If you visit my blog – like I hope you do or from now start to do – you must have recognized my ‘old’ love for monochrome. When I started this hobby, mono was fashionable and a standard for news photography. And it was cheaper. In this series I offer you two versions of a photo. And you can prefer one over the other, or not.
This week’s theme is ‘Time to relax’. On a bicycle ride through fields where soon bulb flowers will pop up, together with other cyclists. On the color version you can see the deep purple of early hyacinths. With Some yellow late Daffodils.
This week’s theme is ‘Time to relax’. On a bicycle ride through fields where soon bulb flowers will pop up, together with other cyclists and the occasional runner.
Spring is here and last weekend I made a little bicycle ride to check out the bulb flower fields. Daffodils where coming up, and at odd places hyacinths started to show. A nice way to relax and enjoy the lovely day outside. As did others by walking, running or cycling. Fitting this week’s theme ‘Time to relax’.
Some of the last photos with the iPhone15 Pro Max. A close view on a shopping floor. Like it is an endless circle of steps lining the floor. what can you do waiting for someone shopping?
LAPC #386 invites to use the power of juxtaposition. I give the brief a bit more room for experiment, and put two pictures next to another. They both have a narrative of their own. It is basically the same subject (trees) but framed in a different way.
The LAPC theme #385 is ‘unusual crop’. Station Den Haag – Laan van Nieuw Oost-Indië (that is a throat breaker for most of you non-Dutch speakers). Tracking the tracks.
The LAPC theme #385 is ‘unusual crop’. It is about cropping (re-framing an existing image) for effect. I used an old photo from March 2018 to play with for this theme. I cropped it to get rid of some elements that I kept in the original shot. This theme makes me think about how I shoot and the principles I learned in the past.
I am not sure I fully understand the essence of the brief. I only understand it if I take it literally: how it is unusual for me to use cropping while editing. Let me try to explain. Cropping afterwards is to re-frame a shot. My aim is to frame a desired photo at the shoot on the camera. That is a principal I learned long ago. Modern technology helps. You can see the result of a shot right away on the camera. And zoom lenses give you the flexibility to decide about the framing. Long ago, all I shot was on a 50 mm lens on film. Then sometimes I deliberately shot to ‘crop’ the result. E.g. when I was unable to get close enough. In the darkroom, you enlarged the picture (blow up), and then decided the result of the frame. Nevertheless, this often resulted in a loss of quality (grain, sharpness). So I learned to frame from the start, long ago.
But even in those analogue days, blowing up negatives was creative, it added to the texture of a photo. Nowadays it is easier to be playful using better technology. Camera’s, phones, software, monitors, computers all contribute to more agility in the editing process.
I am curious about the perspective of other ‘old school’ photographers. The ones who used film and a darkroom in the past before the digital age. How do they view this challenge?
Every time we travel to the UK via the Channel Tunnel, I try to take photos of these steel giants. The same goes for when we return from there. They carry power lines in the area of St. Georges-sur-l’Aa. No worries, I’m in the passenger seat.
They remind me of mythical knights, marching in line over the fields. In the archive you find a set of photos over the years.
The year 2025 ends and we cross over to 2026. I hope the new year will be a good one. I wish it brings some of the desires I cherish in my heart. I am sure others cherish these desires as well.
The Lens-Artists Photo Challenge #374 is ‘on the move’. Most of what is on these photos has not moved in a long time. However, the machines they got moving again are brilliant. It is a place where they try to keep history alive and accessible, touchable and usable.
The Steamtrain Museum Katwijk Leiden is run by volunteers. It offers the history of steam trains and their use on narrow gauge tracks. And the volunteers fix up and restore old locomotives, carriages and other cars. They have a big storage full of old parts and rusty machines.
The front of the Reichstag. A visit was on the top of my list. In 1989 the Berlin Wall was right next to the building; and since 1989 this area was completely developed. So we booked a visit to the dome. On this photo I left the dome out consciously. I wanted to have an image like the building looked in November 1989 below.
Germany, Berlin – November 1989
The history of the Reichstag is connected to my hometown and Leiden. In 1933 Marinus van der Lubbe was accused, tried and sentenced by the Nazi-regime for setting fire to the building. He was born in Leiden en lived in Oegstgeest, as did his family.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Last September I revisited Berlin after 46 years. One of the reasons to come back was to visit the Memorial to the murdered Jews in Europe. I had read stories and seen photos, and I wondered how I would take photo’s of it. And what it would be like to wonder through it. This visit I had my first experience with the monument. Here is the first impression (and the coming days I will publish some more).
A more detailed view of the photo I published yesterday of Leiden. Leiden used to be famous for fabrics, and canals provided the infrastructure for the logistics. Some of the canals were filled up in the second half of the 20th century. However, there are debates about opening a few of them again. These discussions focus on sustainability and environmental quality.
A view on the city where Rembrandt van Rijn was born, Leiden. It was the home where he grew up. There he started his now famous career as a painter. Later, he moved to Amsterdam.
Detail from a front in the Breestraat in Leiden. In den vergulden Turk used to be a restaurant. It moved decades ago to a different spot in town. It then changed its name to Wienerwald. The top of the original front is still there, and recently brought back to its old splendor.
What's (in) the Picture? 