Top row middle and right shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.Top left and bottom picture shot with iPhone 13 Pro Max edited using Snapseed and Marksta. Click the pictures for a larger version
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta.Click the picture for a bigger version.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta.Click the picture for a bigger version.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta Click the picture for a bigger version.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta Click the picture for a bigger version.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta Click the picture for a bigger version.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta Click the picture for a bigger version.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta Click the picture for a bigger version.
The Lens-artists challenge #197 is ‘rule of thirds’. The rule of thirds is a rule of thumb how to compose images. There are more ‘rules’; another is the ‘s’ like in the photo above. Whatever rule you like to use: break them and tweak them till you are happy with the result of the photo you are putting together. In the end your gut tells a lot about what constitutes a decent picture to your liking.
The Lens Artists Photo Challenge this week is #194: bokeh. Spring is the time for bulb flowers: daffodils, tulips, hyacinths. The garden is popping with tulips right now. And in two weeks the flower parade will take place after two years of absence. Looking forward to it, especially the smell of the flowers.
The Lens Artists Photo Challenge this week is #194: bokeh. Spring is the time for bulb flowers: daffodils, tulips, hyacinths. The garden is popping with tulips right now. And in two weeks the flower parade will take place after two years of absence. Looking forward to it, especially the smell of the flowers.
The Lens Artists Photo Challenge this week is #194: bokeh. Spring is the time for bulb flowers: daffodils, tulips, hyacinths. The garden is popping with tulips right now. And in two weeks the flower parade will take place after two years of absence. Looking forward to it, especially the smell of the flowers.
This week lens artists photo challenge is ‘that special place‘. The empty branches of a tree in Winter. During this pandemic I realized that the immediate outside of my house is an inspiration for photos. During the seasons and days it is always nice to look out and sometimes catch a nice view. Looking back over the years I realize that I have always been intrigued by little details near the places where I lived. Making these places special in a certain way.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
This weeks challenge #186 is ‘Low Light’. Monochrome gives a soft grey tone from light to dark, aand nice details in the darker areas, which you can not see easily by eye.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta Click the picture for a bigger version.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Fuji Film, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version
This weeks challenge #186 is ‘Low Light’. Meet Murphy, the cutest dog ever. Even if the original is not that well, software helps us to make it look good and show his cheeky eyes.
This weeks challenge #186 is ‘Low Light’. Using the available light is primarily a question of creativity and secondarily the available technology. The advice when using a Kodak Instamatic (a very old point and shoot film camera in the 1970’s) was to keep the sun in the back. My advice is not to do that. When using film it was a calculated guess (the result came after developing of the film). Nowadays in digital times the result is immediately available on your camera, hence a source of more playing around and tweaking. Playing with light is playing with the source of light. This photo of Strandhill was taken on a ‘normal’ sunny day. The angle used makes it much more dramatic. This photo ‘See Sea’ gives an idea of the light as it was that day. The fog and dark sky added to the atmosphere (in the Archive Ireland you can find two more photo’s of this perspective taken at the same moment).
Strandhill in Sligo is a small town, looking out over the Atlantic Ocean to the West. Rising over it is Knocknarea with Queen Maeve.