What's (in) the Picture?

Chris Breebaart Photography – finding stories

Posts tagged ‘travel’

Rejected Photos

Lens-artists Photo Challenge #382 is about rejected photos. What do you do with photos you do not like? You can throw them away, or you can keep them. And if you keep them what can you do with them? First a story of myself, how I work. And in the end an example.

I am a snap shooter for a long time. When looking at this question for myself, I have to distinguish between the analog age and the digital age. But in both ages it is about quality, how you can assess that and what instruments are available after shooting. And above all: how can you be creative, and how much room is there to experiment?

The analog age was expensive: film was expensive, darkroom materials were expensive too. And being a poor student I shot as efficient as possible. You had to be patient while shooting, and selective. You also needed to trust your skills. Experience was essential to figure out what worked and what not. To produce good prints you needed to develop darkroom skills. And some negatives were impossible to print. But you kept them all. I never threw away negatives. That decision was beneficial in the digital age. After scanning my negatives, I properly made them look like what I had in mind when shooting them. What the darkroom did not deliver, software did.

In the digital age the cost of a photo is nearly non existent. The original photo (the former negative) can be copied lots of times. From the start technology offers instruments to oversee the quality of the photos. What you shoot is instantly visible on the camera. You can try different changes in the photo. Adjustments like shutter time, focus, and shutter opening can be tested most of the time. The RAW format offers flexibility for editing the ‘negative’ after the shoot. Software offers lots of creative tools to change the photo, or create new images.

So, do you keep rejected (bad) photos or not? I do reject photos, overseeing the result on my camera. I keep photos that can come to a good result after editing. The rest I remove straight away (e.g. bracketing shots).What I keep is stored on my NAS, where I use Lightroom as my archiving tool. I use editing tools to tweak a photo slightly. My favorite is Snapseed for web and social media publication. And Lightroom and Photoshop for prints.

The digital age is a time for unlimited creativity. The photos of ‘dinner at Wiveton Bell’ are an example of testing out the iPhone in a very dark situation. I shot about 8 frames, I kept them all but had my doubts. At home I worked them in Lightroom and Snapseed. And was surprised by what came out. And the ones that did not work were indeed deleted.

On the left the photo published and on the right the original RAW file.

Four silhouetted figures walking in a dimly lit parking area at night, with a church tower in the background under a starry sky.
Four figures walking on a gravel path toward a church under a starry sky, with parked cars on either side.
Silhouettes of two people walking in a dimly lit street surrounded by parked cars and a faint glow from a nearby light source.
Two silhouetted figures walking on a dimly lit street at night, with a faint light illuminating their path, and a distant building silhouette against a darkened sky.
A moody, abstract landscape featuring silhouetted structures against a dark, colorful sky with hints of light.
A nighttime scene featuring dark clouds and a few visible stars, with silhouettes of buildings in the foreground.
A dimly lit pathway at night with a bright moon overhead, featuring shadowy figures walking along the path, illuminated by faint light.
A group of people walking along a dark path illuminated by flashlights, with a bright moon in the night sky.

(The) Doors Revisited

This week’s Lens-Artists Photo Challenge #361 is ‘Doors revisited’. That theme was also the brief for LAPC #20. A door is a pass way to another space behind it. That space can be something we know already. Or something we like to imagine to see there when we go through. And in books you can end up in another world. In this post a few doors I met in my life. One I used for a long time, most I just passed by or passed through on holidays.

The word ‘doors’ for me is also linked to the band The Doors. The name of the band came from a book by Aldous Huxley, The doors of perception. And Huxley took it from William Blake, who used it as a metaphor:

“If the doors of perception were cleansed every thing would appear to man as it is, Infinite. For man has closed himself up, till he sees all things thro’ narrow chinks of his cavern . Doors lead you to another side or space, break on through to the other side.”

‘Break on through to the other side’ became the title of a Doors’ song.

So a lot can be said about doors. Luckily, we still have the photos. Here are a few from my conscious memory.

Close-up of a door handle and keyhole on a white door, featuring a circular knob and a round lock.
The Netherlands, Oegstgeest – November 1991

This is the front door to the house I was born and lived in for 25 years. The photo is shot on Ilford XP with a Pentax K1000.

A detailed close-up of a wooden door featuring a unique hand-shaped door knocker, showcasing an intricate design.
France, Caylus – September 2005

This door in Caylus is ready to be knocked. Shot on Nikon D70.

A small white chapel with a blue door and a cross on top, set against a mountainous landscape.
Greece, Karpathos – September 2009

I looked through my archive. It struck me that lots of the doors I saw there are doors of small or bigger churches. This one is on Karpathos. Shot on Nikon D70.

A black and white photograph of a double door with a simple design, partially open, situated beside a wooden chair against a white wall.
Greece, Karpathos – September 2009

Another church door on Karpathos, shot on Kodak TriX with Nikon F90.

A large, intricately designed wooden door with a reddish hue, set within a stone archway. Above the door, there is a circular painting of a figure, likely religious, surrounded by decorative elements.
Greece, Lesbos – August 2007

A chapel door in Lesbos, also shot on Nikon D70.

A detailed black and white photograph of a wooden door adorned with intricate carvings and a padlock, showcasing traditional architectural elements.
Nepal, Kathmandu – March 2004

Kathmandu, shot with Nikon F90 on Kodak TriX.

Finding Beauty in the Ordinary: Canal Reflections

The Netherlands, Oegstgeest – September 2024

LAPC #316 is ‘Finding beauty in unexpected places’. One of the objects for photographs is the canal that runs through my village. It is quite ordinary, there is a vast amount of small and little canals to dispose of water in The Netherlands. To manage water in a country that is partly under sea level, one has to build infrastructure to keep dry feet. Two pictures taken at the same moment of the day, slightly different in monochrome style. The first is with the silvertone setting, the last with the dark setting on the iPhone. It changes the atmosphere completely. And one may be more beautiful than the other, it is all in the eye of the beholder.

Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version