Every time we travel to the UK via the Channel Tunnel, I try to take photos of these steel giants. The same goes for when we return from there. They carry power lines in the area of St. Georges-sur-l’Aa. No worries, I’m in the passenger seat.
They remind me of mythical knights, marching in line over the fields. In the archive you find a set of photos over the years.
I published this one in a black and white version earlier, but this is the original. The coast path between Blakeney and Cley next the sea is used often by joggers.
This is the famous Cley windmill at Cley next the sea. It’s by far the best name for a coastal village. Interestingly, it actually does not have a sea front. The mill was owned by the family of James Blunt.
I have a fondness for black and white aka monochrome. That grew on me. Mono was cheaper 50 years ago and more ‘easy’ to handle in a dark room. Monochrome gives something extra at times. The sphere, the grain. And over all these years I learned to see objects in monochrome, visualizing what something looks like in grays.
When I bought my first Nikon digital camera (the D70), I naively asked ‘where is the monochrome setting?’. It was not there. Shooting was color only. If I wanted mono I had to create it myself afterwards in Lightroom, Photoshop or an app like Snapseed. But lucky for me, on the iPhone and on the recent Nikon Zf, there are monochrome settings. To be honest, that was one of the reasons to buy a Zf. So now I have a choice: mono or color.
I know the taste of my ‘audience’ is different than mine. In three days I like to find out more about your taste. What do you fancy more: a photo in mono or in color?
This is the famous Cley windmill at Cley next the sea. It’s by far the best name for a coastal village. Interestingly, it actually does not have a sea front. The mill was owned by the family of James Blunt. The photo was shot in color.
The Leiden Marathon as seen from the bicycle path, dedicated to one of the most successful Dutch professional cyclists, Joop Zoetemelk near Rijpwetering.
The Dutch landscape has low horizons and is flat (but not as a pancake). Canals cut through it. Bicycle paths offer easy access for exploring. These photos are just behind the dunes at Noordwijk. They are at the edge of the Maandagse Wetering. On the horizon is Voorhout.
In The Netherlands, all trees are bi-annualy inspected for risks, like falling over during a storm, to prevent calamities and discomfort. Its aim is to prevent and control future situations. In a way this makes sense, if you can prevent accidents, what is not to be liked about that? On the other hand you are never sure when they come down, but you do know that it will happen! At times with severe storms, trees tend to come down on roads and motorways or train tracks. C’est la vie, say the French. Luckily, in England one can enjoy the odd dead, broken, fallen over or not too healthy tree like this one. Let nature be nature, enjoy the ride.
The iPhone has a cute panorama feature. The result of a pan shot is the above. I wonder if you could ‘turn it around’ so that it looks more like a wide angle/fisheye shot. That would look more natural to me. Anyone has any ideas? Now it looks like a view from a corner.
All the bulb flowers of Spring are now gone. We have to wait for next year to see tulips, daffodils and hyacinths ruling the fields of our flat lands. Until then we enjoy nature exploding in its full force, and after that its decline into Winter. But for now it’s amazing how fast everything springs out.
The Netherlands, Oegstgeest and Voorhout – April 2025
Tulips in the garden and on the field. It might be that the bulbs for our red tulips next year in the garden come from this production field in Voorhout.
What's (in) the Picture? 