At times the incoming traffic for Schiphol gets annoying. Especially when it is cloudy. The limit for approach is 600 feet here. They do create graphic images at time. That is a small benefit.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
This weeks challenge #186 is ‘Low Light’. Monochrome gives a soft grey tone from light to dark, aand nice details in the darker areas, which you can not see easily by eye.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta Click the picture for a bigger version.
This weeks challenge #186 is ‘Low Light’. In black and white light is key for tones in the picture. It needs body (black) but soft greys give it atmosphere. Here I used the darker tones for the main objects of the photo, the couple playing cards, while having a drink and a bite. But all these signs in the background about what to do in Kathmandu add to the atmosphere of the photo.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta Click the picture for a bigger version.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta Click the picture for a bigger version.
This weeks challenge #185 is ‘change’. Kodari on the border of Tibet and Nepal. Change means you have to cross bridges, but before you can do that, you have to create a bridge first.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta Click the picture for a bigger version.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta Click the picture for a bigger version.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The picture was originally shot with Pentax K1000 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The picture was originally shot with Pentax K1000 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
One from the archive. Père Lachaise is a famous graveyard in Paris, with lots of celebrities being rested there; another one for this week’s lens artistists challenge #168: seen better days. You can buy a map with the names of the famous on it, to find their graves. One of the youngest to be buried there was Jim Morrisson. Lead singer of The Doors, icon. The first time I visited Père Lachaise was early in 1985. Together with a friend we took a look at his grave; which was not that difficult to find because ‘helpful’ signs on gravestones, with arrows, pointed one in the right direction. At his grave we found a very young girl mourning. I asked her why she was so sad. “Jim is gone!”, she said. She must have been very young when he died in 1971. But her grieve was real. And years later in 2021, on a walk around the local lake, young people were playing The Doors loud on a big ghetto blaster like device. They looked at me as I walked by, smirking at me because they thought I did not like the loudness nor the music. “Great music boys”, I said as I walked by. They were surprised and replied: “Yes, this is great music sir!”. We grinned together, two different generations but the same love for The Doors. Break on through to the other side.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Again one from the archives. The then small town of Fira, on the island Thira aka Santorini, built on the edge of a former caldera. Since 1979 tourism boomed extremely on this beautiful island. I feel fortunate to have visited it before that tourist flood. But each time I see photos of this place I long to go back. The beaches are perfect: volcanic ashes that does not stick like sand.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
The picture was originally shot with Pentax K1000 on Kodak Plusx, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
The airport of Samos is just near a beach. Luckily there were about two flights a day. The backroads of the Greek islands are the ferry services between them.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
The picture was originally shot with Pentax K1000 on Kodak Plusx, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Near Selçuk in the west of Turkey, one can find the excavation of Ephesus. This is the Marble Road, looking down to the library of Celsus at noon on a very hot day. The negative is damaged, but it was one of the first times I dared to trespass because the contradiction between past and present was that stunning. In 1983 Turkey was ruled by a regime of generals, and taking photographs of anything military was forbidden. The young soldiers passed us going down the hill, and I could not resist to take this photos in this ancient setting. Quickly and a bit nervouws, so I did not pay too much attention to properly measure the light. But I have the photo and I got away with it :-).
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
The picture was originally shot with Pentax K1000 on Kodak Plusx, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version