This is the famous Cley windmill at Cley next the sea. It’s by far the best name for a coastal village. Interestingly, it actually does not have a sea front. The mill was owned by the family of James Blunt.
I have a fondness for black and white aka monochrome. That grew on me. Mono was cheaper 50 years ago and more ‘easy’ to handle in a dark room. Monochrome gives something extra at times. The sphere, the grain. And over all these years I learned to see objects in monochrome, visualizing what something looks like in grays.
When I bought my first Nikon digital camera (the D70), I naively asked ‘where is the monochrome setting?’. It was not there. Shooting was color only. If I wanted mono I had to create it myself afterwards in Lightroom, Photoshop or an app like Snapseed. But lucky for me, on the iPhone and on the recent Nikon Zf, there are monochrome settings. To be honest, that was one of the reasons to buy a Zf. So now I have a choice: mono or color.
I know the taste of my ‘audience’ is different than mine. In three days I like to find out more about your taste. What do you fancy more: a photo in mono or in color?
This is the famous Cley windmill at Cley next the sea. It’s by far the best name for a coastal village. Interestingly, it actually does not have a sea front. The mill was owned by the family of James Blunt. The photo was shot in color.
Lens-Artists Photo Challenge #350 (congratulations!) is ‘zooming’. A zoomlens gets you nearer to the subject, and can be used for lots of creative effects. The brief for this LAPC is to be creative, but in this photo I used the zoom just to get closer to a section of the ‘full picture’ of the Surrey Scholar on High Street in Guildford. The zoom puts the statue in a different light, taking the context away.
In The Netherlands, all trees are bi-annualy inspected for risks, like falling over during a storm, to prevent calamities and discomfort. Its aim is to prevent and control future situations. In a way this makes sense, if you can prevent accidents, what is not to be liked about that? On the other hand you are never sure when they come down, but you do know that it will happen! At times with severe storms, trees tend to come down on roads and motorways or train tracks. C’est la vie, say the French. Luckily, in England one can enjoy the odd dead, broken, fallen over or not too healthy tree like this one. Let nature be nature, enjoy the ride.
The iPhone has a cute panorama feature. The result of a pan shot is the above. I wonder if you could ‘turn it around’ so that it looks more like a wide angle/fisheye shot. That would look more natural to me. Anyone has any ideas? Now it looks like a view from a corner.
England, Stowmarket – Little Stonham – December 2024
Ending the year in the UK, a roadside view from the car over a foggy Suffolk countryside. Hence the sharpness is not optimal. This is another one I used GrainLab to put in an analogue grain feeling. It softened the darks and gave the photo a more balanced view in the highlights. Snapseed tends to distort big surfaces in the sky, and this is a nice retouch effect to repair that.
England, Stowmarket – Little Stonham – December 2024
Ending the year in the UK, a roadside view from the car over a foggy Suffolk countryside. Hence the sharpness is not optimal. This is the first time I used GrainLab to put in an analogue grain feeling. It softened the darks and gave the photo a more balanced view in the highlights. Snapseed tends to distort big surfaces in the sky, and this is a nice retouch effect to repair that.