Source of Origin
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version
Shot with Nikon Zf, edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Seasons seem to flow seamlessly in one another. Christmas just behind us, Easter preparations in the garden center are in full swing.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.


This week Lens Artist Photo Challenge #335 is exploring color versus monochrome aka black and white. Compare a color photo with a monochrome print of it. What works better?
A few days ago I published a resembling shot in color and mono. This post differs from the earlier ones. The tree on the right went out of the frame. And a very modern advertising pole pops up in the background.
My love for the bleak colors of Winter’s light are the same. But I prefer this mono version, even if it was originally shot in color. GrainLab is a great tool, and the atmosphere of the photo is ‘old’ but the view is modern.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
This week Lens Artist Photo Challenge #335 is exploring color versus monochrome aka black and white. Compare a color photo with a monochrome print of it. What works better?
Two landscapes, originally shot in color. I do prefer the monochrome version. That was tweaked with GrainLab.
Yesterday I publiced this one in color. I do like it, the bleak colors of Winter light are nice. But I prefer this mono version, even if it was originally shot in color. The dark spots are much more toned and I do like the grain feel of Kodak Tri X.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.

This week Lens Artist Photo Challenge #335 is exploring color versus monochrome aka black and white. Compare a color photo with a monochrome print of it. What works better?
I tend to think in black and white at most moments. Just my preference. And if I can I shoot just in a mono mode on my iPhone or my recent purchased Nikon Zf.
Yesterday I publiced this one in color. I do like it, the bleak colors of Winter light are nice. But I prefer this mono version, even if it was originally shot in color,
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version




The Magnolia in the front garden is slowly waking up from Winter.
Shot with Nikon Zf, edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
A wet Winter.
Shot with Nikon Zf, edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.
Right next to the Binham Priory is The Parlour. A working dairy farm with a monumental breakfast.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.
The Maltings – The Grain Store in Weybourne. Sometimes a toilet is worth a photo.
Shot with iPhone 15 Pro Max edited using Snapseedand Marksta Click the picture for a larger version.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
A visit to England without fish and chips?
Shot with iPhone 15 Pro Max edited using Snapseedand Marksta Click the picture for a larger version

Shot with iPhone 15 Pro Max edited using Snapseedand Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseedand Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
The Maltings – The Grain Store in Weybourne. A beautiful restored barn, and great ambiance to enjoy good food.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
A Christmas photo, but the view of burning candles is always mesmerizing and inspirational.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Ending the year in the UK, a roadside view from the car over a foggy Essex countryside. Hence the sharpness is not optimal.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta Click the picture for a larger version
Ending the year in the UK, a roadside view from the car over a foggy countryside. Hence the sharpness is not optimal.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta Click the picture for a larger version
Ending the year in the UK, a roadside view from the car over a foggy Norfolk countryside. Hence the sharpness is not optimal.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta Click the picture for a larger version
Ending the year in the UK, a roadside view from the car over a foggy Suffolk countryside. Hence the sharpness is not optimal. This is another one I used GrainLab to put in an analogue grain feeling. It softened the darks and gave the photo a more balanced view in the highlights. Snapseed tends to distort big surfaces in the sky, and this is a nice retouch effect to repair that.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta Click the picture for a larger version
Ending the year in the UK, a roadside view from the car over a foggy Suffolk countryside. Hence the sharpness is not optimal. This is the first time I used GrainLab to put in an analogue grain feeling. It softened the darks and gave the photo a more balanced view in the highlights. Snapseed tends to distort big surfaces in the sky, and this is a nice retouch effect to repair that.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
One of the first photos of my new camera, the Nikon Zf. A retro FM2 on the outside but on the inside full of brilliant Nikon Z technology. Its a real hands on camera, with manual settings. I’m learning to use it. One of the reasons to buy it was the availability of three monochrome presets.
Shot with Nikon Zf, edited using Snapseed and Marksta Click the picture for a larger version
Crossed to a new year, 2025 is just started. I wish everyone a wonderful 2025 in good health, with loads of love and moments in which wishes become reality. Where we can talk and bridge judgments.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version

The first photos of my new camera, the Nikon Zf. A retro FM2 on the outside but on the inside full of brilliant Nikon Z technology. Its a real hands on camera, with manual settings. I’m learning to use it. One of the reasons to buy it was the availability of three monochrome presets.
Shot with Nikon Zf, edited using Snapseed and Marksta Click the picture for a larger version
And off he went.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
On the eve of Christmas a colorful rose, wishing everybody a merry Christmas. And I can’t resist to put a wish under it from the heart, quoting John Lennon: war is over, just imagine. In 2025 be your own truth, people are not meant to be all the same. One of the joys in life is that we are different, and being different creates the potential for change. As long as we can listen to one another, knowing there is the freedom to choose your own believes and live them without being a threat to the other, there is a future and lots of potential. Love, laugh (especially about yourself), live.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
LAPC 309 is about balconies. I have to admit that I do not pay special attention to balconies, unless they trigger me as I look around and they catch my eye. I do however ‘collect’ French windows. So occasionally they pop up in a frame. This is one of those, in one of my favourite cities, Paris. From the analogue archive of December 1993.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta . Click the picture for a bigger version.