Marksta | What's (in) the Picture?

Choices And Preferences 1 (Cley next the sea)

A scenic view of the Cley windmill set against a backdrop of a cloudy sky and tall golden grasses in the foreground. — England, Cley next the sea – January 2025

A black and white photograph of the Cley windmill, located in Cley next the Sea, set against a field of grasses under a cloudy sky. — England, Cley next the sea – January 2025

I have a fondness for black and white aka monochrome. That grew on me. Mono was cheaper 50 years ago and more ‘easy’ to handle in a dark room. Monochrome gives something extra at times. The sphere, the grain. And over all these years I learned to see objects in monochrome, visualizing what something looks like in grays.

When I bought my first Nikon digital camera (the D70), I naively asked ‘where is the monochrome setting?’. It was not there. Shooting was color only. If I wanted mono I had to create it myself afterwards in Lightroom, Photoshop or an app like Snapseed. But lucky for me, on the iPhone and on the recent Nikon Zf, there are monochrome settings. To be honest, that was one of the reasons to buy a Zf. So now I have a choice: mono or color.

I know the taste of my ‘audience’ is different than mine. In three days I like to find out more about your taste. What do you fancy more: a photo in mono or in color?

This is the famous Cley windmill at Cley next the sea. It’s by far the best name for a coastal village. Interestingly, it actually does not have a sea front. The mill was owned by the family of James Blunt. The photo was shot in color.

Shot with Nikon Zf, edited using Snapseed and Marksta. Click the picture for a larger version.

Triple

Close-up of green magnolia leaves showcasing varying shades and intricate vein patterns. — The Netherlands, Oegstgeest – August 2025

And another update from the garden: the Magnolia is doing superb this year. Let’s hope the abundance of green in leaves will lead to an abundance of flowers next Spring.

Archive Oegstgeest

Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.

Growing Tomatoes and Cucumbers in Oegstgeest

This year we try to grow tomatoes and cucumbers in the garden.

Archive Oegstgeest

Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.

Dessert

The delicious ending of a wonderful dinner.

Archive Leiden

Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.

And Another Sunset Nudge

One can not take enough photos of sunsets.

Archive Oegstgeest

Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.

Drips (And Other Thoughts About Photography)

This week’s Lens-Artists Photo Challenge #359 is ‘Tools of Photo Compositions: Lines, Colors and Patterns’. Photography is about seeing. But what do you see? I can only talk for myself. It all starts with an appeal. Something in the real world captures my eyes. Most of the times that is spontaneous. It is about being there in the moment. What I visualize tells me a story, a small whisper, ‘come, shoot me! It’s fun’. And when building the photo lines, patterns, colors (or monochrome tones) are tools to try to bring that story out. And then the shutter clicks. My photo’s are my story of the world. My way of giving ‘voice’ to something that made me press the shutter, that reflects inside me. Yet, my click with the image can be totally different than the click of the observer.

Archive Oegstgeest

Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.

Exploring Leiden’s Scenic Canals: A Summer Evening

Lens-Artists Photo Challenge #359 is ‘Tools of Photo Compositions: Lines, Colors and Patterns’.
A sunset over the Galgenwater in Leiden. A warm Summer night, with lots of boats cruising the canals. In the background the replica of the windmill of Rembrandt van Rijn’s father.

Archive Leiden

Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.

Exploring Chaos in Photo Compositions

France, St. Samsom-sur-Rance – August 1996

Lens-Artists Photo Challenge #359 is ‘Tools of Photo Compositions: Lines, Colors and Patterns’.
Long leading lines, nice shapes etc are pretty obvious to use when building a nice frame. But what about chaos? Can that be appealing too? A field with spiderwebs, wet by the fog. A photo from almost 30 years ago, taken in Brittany at St. Samsom-sur-Rance, near Dinan. To see it at its best, click the photo please.

About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version

Low Tide

Lens-Artists Photo Challenge #359 is ‘Tools of Photo Compositions: Lines, Colors and Patterns’.
The harbor of Le Conquet at low tide during sunset, as equestrians pass by. To say I was surprised when I spotted the horses, is an understatement.

About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version

Let It Roll

France – Morbihan, Questembert – August 1996

Lens-Artists Photo Challenge #359 is ‘Tools of Photo Compositions: Lines, Colors and Patterns’.
The dreamy field with freshly pressed straw rolls offers a nice challenge. It is an opportunity to create something that makes sense in images. The idea that they actually roll. Near Questembert in the Morbihan region of Brittany.

About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version

Brouillard

Lens-Artists Photo Challenge #359 is ‘Tools of Photo Compositions: Lines, Colors and Patterns’.
A local railway track, disappearing in the fog. A photo from almost 30 years ago, taken in Brittany at St. Samsom-sur-Rance, near Dinan.

About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version