Since January I try to take regular photos of the Magnolia tree in the garden. The coming days I will publish a daily photo of a close up. For some it will be boring and repetitive, for most (I hope) it will be fun.
Since January I try to take regular photos of the Magnolia tree in the garden. The coming days I will publish a daily photo of a close up. For some it will be boring and repetitive, for most (I hope) it will be fun.
Since January I try to take regular photos of the Magnolia tree in the garden. The coming days I will publish a daily photo of a close up. For some it will be boring and repetitive, for most (I hope) it will be fun. And they are not all in monochrome :-).
Since January I try to take regular photos of the Magnolia tree in the garden. The coming days I will publish a daily photo of a close up. For some it will be boring and repetitive, for most (I hope) it will be fun.
Since January I try to take regular photos of the Magnolia tree in the garden. The coming days I will publish a daily photo of a close up. For some it will be boring and repetitive, for most (I hope) it will be fun.
Since January I try to take regular photos of the Magnolia tree in the garden. The coming days I will publish a daily photo of a close up. For some it will be boring and repetitive, for most (I hope) it will be fun.
The Netherlands, Oegstgeest – January/February 2025
Since January I try to take regular photos of the Magnolia tree in the garden. The coming days I will publish a daily photo of a close up. For some it will be boring, for most (I hope) it will be fun.
One of the first photos of my new camera, the Nikon Zf. A retro FM2 on the outside but on the inside full of brilliant Nikon Z technology. Its a real hands on camera, with manual settings. I’m learning to use it. One of the reasons to buy it was the availability of three monochrome presets.
The first photos of my new camera, the Nikon Zf. A retro FM2 on the outside but on the inside full of brilliant Nikon Z technology. Its a real hands on camera, with manual settings. I’m learning to use it. One of the reasons to buy it was the availability of three monochrome presets.
This week’s Lens Artitsts Photo Challenge (#321) is Intentional Camera Movement (ICM). Yesterday I published photos shot analogue on film: the result is only visible after developing the film. This one is from 2004 with my first digital Nikon D70. The fun of digital is that you can actually see on the back what the result is, and use this feedback to try again. Digital gives freedom and is cheap and gives instant feedback. 20 years of digital playing.
This week’s Lens Artitsts Photo Challenge (#321) is Intentional Camera Movement (ICM). These photos are from a workshop in 1997 in France, where we had to create movement with a low shutter speed while following the subject. Basically a fun excercise but done on film. So the result literally came to light after developing the film. The excitement and anxiety about the possible results were out of scale! Patience.
These film archives are the source of my B4 retouch series.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed andMarksta. Click the picture for a bigger version
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
Shot with Nikon F90 on KodakTriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
Shot with Nikon F90 on KodakTriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version.
The Moon just stands there it seems, and mostly I do not pay too much attention to it. The power of the moon is enormous though, as it influences the level of the seas on Earth. At odd moments in the evening or morning I grab my camera when I spot the moon, I just can’t resist. This is one of those times, the haziness reminds me of the sand in the Sahara, the setting of Le Petit Prince, a beautiful book by Antoine de Saint-Exupéry. Could this moon be asteroid B 612? The power of imagination, see what your eyes can not see.
LAPC 309 is about balconies. I have to admit that I do not pay special attention to balconies, unless they trigger me as I look around and they catch my eye. This in Rethymnon on Crete. A bit of a messy shot, but I spotted the sign of the night club (does one have to be envious to visit?) and the adjacent balconies and roof, mimicking the eye lashes of the club sign. A kind of eyebrows raised photo.
LAPC 309 is about balconies. I have to admit that I do not pay special attention to balconies, unless they trigger me as I look around and they catch my eye. This in Rethymnon on Crete. My first entry was an original monochrome on film. With this one I could not decide between the original and the edited monochrome version. Hence you see them both. Beauty is in the eye of the beholder.
LAPC 309 is about balconies. I have to admit that I do not pay special attention to balconies, unless they trigger me as I look around and they catch my eye. I do however ‘collect’ French windows. So occasionally they pop up in a frame. This is one of those, in one of my favourite cities, Paris. From the analogue archive of December 1993.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta . Click the picture for a bigger version.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
I pictured a rainbow You held it in your hands I had flashes But you saw the plan I wandered out in the world for years While you just stayed in your room I saw the crescent You saw the whole of the moon The whole of the moon
2023 is in its final day, tomorrow opens a brand new year. Not a complete blank canvas, but one with lots of room and opportunities for new initiatives, changes, life! I wish you a wonderful new year in freedom, as a gull on his wings soaring the sea and land. Carpe diem!
Some photos do not fit the LAPC’s themes, so there is a rest category ‘last chance’ being #280. I never am guided by the themes in the photos I shoot. Some fit in, some don’t. But I never know the theme while shooting. Here is one from the archive I recently stumbled upon, never published.
Slane Hill in Ireland. Close to Slane Castle castle that is famous among other historical facts, for being the recording site for U2’s The unforgettable fire’ in 1984. And famous open air concerts.
Outside the village is The Hill of Slane with a small old ruined chapel, a ruined monastery and a graveyard, overlooking the landscape and the river Boyne.
The most interesting place is a small hill with undergrowth right behind the site, from which this photo was taken.
These sculpture (nicknamed The Elgin Marbles) are originally from the Parthenon in Athens. Lord Elgin supposedly bought them from the Ottomans, who occupied the present Greece at that moment. The Greek try to return these marbles for decades, the UK government refuses, saying it’s British heritage. Last week a meeting of the UK prime minister with the prime minister of Greece was cancelled, after the Greek PM reiterated the ownership of the marbles. How mesmerizing and wonderful must it be to see these ornaments in the place they belong, on top of the Acropolis over Athens.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed andMarksta. Click the picture for a bigger version