025

A view from the roof of the Reichstag, overlooking Tiergarten. On the left The Victory Column. On the right side is the Carillion, a 42 meter hight bell tower. And in the background the Teufelsberg.

I am not sure this photo is dreamy enough to enter Lens-Artists Photo Challenge #369 ‘dreamy’.

Shot with Nikon Zf, edited using Snapseed and Marksta. Click the picture for a larger version

City of Rembrandt

A black and white view of a canal in Leiden, featuring trees lining the banks, historic buildings, and reflections in the water under a cloudy sky.
The Netherlands, Leiden – August 2026

A view on the city where Rembrandt van Rijn was born, Leiden. It was the home where he grew up. There he started his now famous career as a painter. Later, he moved to Amsterdam.

Lens-Artists Photo Challenge #366 is ‘City Mouse/Country Mouse’. I am not familiar with the story. But as the brief puts it ‘there is no place like home’. Home is where the heart is.

Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.

Pas de Calais

A scenic view of rolling hills in Pas de Calais, France, with a clear blue sky and two stone posts in the foreground surrounded by tall grass and shrubs.
A panoramic view of rolling green and yellow fields under a cloudy sky, with a small collection of houses visible in the distance.
A scenic view of rolling hills and fields, with a small cluster of houses visible in the foreground, under a cloudy sky.
France, Pas de Calais – July 2011

Lens-Artist’s Photo Challenge #365 is ‘longing’. This landscape is so appealing, I still feel the excitement I felt when I shot this sequence.

shot with Nikon D70, edited using Snapseed and Marksta. Click the picture for a larger version.

Monochrome Moods

Monochrome photograph of delicate flowers with soft focus, showcasing their intricate details and textures.
The Netherlands, Oegstgeest – August 2024

I like monochrome photography for many reasons. One of them is the ability to play with the mood in the photo. Just by adjusting the aperture time or the opening of the lens, the same light delivers a different mood. This one and the photo I published yesterday, were shot on the same day.

Lens- Artist Challenge #364 is ‘Quiet Moment’. Close ups of natural beauty are a wonderful instrument to just be quiet, enjoying the view. And to realize all is connected.

Shot with Nikon Zf, edited using Snapseed and Marksta. Click the picture for a larger version.

Delicate

Black and white close-up photo of delicate flowers and buds against a blurred background, emphasizing their natural beauty.
The Netherlands, Oegstgeest – August 2025

Lens- Artist Challenge #364 is ‘Quiet Moment’. Close ups of natural beauty are a wonderful instrument to just be quiet, enjoying the view. And to realize all is connected.

Shot with Nikon Zf, edited using Snapseed and Marksta. Click the picture for a larger version.

Outside

A serene landscape featuring a plowed field under a blue sky with scattered clouds, trees in the foreground, and a distant farmhouse.
The Netherlands, Voorhout – August 2025

Lens- Artist Challenge #364 is ‘Quiet Moment’. A bicycle ride to clear the head. Seeing the bulbs for Spring being planted.

Shot with iPhone 15 Pro Max edited using Snapseed and Marksta.  Click the picture for a larger version.

(The) Doors Revisited

This week’s Lens-Artists Photo Challenge #361 is ‘Doors revisited’. That theme was also the brief for LAPC #20. A door is a pass way to another space behind it. That space can be something we know already. Or something we like to imagine to see there when we go through. And in books you can end up in another world. In this post a few doors I met in my life. One I used for a long time, most I just passed by or passed through on holidays.

The word ‘doors’ for me is also linked to the band The Doors. The name of the band came from a book by Aldous Huxley, The doors of perception. And Huxley took it from William Blake, who used it as a metaphor:

“If the doors of perception were cleansed every thing would appear to man as it is, Infinite. For man has closed himself up, till he sees all things thro’ narrow chinks of his cavern . Doors lead you to another side or space, break on through to the other side.”

‘Break on through to the other side’ became the title of a Doors’ song.

So a lot can be said about doors. Luckily, we still have the photos. Here are a few from my conscious memory.

Close-up of a door handle and keyhole on a white door, featuring a circular knob and a round lock.
The Netherlands, Oegstgeest – November 1991

This is the front door to the house I was born and lived in for 25 years. The photo is shot on Ilford XP with a Pentax K1000.

