The weekly LAPC #327 is ‘five elements’. Four of the Greek (fire, water, earth, sky) and metal from a Chinese philosophical edge. The only fire in this photo is invisible and contained in the wind sweeping the water onto the beach. And as far for metal, it keeps the wooden fence together. Water, sky and earth in abundance. Funny we do not look in ‘elements’ to a photo.
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Rest assured people of The Netherlands, Elvis is available for your trees at Christmas! It brings a smile to my face (LAPC #326 is ‘this made me smile’)
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This week lens artists challenge #323 is ‘silence’. Autumn is a time where we move towards the end of the cycle, preparing for Winter. A time of letting go with the awareness that nature is preparing for Spring. The cycle of life at work, complexity in simplicity.
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This week lens artists challenge #323 is ‘silence’. How to depict silence?
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
This week lens artists challenge #323 is ‘silence’. How to depict silence?
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Maybe the best example of perfect imperfection is the cycle of life we see every day around us. When the leaves fall in Autumn in fact nature is preparing for its next Spring. This week’s Lens Artists Photo Challenge #322 is ‘there is a crack in everything, that’s how the light gets in’. The quote is from a verse by Leonard Cohen about imperfection and beauty, redemption, healing and growth.
‘Ring the bells that still can ring
Forget your perfect offering
There is a crack, in everything
That’s how the light gets in‘
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This week’s Lens Artists Photo Challenge #322 is ‘there is a crack in everything, that’s how the light gets in’. The quote is from a verse by Leonard Cohen about imperfection and beauty, redemption, healing and growth to overcome pain and hurt. The origin is more ‘cosmic’ and is much older (e.g. Rumi): the only perfect ‘being’ (the light) is the source of all. As humans we are not perfect but we can let the light in to heal our wounds and pain. And essentially learn from it.
Yesterday I showed a photo from the bright side, this one is from the sunrise, and I must say I love the light and the atmosphere.
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This week’s Lens Artists Photo Challenge #322 is ‘there is a crack in everything, that’s how the light gets in’. It is from a verse by Leonard Cohen about imperfection and beauty. This photo is just a blunt statement: the light comes from the right. But considering my more frequent photo moments in the early morning on this spot, it is after noon. A total different view on the same view. The way the light hits a scene gives it meaning. And shows different details. It softens, warms an strikes with a tender touch, showing the deeper beauty. Not perfect, but priceless.
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This week’s Lens Artitsts Photo Challenge (#321) is Intentional Camera Movement (ICM). Yesterday I published photos shot analogue on film: the result is only visible after developing the film. This one is from 2004 with my first digital Nikon D70. The fun of digital is that you can actually see on the back what the result is, and use this feedback to try again. Digital gives freedom and is cheap and gives instant feedback. 20 years of digital playing.
shot with Nikon D70, edited using Snapseed and Marksta. Click the picture for a larger version.
This week’s Lens Artitsts Photo Challenge (#321) is Intentional Camera Movement (ICM). These photos are from a workshop in 1997 in France, where we had to create movement with a low shutter speed while following the subject. Basically a fun excercise but done on film. So the result literally came to light after developing the film. The excitement and anxiety about the possible results were out of scale! Patience.
These film archives are the source of my B4 retouch series.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed andMarksta. Click the picture for a bigger version
Autumn has arrived. Some trees take a fast lane to color and shed, some take more time. Each year this tree is delight of gold.
This week’s Lens Artitsts Photo Challenga (#321) is Intentional Camera Movement (ICM). That is a creative technique, but in this case the movement was non-intentional, caused by the extreme zoom of the iPhone, my unsteady hand and the amount of light available. However, it gave an overall glow to the photos that I do like. I hope the hose of this week Anne is not offended by this entry.
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This week’s theme for LAPC #319 is ‘setting a mood’.
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Geese tidying up at the waterside, Autumn clean up before Winter is on its way? This week’s theme for LAPC #319 is ‘setting a mood’.
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The canal is one of my long period objects for photos. I always look if there is something worth a photo when I cross it. Most of the time it is empty, sometimes there is a boat. But this time there was a first: a SUP paddler in a beautiful moody Autumnal sunrise. As if he knew this week’s theme for LAPC #319 is ‘setting a mood’.
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This week’s theme for LAPC #319 is ‘setting a mood’.
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LAPC #316 is ‘Finding beauty in unexpected places’. One of the objects for photographs is the canal that runs through my village. It is quite ordinary, there is a vast amount of small and little canals to dispose of water in The Netherlands. To manage water in a country that is partly under sea level, one has to build infrastructure to keep dry feet. Two pictures taken at the same moment of the day, slightly different in monochrome style. The first is with the silvertone setting, the last with the dark setting on the iPhone. It changes the atmosphere completely. And one may be more beautiful than the other, it is all in the eye of the beholder.
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LAPC #316 is ‘Finding beauty in unexpected places’.
