A few days ago I published a resembling shot in color and mono. This post differs from the earlier ones. The tree on the right went out of the frame. And a very modern advertising pole pops up in the background.
My love for the bleak colors of Winter’s light are the same. But I prefer this mono version, even if it was originally shot in color. GrainLab is a great tool, and the atmosphere of the photo is ‘old’ but the view is modern.
Two landscapes, originally shot in color. I do prefer the monochrome version. That was tweaked with GrainLab.
Yesterday I publiced this one in color. I do like it, the bleak colors of Winter light are nice. But I prefer this mono version, even if it was originally shot in color. The dark spots are much more toned and I do like the grain feel of Kodak Tri X.
I tend to think in black and white at most moments. Just my preference. And if I can I shoot just in a mono mode on my iPhone or my recent purchased Nikon Zf.
Yesterday I publiced this one in color. I do like it, the bleak colors of Winter light are nice. But I prefer this mono version, even if it was originally shot in color,
This week’s Lens Artists Photo Challenge #322 is ‘there is a crack in everything, that’s how the light gets in’. The quote is from a verse by Leonard Cohen about imperfection and beauty, redemption, healing and growth to overcome pain and hurt. The origin is more ‘cosmic’ and is much older (e.g. Rumi): the only perfect ‘being’ (the light) is the source of all. As humans we are not perfect but we can let the light in to heal our wounds and pain. And essentially learn from it.
Yesterday I showed a photo from the bright side, this one is from the sunrise, and I must say I love the light and the atmosphere.
This week’s Lens Artists Photo Challenge #322 is ‘there is a crack in everything, that’s how the light gets in’. It is from a verse by Leonard Cohen about imperfection and beauty. This photo is just a blunt statement: the light comes from the right. But considering my more frequent photo moments in the early morning on this spot, it is after noon. A total different view on the same view. The way the light hits a scene gives it meaning. And shows different details. It softens, warms an strikes with a tender touch, showing the deeper beauty. Not perfect, but priceless.
This week’s Lens Artitsts Photo Challenge (#321) is Intentional Camera Movement (ICM). Yesterday I published photos shot analogue on film: the result is only visible after developing the film. This one is from 2004 with my first digital Nikon D70. The fun of digital is that you can actually see on the back what the result is, and use this feedback to try again. Digital gives freedom and is cheap and gives instant feedback. 20 years of digital playing.
Maybe I am not the only one. When I see a wonderful subject, that has to be on a photo, I tend to try out different things fast, to avoid the moment goes. And in the end there is a series of photos that are hard to choose from. What is the solution? I just publish them all. So after SUP Paddler in focus and
The canal is one of my long period objects for photos. I always look if there is something worth a photo when I cross it. Most of the time it is empty, sometimes there is a boat. But this time there was a first: a SUP paddler in a beautiful moody Autumnal sunrise. As if he knew this week’s theme for LAPC #319 is ‘setting a mood’.