About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
Lens-Artists Photo Challenge #350 (congratulations!) is ‘zooming’. A zoomlens gets you nearer to the subject, and can be used for lots of creative effects. The brief for this LAPC is to be creative, but in this photo I used the zoom just to get closer to a section of the ‘full picture’ of the Surrey Scholar on High Street in Guildford. The zoom puts the statue in a different light, taking the context away.
In The Netherlands, all trees are bi-annualy inspected for risks, like falling over during a storm, to prevent calamities and discomfort. Its aim is to prevent and control future situations. In a way this makes sense, if you can prevent accidents, what is not to be liked about that? On the other hand you are never sure when they come down, but you do know that it will happen! At times with severe storms, trees tend to come down on roads and motorways or train tracks. C’est la vie, say the French. Luckily, in England one can enjoy the odd dead, broken, fallen over or not too healthy tree like this one. Let nature be nature, enjoy the ride.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
April 12 2025 was the yearly Bollenstreek flower parade; an impressive treat of creativity and beauty. The colors on display, the fragrance, the beautiful arrangements and the wonderful weather made it a true treat.
April 12 2025 was the yearly Bollenstreek flower parade; an impressive treat of creativity and beauty. The colors on display, the fragrance, the beautiful arrangements and the wonderful weather made it a true treat.
April 12 2025 was the yearly Bollenstreek flower parade; an impressive treat of creativity and beauty. The colors on display, the fragrance, the beautiful arrangements and the wonderful weather made it a true treat.
April 12 2025 was the yearly Bollenstreek flower parade; an impressive treat of creativity and beauty. The colors on display, the fragrance, the beautiful arrangements and the wonderful weather made it a true treat.
Since January I try to take regular photos of the Magnolia tree in the garden. The coming days I will publish a daily photo of a close up. For some it will be boring and repetitive, for most (I hope) it will be fun.
Since January I try to take regular photos of the Magnolia tree in the garden. The coming days I will publish a daily photo of a close up. For some it will be boring and repetitive, for most (I hope) it will be fun.
Since January I try to take regular photos of the Magnolia tree in the garden. The coming days I will publish a daily photo of a close up. For some it will be boring and repetitive, for most (I hope) it will be fun.
Since January I try to take regular photos of the Magnolia tree in the garden. The coming days I will publish a daily photo of a close up. For some it will be boring and repetitive, for most (I hope) it will be fun.
Since January I try to take regular photos of the Magnolia tree in the garden. The coming days I will publish a daily photo of a close up. For some it will be boring and repetitive, for most (I hope) it will be fun.
Since January I try to take regular photos of the Magnolia tree in the garden. The coming days I will publish a daily photo of a close up. For some it will be boring and repetitive, for most (I hope) it will be fun.
Since January I try to take regular photos of the Magnolia tree in the garden. The coming days I will publish a daily photo of a close up. For some it will be boring and repetitive, for most (I hope) it will be fun. And they are not all in monochrome :-).
Since January I try to take regular photos of the Magnolia tree in the garden. The coming days I will publish a daily photo of a close up. For some it will be boring and repetitive, for most (I hope) it will be fun.
Since January I try to take regular photos of the Magnolia tree in the garden. The coming days I will publish a daily photo of a close up. For some it will be boring and repetitive, for most (I hope) it will be fun.
Since January I try to take regular photos of the Magnolia tree in the garden. The coming days I will publish a daily photo of a close up. For some it will be boring and repetitive, for most (I hope) it will be fun.
The Netherlands, Oegstgeest – January/February 2025
Since January I try to take regular photos of the Magnolia tree in the garden. The coming days I will publish a daily photo of a close up. For some it will be boring, for most (I hope) it will be fun.
One of the first photos of my new camera, the Nikon Zf. A retro FM2 on the outside but on the inside full of brilliant Nikon Z technology. Its a real hands on camera, with manual settings. I’m learning to use it. One of the reasons to buy it was the availability of three monochrome presets.
The first photos of my new camera, the Nikon Zf. A retro FM2 on the outside but on the inside full of brilliant Nikon Z technology. Its a real hands on camera, with manual settings. I’m learning to use it. One of the reasons to buy it was the availability of three monochrome presets.
This week’s Lens Artitsts Photo Challenge (#321) is Intentional Camera Movement (ICM). Yesterday I published photos shot analogue on film: the result is only visible after developing the film. This one is from 2004 with my first digital Nikon D70. The fun of digital is that you can actually see on the back what the result is, and use this feedback to try again. Digital gives freedom and is cheap and gives instant feedback. 20 years of digital playing.
This week’s Lens Artitsts Photo Challenge (#321) is Intentional Camera Movement (ICM). These photos are from a workshop in 1997 in France, where we had to create movement with a low shutter speed while following the subject. Basically a fun excercise but done on film. So the result literally came to light after developing the film. The excitement and anxiety about the possible results were out of scale! Patience.
These film archives are the source of my B4 retouch series.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed andMarksta. Click the picture for a bigger version
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
Shot with Nikon F90 on KodakTriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
Shot with Nikon F90 on KodakTriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version.
The Moon just stands there it seems, and mostly I do not pay too much attention to it. The power of the moon is enormous though, as it influences the level of the seas on Earth. At odd moments in the evening or morning I grab my camera when I spot the moon, I just can’t resist. This is one of those times, the haziness reminds me of the sand in the Sahara, the setting of Le Petit Prince, a beautiful book by Antoine de Saint-Exupéry. Could this moon be asteroid B 612? The power of imagination, see what your eyes can not see.
LAPC 309 is about balconies. I have to admit that I do not pay special attention to balconies, unless they trigger me as I look around and they catch my eye. This in Rethymnon on Crete. A bit of a messy shot, but I spotted the sign of the night club (does one have to be envious to visit?) and the adjacent balconies and roof, mimicking the eye lashes of the club sign. A kind of eyebrows raised photo.
LAPC 309 is about balconies. I have to admit that I do not pay special attention to balconies, unless they trigger me as I look around and they catch my eye. This in Rethymnon on Crete. My first entry was an original monochrome on film. With this one I could not decide between the original and the edited monochrome version. Hence you see them both. Beauty is in the eye of the beholder.
LAPC 309 is about balconies. I have to admit that I do not pay special attention to balconies, unless they trigger me as I look around and they catch my eye. I do however ‘collect’ French windows. So occasionally they pop up in a frame. This is one of those, in one of my favourite cities, Paris. From the analogue archive of December 1993.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta . Click the picture for a bigger version.
What's (in) the Picture? 