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The Netherlands, Katwijk aan Zee – August 2024
Sometimes it just happens. You are in a place and the light is fantastic, and there is so much to frame in a photo. The sunset is spectacular and for some odd 30 minutes you are in a photography candy shop. This is a selection of what ended up on my phone on that hot August evening.
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The theme for this week LAPC 316 is ‘Destanation: Fun‘. Going to the beach is fun, but witnessing a brilliant sunset on a warm Summer evening, while a display of boats and windmills complete the scene, is true fun. Here is the full view of the scenery of the sunset, I just picked out parts of it in other photos published earlier (and after).
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The theme for this week LAPC 316 is ‘Destanation: Fun‘. Going to the beach is fun, but witnessing a brilliant sunset on a warm Summer evening, while a dispaly of boats and windmills complete the scene, is true fun. I published a few of them already two weeks ago (see the archive Katwijk). I hope you still have fun watching them.
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Cut flowers are a common good in The Netherlands. This is the field of a grower, just around the corner. He harvested the thistles and moved them to the flower auction for sale. This is the ones left over on the field. For Lens Artists Weekly Photo Challenge #316 ‘Common Object’.
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Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
The use of glasshouses is widespread in The Netherlands for all kinds of crops and flowers. Lens Artists Weekly Photo Challenge #316 is ‘Common Object’.
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Lens Artists Weekly Photo Challenge #316 is ‘Common Object’.
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Last week we had dinner on the beach and were treated to a beautiful sunset. And, as always when a subject grips me, I took loads of pictures. The iPhone makes it really easy just to snap, zoom, frame and play with light. So the last days I published some of them for the theme of this week for LAPC 314: ‘shorelines‘. It is probably serendipity, but it matched nicely on this set of photos. So to close the week a final one of this sunset. I hope you enjoyed them. And the left over of this shoot will probably appear in the near future.
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The theme for this week LAPC 314 is ‘shorelines‘. My main shoreline is the beach of the Noordzee. And the views it offers, particularly at special moments of the day like a sunset. The sky looks like it offers an extra layer of reflection for the sun, a second horizon.
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When you are on a spot where you see such a wonderful sunset, it is normal to shoot multiple photos. This couple appeared in a few of the photos already, but each time they are in a shot, it is the framing of a different story as I see it. Maybe you do too. The theme for this week LAPC 314 is ‘shorelines‘.
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The sun sets, everything is cleaned up and ready for tomorrow for new clients. It is the Summer rhythm of the beach on the shoreline of the Noordzee. The theme for this week LAPC 314 is ‘shorelines‘.
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Sunsets can be shared! The theme for this week LAPC 314 is ‘shorelines‘.
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The sun sets in Katwijk, exposing the sea to a layer of gold. The theme for this week LAPC 314 is ‘shorelines‘.
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The weekly LAPC #313 is ‘cool colors’. Meet Klaus. He is cool.
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The weekly LAPC #312 is sense of scale’.
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The weekly LAPC #312 is sense of scale’. When you look up to the sky for a while, it seems you are looking down from the sky to earth.
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The weekly LAPC #312 is sense of scale’. When you look up to the sky and see a plane coming over, one is never that much aware of the enormous scale of the space over our heads.
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Building tunnels is not common in The Netherlands, the soil is mostly consisting of clay on top of a sandpackage. However, recently a new connection between motorway A4 and A44 was opened: the Corbulo Tunnel (link to a video). This is a shot from the first time I travelled throught it. The weekly LAPC #312 is sense of scale’
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A left over from an earlier LAPC ‘balconies’.
The B4 retouch series
I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
Shot with Nikon F90 on KodakTriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version.
LAPC 309 is about balconies. I have to admit that I do not pay special attention to balconies, unless they trigger me as I look around and they catch my eye. This in Rethymnon on Crete. A bit of a messy shot, but I spotted the sign of the night club (does one have to be envious to visit?) and the adjacent balconies and roof, mimicking the eye lashes of the club sign. A kind of eyebrows raised photo.
shot with Nikon D7000, edited using Snapseed and Marksta. Click the picture for a larger version.
LAPC 309 is about balconies. I have to admit that I do not pay special attention to balconies, unless they trigger me as I look around and they catch my eye. This in Rethymnon on Crete. My first entry was an original monochrome on film. With this one I could not decide between the original and the edited monochrome version. Hence you see them both. Beauty is in the eye of the beholder.
shot with Nikon D7000, edited using Snapseed and Marksta. Click the picture for a larger version.
LAPC 309 is about balconies. I have to admit that I do not pay special attention to balconies, unless they trigger me as I look around and they catch my eye. This in Antwerp. My previous entry was an original monochrome on film. With this one I could not decide between the original and the edited monochrome version. Hence you see them both. Beauty is in the eye of the beholder.
Shot with iPhone 13 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
LAPC 309 is about balconies. I have to admit that I do not pay special attention to balconies, unless they trigger me as I look around and they catch my eye. I do however ‘collect’ French windows. So occasionally they pop up in a frame. This is one of those, in one of my favourite cities, Paris. From the analogue archive of December 1993.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta . Click the picture for a bigger version.
