Sunny Rain
Lens-Artist’s Photo Challenge #383 is ‘patterns and designs’. A Winter rain shower over the quaside of Blakeney.
Shot with Nikon Zf, edited using Snapseed and Marksta. Click the picture for a larger version
Lens-Artist’s Photo Challenge #383 is ‘patterns and designs’. A Winter rain shower over the quaside of Blakeney.
Shot with Nikon Zf, edited using Snapseed and Marksta. Click the picture for a larger version
Lens-Artist’s Photo Challenge #383 is ‘patterns and designs’. The marshes at Blakeney in first morning light.
Shot with Nikon Zf, edited using Snapseed and Marksta. Click the picture for a larger version



Lens-Artist’s Photo Challenge #383 is ‘patterns and designs’. Being caught in Winter shower in Blakeney, resultated in a gorgeous full and double rainbow. As we can see here, the story of the pot of gold is probably not true.
Shot with Nikon Zf (the two portrait photos),and iPhone 15 Pro Max (the landscape) edited using Snapseed and Marksta. Click the picture for a larger version
The quayside and harbour of Blakeney.
Shot with Nikon Zf,edited using Snapseed and Marksta. Click the picture for a larger version.
The quayside of Blakeney. Here you can go on a small boat to see Blakeney Point, visit the seals.
Shot with Nikon Zf,edited using Snapseed and Marksta. Click the picture for a larger version.
The path along the seafront in Blakeney.
Shot with Nikon Zf,edited using Snapseed and Marksta. Click the picture for a larger version.
Lens-artists Photo Challenge #382 is about rejected photos. What do you do with photos you do not like? You can throw them away, or you can keep them. And if you keep them what can you do with them? First a story of myself, how I work. And in the end an example.
I am a snap shooter for a long time. When looking at this question for myself, I have to distinguish between the analog age and the digital age. But in both ages it is about quality, how you can assess that and what instruments are available after shooting. And above all: how can you be creative, and how much room is there to experiment?
The analog age was expensive: film was expensive, darkroom materials were expensive too. And being a poor student I shot as efficient as possible. You had to be patient while shooting, and selective. You also needed to trust your skills. Experience was essential to figure out what worked and what not. To produce good prints you needed to develop darkroom skills. And some negatives were impossible to print. But you kept them all. I never threw away negatives. That decision was beneficial in the digital age. After scanning my negatives, I properly made them look like what I had in mind when shooting them. What the darkroom did not deliver, software did.
In the digital age the cost of a photo is nearly non existent. The original photo (the former negative) can be copied lots of times. From the start technology offers instruments to oversee the quality of the photos. What you shoot is instantly visible on the camera. You can try different changes in the photo. Adjustments like shutter time, focus, and shutter opening can be tested most of the time. The RAW format offers flexibility for editing the ‘negative’ after the shoot. Software offers lots of creative tools to change the photo, or create new images.
So, do you keep rejected (bad) photos or not? I do reject photos, overseeing the result on my camera. I keep photos that can come to a good result after editing. The rest I remove straight away (e.g. bracketing shots).What I keep is stored on my NAS, where I use Lightroom as my archiving tool. I use editing tools to tweak a photo slightly. My favorite is Snapseed for web and social media publication. And Lightroom and Photoshop for prints.
The digital age is a time for unlimited creativity. The photos of ‘dinner at Wiveton Bell’ are an example of testing out the iPhone in a very dark situation. I shot about 8 frames, I kept them all but had my doubts. At home I worked them in Lightroom and Snapseed. And was surprised by what came out. And the ones that did not work were indeed deleted.
On the left the photo published and on the right the original RAW file.








The last in the series of monochrome, more or less minimal photos for this week’s Lens artists photo challenge #381 (minimalism in black and white photography).
Shot with Nikon Zf,edited using Snapseed and Marksta. Click the picture for a larger version.
Lens artists photo challenge #381 is ‘minimalism in black and white photography’. The marshes at Blakeney are a place for running and hiking.
Shot with Nikon Zf,edited using Snapseed and Marksta. Click the picture for a larger version.
Lens artists photo challenge #381 is ‘minimalism in black and white photography’. A bus stop at sunrise.
If you wonder how it looks in color? Here is an iPhone shot of 2024 at the same spot. In the monochrome the sun is not over the horizon, in the color one it is.
Shot with Nikon Zf,edited using Snapseed and Marksta. Click the picture for a larger version.




