This is the famous Cley windmill at Cley next the sea. It’s by far the best name for a coastal village. Interestingly, it actually does not have a sea front. The mill was owned by the family of James Blunt.
Shot with Nikon Zf, edited using Snapseed and Marksta. Click the picture for a larger version.
This week’s Lens-Artists Photo Challenge #361 is ‘Doors revisited’. That theme was also the brief for LAPC #20. A door is a pass way to another space behind it. That space can be something we know already. Or something we like to imagine to see there when we go through. And in books you can end up in another world. In this post a few doors I met in my life. One I used for a long time, most I just passed by or passed through on holidays.
The word ‘doors’ for me is also linked to the band The Doors. The name of the band came from a book by Aldous Huxley, The doors of perception. And Huxley took it from William Blake, who used it as a metaphor:
“If the doors of perception were cleansed every thing would appear to man as it is, Infinite. For man has closed himself up, till he sees all things thro’ narrow chinks of his cavern . Doors lead you to another side or space, break on through to the other side.”
‘Break on through to the other side’ became the title of a Doors’ song.
So a lot can be said about doors. Luckily, we still have the photos. Here are a few from my conscious memory.
This is the front door to the house I was born and lived in for 25 years. The photo is shot on Ilford XP with a Pentax K1000.
This door in Caylus is ready to be knocked. Shot on Nikon D70.
I looked through my archive. It struck me that lots of the doors I saw there are doors of small or bigger churches. This one is on Karpathos. Shot on Nikon D70.
Another church door on Karpathos, shot on Kodak TriX with Nikon F90.
A chapel door in Lesbos, also shot on Nikon D70.
I have a fondness for black and white aka monochrome. That grew on me. Mono was cheaper 50 years ago and more ‘easy’ to handle in a dark room. Monochrome gives something extra at times. The sphere, the grain. And over all these years I learned to see objects in monochrome, visualizing what something looks like in grays.
When I bought my first Nikon digital camera (the D70), I naively asked ‘where is the monochrome setting?’. It was not there. Shooting was color only. If I wanted mono I had to create it myself afterwards in Lightroom, Photoshop or an app like Snapseed. But lucky for me, on the iPhone and on the recent Nikon Zf, there are monochrome settings. To be honest, that was one of the reasons to buy a Zf. So now I have a choice: choose a mono or color setting, or turn color afterward turn it into mono.
I know the taste of my ‘audience’ is different than mine. In three days I like to find out more about your taste. What do you fancy more: a photo in mono or in color?
This third and last one is about flowers, waiting for the recycle bin. The photo was shot in color.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
I have a fondness for black and white aka monochrome. That grew on me. Mono was cheaper 50 years ago and more ‘easy’ to handle in a dark room. Monochrome gives something extra at times. The sphere, the grain. And over all these years I learned to see objects in monochrome, visualizing what something looks like in grays.
When I bought my first Nikon digital camera (the D70), I naively asked ‘where is the monochrome setting?’. It was not there. Shooting was color only. If I wanted mono I had to create it myself afterwards in Lightroom, Photoshop or an app like Snapseed. But lucky for me, on the iPhone and on the recent Nikon Zf, there are monochrome settings. To be honest, that was one of the reasons to buy a Zf. So now I have a choice: choose a mono or color setting, or turn color afterward turn it into mono.
I know the taste of my ‘audience’ is different than mine. In three days I like to find out more about your taste. What do you fancy more: a photo in mono or in color?
This second one is about sky. Always there, lots of it. In color it can be blue, white, gray, dark. In mono it delivers whites, grays and dark zones. In mono the image changes it seems. An abstract sky can turn into something mysterious. The photo was shot in color.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
I have a fondness for black and white aka monochrome. That grew on me. Mono was cheaper 50 years ago and more ‘easy’ to handle in a dark room. Monochrome gives something extra at times. The sphere, the grain. And over all these years I learned to see objects in monochrome, visualizing what something looks like in grays.
When I bought my first Nikon digital camera (the D70), I naively asked ‘where is the monochrome setting?’. It was not there. Shooting was color only. If I wanted mono I had to create it myself afterwards in Lightroom, Photoshop or an app like Snapseed. But lucky for me, on the iPhone and on the recent Nikon Zf, there are monochrome settings. To be honest, that was one of the reasons to buy a Zf. So now I have a choice: mono or color.
I know the taste of my ‘audience’ is different than mine. In three days I like to find out more about your taste. What do you fancy more: a photo in mono or in color?
This is the famous Cley windmill at Cley next the sea. It’s by far the best name for a coastal village. Interestingly, it actually does not have a sea front. The mill was owned by the family of James Blunt. The photo was shot in color.
Shot with Nikon Zf, edited using Snapseed and Marksta. Click the picture for a larger version.
