Impressions of a bridge in Winter (6)
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
One of the first photos of my new camera, the Nikon Zf. A retro FM2 on the outside but on the inside full of brilliant Nikon Z technology. Its a real hands on camera, with manual settings. I’m learning to use it. One of the reasons to buy it was the availability of three monochrome presets.
Shot with Nikon Zf, edited using Snapseed and Marksta Click the picture for a larger version
Crossed to a new year, 2025 is just started. I wish everyone a wonderful 2025 in good health, with loads of love and moments in which wishes become reality. Where we can talk and bridge judgments.
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The first photos of my new camera, the Nikon Zf. A retro FM2 on the outside but on the inside full of brilliant Nikon Z technology. Its a real hands on camera, with manual settings. I’m learning to use it. One of the reasons to buy it was the availability of three monochrome presets.
Shot with Nikon Zf, edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
The Scheepvaartmuseum/National Maritime Museum in Amsterdam.
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The cellar of the Scheepvaartmuseum/National Maritime Museum in Amsterdam.
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The Klinkenberger Plas in Autumn.
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Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
View on Scheveningen in the distance.
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Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
The access to the J.H. Oortbrug.
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Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
This week lens artists challenge #323 is ‘silence’. How to depict silence?
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This week’s Lens Artitsts Photo Challenge (#321) is Intentional Camera Movement (ICM). These photos are from a workshop in 1997 in France, where we had to create movement with a low shutter speed while following the subject. Basically a fun excercise but done on film. So the result literally came to light after developing the film. The excitement and anxiety about the possible results were out of scale! Patience.
These film archives are the source of my B4 retouch series.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed andMarksta. Click the picture for a bigger version
Another – monochrome – photo of the SUP Paddler. The full sunrise colorful one is here.
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LAPC #316 is ‘Finding beauty in unexpected places’. One of the objects for photographs is the canal that runs through my village. It is quite ordinary, there is a vast amount of small and little canals to dispose of water in The Netherlands. To manage water in a country that is partly under sea level, one has to build infrastructure to keep dry feet. Two pictures taken at the same moment of the day, slightly different in monochrome style. The first is with the silvertone setting, the last with the dark setting on the iPhone. It changes the atmosphere completely. And one may be more beautiful than the other, it is all in the eye of the beholder.
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LAPC #316 is ‘Finding beauty in unexpected places’.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version









Incoming and outgoing traffic at Schiphol Amsterdam. Just a drive by, and no worries, I was not driving the car.
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Yesterday I told you about my passion and history in monochrome. And that I do shoot sunsets in black and white. Here is another one of the same sunset, but framed different. I will publish an overview of all those shots of same sunset that evening. Each of them show a bit of it, it’s in my humble opinion nice to see the big picture.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
If you did not notice, I am a big fan of monochrome. In fact, monochrome film was way back the medium I started with. It was cheap and you print your own photos in a darkroom. That was adventurous and frustrating at the same time. Not to sound old, but nowadays with wonderful software, editing images is easier, faster and more fun. And you instantly see what you get! But sometimes I do miss the anxiety of the darkroom, seeing a photo come up in the developer. Back to now. I do shoot sunsets in black and white, and here is one. The atmosphere of the shot is different, more dark and eerie.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Dramatic morning over the Haarlemmermeerpolder near Abbenes.
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Windmill De Valk is one of few left in the city. It is a museum, but since 2000 is it being used for milling again.
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This obelisk misses his twin, now standing in Paris on the Place de la Concorde, site for a lot of sports during the Paris 2024 Olympics.
The B4 retouch series
I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
Shot with Nikon F90 on KodakTriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version.
A left over from an earlier LAPC ‘balconies’.
The B4 retouch series
I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
Shot with Nikon F90 on KodakTriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version.


LAPC 309 is about balconies. I have to admit that I do not pay special attention to balconies, unless they trigger me as I look around and they catch my eye. This in Antwerp. My previous entry was an original monochrome on film. With this one I could not decide between the original and the edited monochrome version. Hence you see them both. Beauty is in the eye of the beholder.
Shot with iPhone 13 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
LAPC 309 is about balconies. I have to admit that I do not pay special attention to balconies, unless they trigger me as I look around and they catch my eye. I do however ‘collect’ French windows. So occasionally they pop up in a frame. This is one of those, in one of my favourite cities, Paris. From the analogue archive of December 1993.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta . Click the picture for a bigger version.
A small regatta on its way under a grey rainy sky.
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Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version




At rowing you move forward by looking backwards all the time, and with a cox the course is set.
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The same basin of the old watertower that I posted yesterday, but now on top of the barrier of the motorway.
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The basin of an old watertower against the sky. It is not the nicest of buildings, but somehow it draws my attention when I see it. Last year I published its head in color, this time I choose for mono.
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Castle Oud Poelgeest.
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The lights seem to fade slowly along the A12 motorway leading into Den Haag.
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The A12 motorway leading into Den Haag downtown. You have to get into town to get out of the car, a free wording of a slogan used in the sixties and later in a beautiful Genesis song ‘Carpet Crawlers’ (the link to the Ray Wilson/Steve Hackette live version of 2014 in the Royal Albert Hall)
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A view showing the curve of the Dutch seafront looking at Scheveningen in the South from Katwijk aan Zee.
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Architecture can be beautiful in full color as well in monochrome. In ‘twins’ I show the monochrome twin of the color shot at the Kop van Zuid in Rotterdam. The fift and last set is again New Orleans.
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