A detailed close-up of a wooden door featuring a unique hand-shaped door knocker, showcasing an intricate design.
France, Caylus – September 2005

This door in Caylus is ready to be knocked. Shot on Nikon D70.

A small white chapel with a blue door and a cross on top, set against a mountainous landscape.
Greece, Karpathos – September 2009

I looked through my archive. It struck me that lots of the doors I saw there are doors of small or bigger churches. This one is on Karpathos. Shot on Nikon D70.

A black and white photograph of a double door with a simple design, partially open, situated beside a wooden chair against a white wall.
Greece, Karpathos – September 2009

Another church door on Karpathos, shot on Kodak TriX with Nikon F90.

A large, intricately designed wooden door with a reddish hue, set within a stone archway. Above the door, there is a circular painting of a figure, likely religious, surrounded by decorative elements.
Greece, Lesbos – August 2007

A chapel door in Lesbos, also shot on Nikon D70.

A detailed black and white photograph of a wooden door adorned with intricate carvings and a padlock, showcasing traditional architectural elements.
Nepal, Kathmandu – March 2004

Kathmandu, shot with Nikon F90 on Kodak TriX.

Drips (And Other Thoughts About Photography)

The Netherlands, Oegstgeest – July 2025

This week’s Lens-Artists Photo Challenge #359 is ‘Tools of Photo Compositions: Lines, Colors and Patterns’. Photography is about seeing. But what do you see? I can only talk for myself. It all starts with an appeal. Something in the real world captures my eyes. Most of the times that is spontaneous. It is about being there in the moment. What I visualize tells me a story, a small whisper, ‘come, shoot me! It’s fun’. And when building the photo lines, patterns, colors (or monochrome tones) are tools to try to bring that story out. And then the shutter clicks. My photo’s are my story of the world. My way of giving ‘voice’ to something that made me press the shutter, that reflects inside me. Yet, my click with the image can be totally different than the click of the observer.

Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.

Exploring Leiden’s Scenic Canals: A Summer Evening

The Netherlands, Leiden – July 2025

Lens-Artists Photo Challenge #359 is ‘Tools of Photo Compositions: Lines, Colors and Patterns’.
A sunset over the Galgenwater in Leiden. A warm Summer night, with lots of boats cruising the canals. In the background the replica of the windmill of Rembrandt van Rijn’s father.

Archive Leiden

Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.

Exploring Chaos in Photo Compositions

France, St. Samsom-sur-Rance – August 1996

Lens-Artists Photo Challenge #359 is ‘Tools of Photo Compositions: Lines, Colors and Patterns’.
Long leading lines, nice shapes etc are pretty obvious to use when building a nice frame. But what about chaos? Can that be appealing too? A field with spiderwebs, wet by the fog. A photo from almost 30 years ago, taken in Brittany at St. Samsom-sur-Rance, near Dinan. To see it at its best, click the photo please.

About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version

Low Tide

France, Le Conquet – August 1996

Lens-Artists Photo Challenge #359 is ‘Tools of Photo Compositions: Lines, Colors and Patterns’.
The harbor of Le Conquet at low tide during sunset, as equestrians pass by. To say I was surprised when I spotted the horses, is an understatement.

About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version

Let It Roll

France – Morbihan, Questembert – August 1996

Lens-Artists Photo Challenge #359 is ‘Tools of Photo Compositions: Lines, Colors and Patterns’.
The dreamy field with freshly pressed straw rolls offers a nice challenge. It is an opportunity to create something that makes sense in images. The idea that they actually roll. Near Questembert in the Morbihan region of Brittany.

About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version

Brouillard

France, St. Samsom-sur-Rance – August 1996

Lens-Artists Photo Challenge #359 is ‘Tools of Photo Compositions: Lines, Colors and Patterns’.
A local railway track, disappearing in the fog. A photo from almost 30 years ago, taken in Brittany at St. Samsom-sur-Rance, near Dinan.

About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version

Studying Hard

The Netherlands, Delft – June 2025

The theme for his week Lens-artists challenge #356 is ‘Quiet Hours’. 

Delft has a technical university with a long history in engineering and water management. The plan for Dutch coast defense implemented in the Delta Works originated here. Deltares is a major technological institute for research focusing on water management.

Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version

On Policy

The Netherlands, Den Haag – May 2025

The LAPC challenge for this week (#354) is ‘reflections’. Reflecting can be visual but also in a way of contemplating. On the photo three Dutch government policy departments.

Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.

Exploring Guildford: The Surrey Scholar

England, Guildford – April 2025

Lens-Artists Photo Challenge #350 (congratulations!) is ‘zooming’. A zoomlens gets you nearer to the subject, and can be used for lots of creative effects. The brief for this LAPC is to be creative, but in this photo I used the zoom just to get closer to a section of the ‘full picture’ of the Surrey Scholar on High Street in Guildford. The zoom puts the statue in a different light, taking the context away.

Shot with Nikon Zf, edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.

Discovering Bluebells in Surrey: A Spring Adventure

England, Ranmore Common – April 2025

The brief for this weekly Lens-Artists Challenge #349 is ‘the first thing I thought of (when I saw this)’.
Bluebells are famous. But I never saw one with my own eyes in the wild until this Spring.

This Spring I saw them flowering in the woods of Surrey. Beautiful.

Shot with Nikon Zf, edited using Snapseed and Marksta. Click the picture for a larger version.

The pros and cons of Tree Risk Management

England, Rusper – April 2025

Lately I have not participated in the weekly Lens-Artists Challenge, but here is one that fits the brief of #349 ‘the first thing I thought of (when I saw this)’. For me this is about association, and the thought that pops up seeing a scene can be the reason for taking the photo. Sometimes a thought that brings a smile, sometimes a thought of a type of despair or frustration: why? As it was the latter in this case.

In The Netherlands, all trees are bi-annualy inspected for risks, like falling over during a storm, to prevent calamities and discomfort. Its aim is to prevent and control future situations. In a way this makes sense, if you can prevent accidents, what is not to be liked about that? On the other hand you are never sure when they come down, but you do know that it will happen! At times with severe storms, trees tend to come down on roads and motorways or train tracks. C’est la vie, say the French. Luckily, in England one can enjoy the odd dead, broken, fallen over or not too healthy tree like this one. Let nature be nature, enjoy the ride.

Shot with Nikon Zf, edited using Snapseed and Marksta. Click the picture for a larger version.

Exploring Monty Python’s Flying Circus: A Sheep’s Perspective

England, Rusper – April 2025

Lately I have not participated in the weekly Lens-Artists Challenge, but here is one that fits the brief of #349 ‘the first thing I thought of (when I saw this)’. For me this is about association, and the thought that pops up seeing a scene can be the reason for taking the photo. As it was in this case. A peaceful arcadic scene of a green, lush valley with grazing sheep in the distance, made me think of a sketch.
One of my first introductions to Monty Python’s Flying Circus was the sketch ‘Flying Sheep’. In which dim sheep are trying to be like birds, led by the most dangerous of all animals, a clever sheep (Harald). After that introduction I was a fan forever, of Python, and sometimes lamb.

Shot with Nikon Zf, edited using Snapseed and Marksta. Click the picture for a larger version.

Landscape of Hyacinths


The Netherlands, Voorhout – April 2025

Lens Artists Photo Challenge 343 is ‘Seen on my last outing’. Yesterday, a short bicycle ride around Voorhout. On the bulb fields lines are straight, which is kind of boring. But the panoramic view of the iPhone changes the perspective.

Shot with iPhone 15 Pro Max edited using Snapseed,  GrainLab and Marksta.  Click the picture for a larger version.

Where Old Meets New aka Advertising Space

The Netherlands, Leidschendam – February 2025

This week Lens Artist Photo Challenge #335 is exploring color versus monochrome aka black and white. Compare a color photo with a monochrome print of it. What works better? 

A few days ago I published a resembling shot in color and mono. This post differs from the earlier ones. The tree on the right went out of the frame. And a very modern advertising pole pops up in the background.

My love for the bleak colors of Winter’s light are the same. But I prefer this mono version, even if it was originally shot in color. GrainLab is a great tool, and the atmosphere of the photo is ‘old’ but the view is modern.

Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.