Lens-Artists Photo Challenge #359 is ‘Tools of Photo Compositions: Lines, Colors and Patterns’.
A sunset over the Galgenwater in Leiden. A warm Summer night, with lots of boats cruising the canals. In the background the replica of the windmill of Rembrandt van Rijn’s father.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
One of my favorite bands is Genesis. In 1976 A Trick of the Tail came out with a beautiful song ‘Mad Man Moon’. Last month I tried to take a shot of the moon using my iPhone. And this is the result.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
Summer mornings can sometimes welcome you into a warm, joyful and laid back day. This is one of those days filled with ease. The sun also rises, each day, at more or less the same place. And when you catch it early, it is photographer’s gold.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
Sun shining through the trees on the start of another warm Summer day.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version,
The iPhone 15 Pro Max is a wonderful clever piece of photographic technology. It is the ideal snap instrument, that is always in my pocket. The quality of the images is improved immensely over the years. And to be honest, I shoot most of my photos with it nowadays. Just because I always have my phone with me. What I still do not like is the quality of images when you use the zoom. This shot is on full zoom and the details disappear. Unfortunately I was not able to move closer at that moment. At these moments I wish I had my Nikon Zf at hand, with a nice long lens.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.
This is the last stage of the yearly cycle of a giant Allium. It comes in three photo versions after showing that amazing flower, that we enjoyed this year.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Den Haag Central Station.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Den Haag Central Station.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Shot with Nikon Zf, edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Shot with iPhone 15 Pro Max, edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta Click the picture for a larger version.
Shot with Nikon Zf, edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta Click the picture for a larger version.
The temple of Horus at Edfu in Egypt. A quick backflash.
The B4 retouch series
I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
Shot with Nikon F90 on KodakTriX, scanned from film and edited using Snapseed, GrainLab and Marksta. Click the picture for a bigger version.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
The Netherlands, Oegstgeest – April 2025
This year I followed the flowering of the magnolia tree in our front garden. The mono photos are taken with Nikon Zf, the colors come from the iPhone.
Shot with Nikon Zf, edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta Click the picture for a larger version
The first Sunset of Spring.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta Click the picture for a larger version
Shot with Nikon Zf, edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Over looking Den Haag Central Station.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Shot with iPhone 15 Pro Max, edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Shot with iPhone 15 Pro Max, edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Shot with iPhone 15 Pro Max, edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
The mobility hub above Den Haag Central Station.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Shot with Nikon Zf, edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
This little guy is going to be a daddy soon, as Spring is coming in.
Shot with Nikon Zf, edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Since January I try to take regular photos of the Magnolia tree in the garden. The coming days I will publish a daily photo of a close up. For some it will be boring and repetitive, for most (I hope) it will be fun.
Shot with Nikon Zf, edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Since January I try to take regular photos of the Magnolia tree in the garden. The coming days I will publish a daily photo of a close up. For some it will be boring and repetitive, for most (I hope) it will be fun.
Shot with Nikon Zf, edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Since January I try to take regular photos of the Magnolia tree in the garden. The coming days I will publish a daily photo of a close up. For some it will be boring and repetitive, for most (I hope) it will be fun.
Shot with Nikon Zf, edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Since January I try to take regular photos of the Magnolia tree in the garden. The coming days I will publish a daily photo of a close up. For some it will be boring and repetitive, for most (I hope) it will be fun.
Shot with Nikon Zf, edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Since January I try to take regular photos of the Magnolia tree in the garden. The coming days I will publish a daily photo of a close up. For some it will be boring and repetitive, for most (I hope) it will be fun.
Shot with Nikon Zf, edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Since January I try to take regular photos of the Magnolia tree in the garden. The coming days I will publish a daily photo of a close up. For some it will be boring and repetitive, for most (I hope) it will be fun.
Shot with Nikon Zf, edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Since January I try to take regular photos of the Magnolia tree in the garden. The coming days I will publish a daily photo of a close up. For some it will be boring and repetitive, for most (I hope) it will be fun.
Shot with Nikon Zf, edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Since January I try to take regular photos of the Magnolia tree in the garden. The coming days I will publish a daily photo of a close up. For some it will be boring and repetitive, for most (I hope) it will be fun.
Shot with Nikon Zf, edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Since January I try to take regular photos of the Magnolia tree in the garden. The coming days I will publish a daily photo of a close up. For some it will be boring and repetitive, for most (I hope) it will be fun.
Shot with Nikon Zf, edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Since January I try to take regular photos of the Magnolia tree in the garden. The coming days I will publish a daily photo of a close up. For some it will be boring, for most (I hope) it will be fun.
Shot with Nikon Zf, edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
What's (in) the Picture? 