Architecture can be beautiful in full color as well in monochrome. In ‘twins’ I show the monochrome twin of the color shot at the Kop van Zuid in Rotterdam. The third set is the Montevideo.
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Architecture can be beautiful in full color as well in monochrome. In ‘twins’ I show the monochrome twin of the color shot at the Kop van Zuid in Rotterdam. The second set is an old elevator at the Rijnhaven.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Architecture can be beautiful in full color as well in monochrome. In ‘twins’ I show the monochrome twin of the color shot of the high risings in Rotterdam on the Kop van Zuid in Rotterdam. The first set is De Rotterdam by Rem Koolhaas.
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A bench at the Rijnhaven in Rotterdam on the Kop van Zuid in Rotterdam.
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The De Rotterdam towers over the old warehouses on the Kop van Zuid in Rotterdam. The use of housing changed from industrial to living.
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LAPC challenge #305 is about composition: two rectangles as a play tool to frame a photo. Sometimes you get lots more than two, which adds to another aspect of composition: repetition. Not sure if this qualifies as a valid entry, but I do like the building. This is De Rotterdam by Rem Koolhaas.
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The Rijnhaven in Rotterdam seen from the Kop van Zuid in Rotterdam.
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The Rijnhaven in Rotterdam seen from the Kop van Zuid in Rotterdam.
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The Kop van Zuid in Rotterdam is home to various highrisings, some named after big cities. This is New Orleans.
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Rijnhaven, Kop van Zuid, Rotterdam.
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The Erasmus bridge in Rotterdam.
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A popular beer from an original small independent brewery on the island of Texel is called ‘Skuumkoppen’. It refers to the white on breaking waves.
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The outside terrace of The Parrot in Forest Green/Dorking.
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A pub, one of the best places for community connections (connect LAPC 303).
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Reading a book on a bench, looking up and seeing this makes a monochrome fan jump. (connect LAPC 303)
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The best way to explore and connect is to walk around and be surprised with what is in view! It’s the best way to connect to a town for me (LAPC 303)
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A bench in the lazy shade offers a view, looking up to see the top and roofs of the houses. It’s a way to connect to a town for me (LAPC 303)
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A walk through Horsham starts here.
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Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
The view from the outside terrace of The Parrot in Forest Green/Dorking.
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Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Murphy, a Showstopper. He is quite a showman himself, adorable and so cute. Never stops playing until he falls over.
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Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
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Hoek van Holland, looking at Maasvlakte, the harbor of Rotterdam.
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Stenaline Brittanica, Hoek van Holland, waiting for departure.
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Hoek van Holland, waiting for departure.
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Hoek van Holland, waiting for departure.
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An approach of any plane over a motorway strikes me always with a little anxiety. Not it will crash but the opportunity to have a nice shot at it.
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Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
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Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
The Lens Artists Photo Challenge #297 is ‘music to my eyes’. The moon through insulated glass. The story of Mad Man Moon by Genesis.
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Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
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Normally I occasionally see air ambulances or police helicopters, but I assume these are not civilian helicopters.
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Skies can be amazingly dramatic these days, sometimes aided by a whiff of Sahara sand in the mix of light and clouds.
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It is that time of year again, bulbflowers spreading colors and aromas around.
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An old commercial estate on the Haarlemmerweg in Leiden.
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Office building Haagse Poort in Den Haag as seen from the train.
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Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
What's (in) the Picture? 