Meet The Ducks

The Netherlands, Leidschendam – February 2025
The Netherlands, Leidschendam – February 2025

This week Lens Artist Photo Challenge #335 is exploring color versus monochrome aka black and white. Compare a color photo with a monochrome print of it. What works better? 

Two landscapes, originally shot in color. I do prefer the monochrome version. That was tweaked with GrainLab.

Yesterday I publiced this one in color. I do like it, the bleak colors of Winter light are nice. But I prefer this mono version, even if it was originally shot in color. The dark spots are much more toned and I do like the grain feel of Kodak Tri X.

Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.

Back Up

The Netherlands, Leidschendam – February 2025

This week Lens Artist Photo Challenge #335 is exploring color versus monochrome aka black and white. Compare a color photo with a monochrome print of it. What works better?

I tend to think in black and white at most moments. Just my preference. And if I can I shoot just in a mono mode on my iPhone or my recent purchased Nikon Zf.

Yesterday I publiced this one in color. I do like it, the bleak colors of Winter light are nice. But I prefer this mono version, even if it was originally shot in color,

Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.

Surf’s Up

The Netherlands, Katwijk aan Zee – November 2024

The weekly LAPC #327 is ‘five elements’. Four of the Greek (fire, water, earth, sky) and metal from a Chinese philosophical edge. The only fire in this photo is invisible and contained in the wind sweeping the water onto the beach. And as far for metal, it keeps the wooden fence together. Water, sky and earth in abundance. Funny we do not look in ‘elements’ to a photo.

Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version

Elvis Is In The Tree At Christmas!

The Netherlands, Oegstgeest – September 2024

Rest assured people of The Netherlands, Elvis is available for your trees at Christmas! It brings a smile to my face (LAPC #326 is ‘this made me smile’)

Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version

Silence in Nature: Exploring Autumn’s Beauty

The Netherlands, Oegstgeest – October 2024

This week lens artists challenge #323 is ‘silence’. Autumn is a time where we move towards the end of the cycle, preparing for Winter. A time of letting go with the awareness that nature is preparing for Spring. The cycle of life at work, complexity in simplicity.

Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version

Lens Artists Photo Challenge #323: Embracing Silence

The Netherlands, Oegstgeest – October 2024

This week lens artists challenge #323 is ‘silence’. How to depict silence?

Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version

Glimpse


The Netherlands, Oegstgeest – October 2024

This week lens artists challenge #323 is ‘silence’. How to depict silence?

Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version

Embracing Imperfection: Life’s Beautiful Cycle (Look what the cat left behind)

The Netherlands, Oegstgeest – October 2024

Maybe the best example of perfect imperfection is the cycle of life we see every day around us. When the leaves fall in Autumn in fact nature is preparing for its next Spring. This week’s Lens Artists Photo Challenge #322 is ‘there is a crack in everything, that’s how the light gets in’. The quote is from a verse by Leonard Cohen about imperfection and beauty, redemption, healing and growth.

‘Ring the bells that still can ring
Forget your perfect offering
There is a crack, in everything
That’s how the light gets in‘

Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version

There is a Crack in Everything: A Photographic Journey

The Netherlands, Oegstgeest – October 2024

This week’s Lens Artists Photo Challenge #322 is ‘there is a crack in everything, that’s how the light gets in’. The quote is from a verse by Leonard Cohen about imperfection and beauty, redemption, healing and growth to overcome pain and hurt. The origin is more ‘cosmic’ and is much older (e.g. Rumi): the only perfect ‘being’ (the light) is the source of all. As humans we are not perfect but we can let the light in to heal our wounds and pain. And essentially learn from it.

Yesterday I showed a photo from the bright side, this one is from the sunrise, and I must say I love the light and the atmosphere.

Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version

The Sunny Side

The Netherlands, Oegstgeest – October 2024

This week’s Lens Artists Photo Challenge #322 is ‘there is a crack in everything, that’s how the light gets in’. It is from a verse by Leonard Cohen about imperfection and beauty. This photo is just a blunt statement: the light comes from the right. But considering my more frequent photo moments in the early morning on this spot, it is after noon. A total different view on the same view. The way the light hits a scene gives it meaning. And shows different details. It softens, warms an strikes with a tender touch, showing the deeper beauty. Not perfect, but priceless.

Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version