Having dinner at the Wiveton Bell. A beautiful moonlight night, an open invitation to play with the iPhone. The results did surprise me.
The bottom right photo is taken with the night modus. The rest with the manual mode of ‘real light’.
The one of the church reminds me of a medieval painting.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
Sometimes I can not resist to take photo’s of people waiting for others outside a shop. Here is one from Westfield in Leidschendam, The Netherlands.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.
Even in Winter there is blossom. Like Spring is already here.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.
Even in Winter there is blossom. And in monochrome it looks like snow :-).
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.

Even in Winter there is blossom.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.
The year 2025 ends and we cross over to 2026. I hope the new year will be a good one. I wish it brings some of the desires I cherish in my heart. I am sure others cherish these desires as well.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.
The canal in the fog.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.
The last leaves of the Magnolia
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.
A small milestone maid: yesterday I passed the 300.000 views on this blog. Thank you.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.



Moorhens in the canal.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.
Autumn colors color the village.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.
Autumn colors color the village.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.
An iPhone long lens shot of a heavy rain sky. This was the first of the three photos I published the last three days.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.
An iPhone long lens shot of the horizon, catching geese by accident, against a heavy rain sky. I cropped the motorway A44 out on this one.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.


Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
The garden at night. The Lens-Artists Photo Challenge #375 is ‘where to find the mysterious’.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.



Autumn skies at sunset.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
A dinner in our favorite restaurant, exquisite food with an excellent wine arrangement.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.


This Heron is a frequent visitor along the little canal in front of the house.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.






The Lens-Artists Photo Challenge #374 is ‘on the move’. Most of what is on these photos has not moved in a long time. However, the machines they got moving again are brilliant. It is a place where they try to keep history alive and accessible, touchable and usable.
The Steamtrain Museum Katwijk Leiden is run by volunteers. It offers the history of steam trains and their use on narrow gauge tracks. And the volunteers fix up and restore old locomotives, carriages and other cars. They have a big storage full of old parts and rusty machines.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
Having fresh flowers in the house is a blessing.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.




The sky and fallen leaves on windows.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version


On the road at sunrise, the A44 and A4 to Schiphol Amsterdam.
I am not sure this is filling the brief of LAPC #373 ‘looking back at landscapes’. It’s more looking forward on the road.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.



The sky and clouds are a dynamic big display of forms, colors and light. Looking up at times can take your mind off the daily life at moments.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
Autumn is the time of year were beauty is short and temporarily. Glimpses of moments that pass quickly and are gone fast. The end is the start of the new cycle of growth for the next year.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
Autumn is there, colors of leaves are beautiful.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
Autumn is approaching, the rain and gray skies are more and more the new normal. Luckily there is the occasional sun to enjoy, and the beautiful coloring of plants and trees.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.


Autumn is approaching, the rain and grey skies are more and more the new normal. Luckily there is the occasional sun to enjoy.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
From the roof of the Reichstag. A member of staff has a smoke break. A slightly less common street detail nowadays for LAPC #371.
Shot with Nikon Zf, edited using Snapseed and Marksta. Click the picture for a larger version.
The last time, before this visit in September, I saw this part of Berlin was in November 1989. This side was West Berlin, the Spree and across was East Berlin. The Berlin Wall cut straight to the right. It was just 20 meters from the East wall of the Reichstag.
Now the Bundestag offices connect both sides of the river. The tension of the Berlin Wall is literally out of sight. But not forgotten. Seven crosses are just outside this frame on the right side. They remind us of the people who tried to flee East Germany and were killed.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version. The monochrome photo of 1989 was shot with Nikon F301 on Kodak TriX.
This high rising can be found near the Kaiser Wilhelm Gedächtnis Kirche.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
A street in Charlottenburg.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.