Since January I try to take regular photos of the Magnolia tree in the garden. The coming days I will publish a daily photo of a close up. For some it will be boring and repetitive, for most (I hope) it will be fun.
Shot with Nikon Zf, edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Since January I try to take regular photos of the Magnolia tree in the garden. The coming days I will publish a daily photo of a close up. For some it will be boring and repetitive, for most (I hope) it will be fun.
Shot with Nikon Zf, edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Since January I try to take regular photos of the Magnolia tree in the garden. The coming days I will publish a daily photo of a close up. For some it will be boring and repetitive, for most (I hope) it will be fun. And they are not all in monochrome :-).
Shot with Nikon Zf, edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Since January I try to take regular photos of the Magnolia tree in the garden. The coming days I will publish a daily photo of a close up. For some it will be boring and repetitive, for most (I hope) it will be fun.
Shot with Nikon Zf, edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version
The Magnolia in the front garden is slowly waking up from Winter.
Shot with Nikon Zf, edited using Snapseed, GrainLab and Marksta. Click the picture for a larger version.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Ending the year in the UK, a roadside view from the car over a foggy countryside. Hence the sharpness is not optimal.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta Click the picture for a larger version
Ending the year in the UK, a roadside view from the car over a foggy Norfolk countryside. Hence the sharpness is not optimal.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta Click the picture for a larger version
Ending the year in the UK, a roadside view from the car over a foggy Suffolk countryside. Hence the sharpness is not optimal. This is another one I used GrainLab to put in an analogue grain feeling. It softened the darks and gave the photo a more balanced view in the highlights. Snapseed tends to distort big surfaces in the sky, and this is a nice retouch effect to repair that.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta Click the picture for a larger version
Ending the year in the UK, a roadside view from the car over a foggy Suffolk countryside. Hence the sharpness is not optimal. This is the first time I used GrainLab to put in an analogue grain feeling. It softened the darks and gave the photo a more balanced view in the highlights. Snapseed tends to distort big surfaces in the sky, and this is a nice retouch effect to repair that.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
And off he went.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
These trees are a decade older than I am. When I was young they were small as well.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Autumn was mild and bright till last week.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
The iPhone had developed into a nice camera. It is not the same quality als a DSLR or system camera, but it is a lovely point and shooter with more and more options added. The zoom is quite nice, but the human side – holding it still – is a challenge.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
The Zijlpoort in Leiden seen from a passing car while not driving.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
The Netherlands, Oegstgeest – November 2024
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
The access to the J.H. Oortbrug.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
This week lens artists challenge #323 is ‘silence’. Autumn is a time where we move towards the end of the cycle, preparing for Winter. A time of letting go with the awareness that nature is preparing for Spring. The cycle of life at work, complexity in simplicity.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
This week lens artists challenge #323 is ‘silence’. How to depict silence?
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger versi
Maybe the best example of perfect imperfection is the cycle of life we see every day around us. When the leaves fall in Autumn in fact nature is preparing for its next Spring. This week’s Lens Artists Photo Challenge #322 is ‘there is a crack in everything, that’s how the light gets in’. The quote is from a verse by Leonard Cohen about imperfection and beauty, redemption, healing and growth.
‘Ring the bells that still can ring
Forget your perfect offering
There is a crack, in everything
That’s how the light gets in‘
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
This week’s Lens Artists Photo Challenge #322 is ‘there is a crack in everything, that’s how the light gets in’. The quote is from a verse by Leonard Cohen about imperfection and beauty, redemption, healing and growth to overcome pain and hurt. The origin is more ‘cosmic’ and is much older (e.g. Rumi): the only perfect ‘being’ (the light) is the source of all. As humans we are not perfect but we can let the light in to heal our wounds and pain. And essentially learn from it.
Yesterday I showed a photo from the bright side, this one is from the sunrise, and I must say I love the light and the atmosphere.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
This week’s Lens Artists Photo Challenge #322 is ‘there is a crack in everything, that’s how the light gets in’. It is from a verse by Leonard Cohen about imperfection and beauty. This photo is just a blunt statement: the light comes from the right. But considering my more frequent photo moments in the early morning on this spot, it is after noon. A total different view on the same view. The way the light hits a scene gives it meaning. And shows different details. It softens, warms an strikes with a tender touch, showing the deeper beauty. Not perfect, but priceless.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
This week’s Lens Artitsts Photo Challenge (#321) is Intentional Camera Movement (ICM). Yesterday I published photos shot analogue on film: the result is only visible after developing the film. This one is from 2004 with my first digital Nikon D70. The fun of digital is that you can actually see on the back what the result is, and use this feedback to try again. Digital gives freedom and is cheap and gives instant feedback. 20 years of digital playing.
shot with Nikon D70, edited using Snapseed and Marksta. Click the picture for a larger version.
This week’s Lens Artitsts Photo Challenge (#321) is Intentional Camera Movement (ICM). These photos are from a workshop in 1997 in France, where we had to create movement with a low shutter speed while following the subject. Basically a fun excercise but done on film. So the result literally came to light after developing the film. The excitement and anxiety about the possible results were out of scale! Patience.
These film archives are the source of my B4 retouch series.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed andMarksta. Click the picture for a bigger version
Autumn has arrived. Some trees take a fast lane to color and shed, some take more time. Each year this tree is delight of gold.
This week’s Lens Artitsts Photo Challenga (#321) is Intentional Camera Movement (ICM). That is a creative technique, but in this case the movement was non-intentional, caused by the extreme zoom of the iPhone, my unsteady hand and the amount of light available. However, it gave an overall glow to the photos that I do like. I hope the hose of this week Anne is not offended by this entry.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Maybe I am not the only one. When I see a wonderful subject, that has to be on a photo, I tend to try out different things fast, to avoid the moment goes. And in the end there is a series of photos that are hard to choose from. What is the solution? I just publish them all. So after SUP Paddler in focus and
the monochrome loneliness of the SUP Paddler here is the last of three. I hope you enjoyed all of them.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
‘Wild cows’ enjoy the water in the dunes near Valkenburg. The image is taken by hand on the maximum zoom of the iPhone, so it is a bit unsharp.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
The canal is one of my long period objects for photos. I always look if there is something worth a photo when I cross it. Most of the time it is empty, sometimes there is a boat. But this time there was a first: a SUP paddler in a beautiful moody Autumnal sunrise. As if he knew this week’s theme for LAPC #319 is ‘setting a mood’.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
The Netherlands is famous for its Spring bulbflower fields, but we produce flowers in Summer and Autumn as well.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Yes, we produce flowers in Summer and Autumn as well.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
What's (in) the Picture? 