A view on the city where Rembrandt van Rijn was born, Leiden. It was the home where he grew up. There he started his now famous career as a painter. Later, he moved to Amsterdam.
Detail from a front in the Breestraat in Leiden. In den vergulden Turk used to be a restaurant. It moved decades ago to a different spot in town. It then changed its name to Wienerwald. The top of the original front is still there, and recently brought back to its old splendor.
I like monochrome photography for many reasons. One of them is the ability to play with the mood in the photo. Just by adjusting the aperture time or the opening of the lens, the same light delivers a different mood. This one and the photo I published yesterday, were shot on the same day.
This is the famous Cley windmill at Cley next the sea. It’s by far the best name for a coastal village. Interestingly, it actually does not have a sea front. The mill was owned by the family of James Blunt.
I have a fondness for black and white aka monochrome. That grew on me. Mono was cheaper 50 years ago and more ‘easy’ to handle in a dark room. Monochrome gives something extra at times. The sphere, the grain. And over all these years I learned to see objects in monochrome, visualizing what something looks like in grays.
When I bought my first Nikon digital camera (the D70), I naively asked ‘where is the monochrome setting?’. It was not there. Shooting was color only. If I wanted mono I had to create it myself afterwards in Lightroom, Photoshop or an app like Snapseed. But lucky for me, on the iPhone and on the recent Nikon Zf, there are monochrome settings. To be honest, that was one of the reasons to buy a Zf. So now I have a choice: choose a mono or color setting, or turn color afterward turn it into mono.
I know the taste of my ‘audience’ is different than mine. In three days I like to find out more about your taste. What do you fancy more: a photo in mono or in color?
This third and last one is about flowers, waiting for the recycle bin. The photo was shot in color.
I have a fondness for black and white aka monochrome. That grew on me. Mono was cheaper 50 years ago and more ‘easy’ to handle in a dark room. Monochrome gives something extra at times. The sphere, the grain. And over all these years I learned to see objects in monochrome, visualizing what something looks like in grays.
When I bought my first Nikon digital camera (the D70), I naively asked ‘where is the monochrome setting?’. It was not there. Shooting was color only. If I wanted mono I had to create it myself afterwards in Lightroom, Photoshop or an app like Snapseed. But lucky for me, on the iPhone and on the recent Nikon Zf, there are monochrome settings. To be honest, that was one of the reasons to buy a Zf. So now I have a choice: choose a mono or color setting, or turn color afterward turn it into mono.
I know the taste of my ‘audience’ is different than mine. In three days I like to find out more about your taste. What do you fancy more: a photo in mono or in color?
This second one is about sky. Always there, lots of it. In color it can be blue, white, gray, dark. In mono it delivers whites, grays and dark zones. In mono the image changes it seems. An abstract sky can turn into something mysterious. The photo was shot in color.
I have a fondness for black and white aka monochrome. That grew on me. Mono was cheaper 50 years ago and more ‘easy’ to handle in a dark room. Monochrome gives something extra at times. The sphere, the grain. And over all these years I learned to see objects in monochrome, visualizing what something looks like in grays.
When I bought my first Nikon digital camera (the D70), I naively asked ‘where is the monochrome setting?’. It was not there. Shooting was color only. If I wanted mono I had to create it myself afterwards in Lightroom, Photoshop or an app like Snapseed. But lucky for me, on the iPhone and on the recent Nikon Zf, there are monochrome settings. To be honest, that was one of the reasons to buy a Zf. So now I have a choice: mono or color.
I know the taste of my ‘audience’ is different than mine. In three days I like to find out more about your taste. What do you fancy more: a photo in mono or in color?
This is the famous Cley windmill at Cley next the sea. It’s by far the best name for a coastal village. Interestingly, it actually does not have a sea front. The mill was owned by the family of James Blunt. The photo was shot in color.
Yesterday I told you about my passion and history in monochrome. And that I do shoot sunsets in black and white. Here is another one of the same sunset, but framed different. I will publish an overview of all those shots of same sunset that evening. Each of them show a bit of it, it’s in my humble opinion nice to see the big picture.
If you did not notice, I am a big fan of monochrome. In fact, monochrome film was way back the medium I started with. It was cheap and you print your own photos in a darkroom. That was adventurous and frustrating at the same time. Not to sound old, but nowadays with wonderful software, editing images is easier, faster and more fun. And you instantly see what you get! But sometimes I do miss the anxiety of the darkroom, seeing a photo come up in the developer. Back to now. I do shoot sunsets in black and white, and here is one. The atmosphere of the shot is different, more dark and eerie.
Drievliet is a small and very old amusement park. Over fifty years ago I first went there on a school trip. Then most of the attractions had to be moved by muscle power. Last week I had my second visit to Drievliet with our grand children. The park is dramatically changed but still has the same appeal to kids: lots of fun to be had on rides, slides, rollercoasters, ferris wheels, merrygorounds etc. And of course the fries and icecream in between. The weather was not that good, but the clouds added to the view from the ferris wheel looking at downtown Den Haag.
LAPC 309 is about balconies. I have to admit that I do not pay special attention to balconies, unless they trigger me as I look around and they catch my eye. This in Antwerp. My previous entry was an original monochrome on film. With this one I could not decide between the original and the edited monochrome version. Hence you see them both. Beauty is in the eye of the beholder.
The basin of an old watertower against the sky. It is not the nicest of buildings, but somehow it draws my attention when I see it. Last year I published its head in color, this time I choose for mono.
Lines in the sky seen from one of the most beautiful frames for pictures in The Netherlands: a train window offering a beautiful frame with always changing content in it.
Allium is one of our favorite bulbflowers in the garden. I present it as a twin set of mono next to color. Each version brings out different qualitaties in the flower I think, but that is of course subjective.
The Lens Artists Photo Challenge #297 is ‘music to my eyes’. Images and music are a strong way of bringing back memories, feelings, situations you once experienced. This photo clicked my memory for a Pink Floyd album ‘Obscured by clouds’. It is not so much the clouds that obscure in this image, the branches of the trees create a web of lines over the sky and sun.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
No one seems to like these circular wonders, created to keep traffic circulating and flowing in a safe fashion. Especially when they are red, a circular red or an arrow for direction. For lens artists challenge #290 Circular Wonders.