The Netherlands, Scheveningen – June 2024 (top)
The Netherlands, Katwijk aan Zee – June 2024 (bottom)
LAPC 308 is about perfect pairs, by creating a diptych (two images placed in proximity to one another, forming a pair). Every self respecting town and village needs a ferris wheel.
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Leann Cole suggested ‘tourist attractions, near and far’ as LAPC’s 307. My motivation for going to places changed in my life time. From ‘active’ holidays (including climbing some big mountains by bycicle) to complete leisure (eg seeing the Greek Isles with lots of lazy moments). And in between the travels to dig into the culture and essence of a place on earth, to learn and experience it. But wherever I went as a ‘photographer’ I tried to capture where I was. To be stunned by what is just there in front of you, the unexpected. And yes, the times I did visit an ‘iconic attraction’ I tried to find my own way of framing it, trying to keep away form the cliches that are so widely known. For this challenge I dig into my blogs archive, all the photos are here published already.
Over the years I learned to value and appreciate my own way of looking, being surprised by my own views of what I saw and how I saw it. To appreciate simple things of beauty that stuck out or the composition of objects. If you travel far, you are only there for a moment, if you stay close to home you have access all of the time. But being close to home the challenge is bigger to stay open, to see what is there, to not take it for granted.
After the ‘near’ version yesterday, today is the ‘far’ version. My blog archive here goes back to 2018 so that is de scope of picking. I started picking them in a big gallery, and doing that it got quite big. But I leave it as it is. I hope you bear with me and browse through them.
You can see randomly photos from England, Greece, France, Germany (some are from Berlin in november 1989), Egypt, Turkey, Yemen, Tibet, Nepal, Belgium, Ireland, Malta, Italy (Rome), Spain. Occasionally you wil see an iconic object, but most of the time I was there for the landscape, the street encounters, nature etc. And I cheated a bit: there are some photos of Tourist Attractions from far that came to Amsterdam in the Ziggo Dome: Genesis and Peter Gabriel.
I hope you do enjoy the gallery, and if you want to plunge deep into more of it I invite you to search by category or countries if you are interested in more.
Leann Cole suggested ‘tourist attractions, near and far’ as LAPC’s 307. My motivation for going to places changed in my life time. From ‘active’ holidays (including climbing some big mountains by bycicle) to complete leisure (eg seeing the Greek Isles with lots of lazy moments). And in between the travels to dig into the culture and essence of a place on earth, to learn and experience it. But wherever I went as a ‘photographer’ I tried to capture where I was. To be stunned by what is just there in front of you, the unexpected. And yes, the times I did visit an ‘iconic attraction’ I tried to find my own way of framing it, trying to keep away form the cliches that are so widely known. For this challenge I dig into my blogs archive, all the photos are here published already.
Over the years I learned to value and appreciate my own way of looking, being surprised by my own views of what I saw and how I saw it. To appreciate simple things of beauty that stuck out or the composition of objects. If you travel far, you are only there for a moment, if you stay close to home you have access all of the time. But being close to home the challenge is bigger to stay open, to see what is there, to not take it for granted.
Today is the ‘near’ version. So close to where I live, but for tourists reasons to travel. I just browsed and picked out some themes that may strike recognition: flowers, flower parade, Rotterdam and its architecture and harbour, Leiden (my alma mater and birthplace of Rembrandt), windmills, flat lands, watermanagement (polder, canals) and the beach. All of them so near and familiar.
I hope you do enjoy the gallery, and if you want to plunge deep into more of it I invite you to search by category finding Amsterdam, Den Haag, more flower fields and flowers and who knows Dutch clogs?
LAPC #306 is ‘habitat’. As humans we share the earth with lots of natural life, we share habitats (the human home, the natural ecosystem), we co-exist. Our relation with earth is not balanced. It tilts favorably towards the human interest, disrupting the natural habitats of many. If we as humans do not change our relationship with earth, then humanity kills itself, leaving a planet to recover from being abused. Not survival of the fittest, but termination of the dumbest.
A Heron, sitting on a lamppost, overlooking the articificial canal, as a cyclist uses a cycling path in the background.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
LAPC challenge #305 is about composition: two rectangles as a play tool to frame a photo. Sometimes you get lots more than two, which adds to another aspect of composition: repetition. Not sure if this qualifies as a valid entry, but I do like the building. This is De Rotterdam by Rem Koolhaas.
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LAPC challenge #305 is about composition: two rectangles as a play tool to frame a photo.
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This weeks LAPC # 304 is ‘Background: behind the subject’. Poppies against a familiar backdrop in the landscape of The Netherlands,
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This weeks LAPC # 304 is ‘Background: behind the subject’. A dirty window of a terrace at the beach.
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A pub, one of the best places for community connections (connect LAPC 303).
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Reading a book on a bench, looking up and seeing this makes a monochrome fan jump. (connect LAPC 303)
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The best way to explore and connect is to walk around and be surprised with what is in view! It’s the best way to connect to a town for me (LAPC 303)
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What's (in) the Picture? 