This week I try to show aspects that come to my mind. The first is history at present. Places where important moments in time happened. Which you observe from the present.
This is a recent sunset over the Galgewater in Leiden. ‘Where? Why? Of what importance?’ I hear you say. At the bridge on the left side of the frame Rembrandt van Rijn was born. A copy of the mill his father used for his business is on the right. The only thing Rembrandt would have seen is the sunset, and the mills. All the buildings and boats etc are ‘after Rembrandt’.
This week LAPC #260 is ‘overlooked’. Again one from the archives, the then small town of Fira, on the island Thira aka Santorini, built on the edge of a former caldera. The old harbor is deep down, and 600 steps lead you up to the town balancing on the edge of the caldera. Donkeys are used for comfort against payment. Since 1979 tourism boomed extremely on this beautiful island. I feel fortunate to have visited it before that tourist flood. But each time I see photos of this place I long to go back. The beaches are perfect: volcanic ashes that does not stick like sand.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
The picture was originally shot with Pentax K1000 on Kodak Plusx, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
This week LAPC #259 is ‘unbound’. Again one from the archives, that I published earlier for LAPC. #164. The then small town of Fira, on the island Thira aka Santorini, built on the edge of a former caldera. Since 1979 tourism boomed extremely on this beautiful island. I feel fortunate to have visited it before that tourist flood. But each time I see photos of this place I long to go back. The beaches are perfect: volcanic ashes that does not stick like sand.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
The picture was originally shot with Pentax K1000 on Kodak Plusx, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Basically my attention gets caught and produces an image. It is not conscious, it is in the context where I am. And it results in an array of subjects. It is easier to say what road I do not take: fashion, portraits, urban. But travel, cities, landscapes etc are part of the portfolio. Maybe I can not choose to continue in a specific direction?
I think I have to ask the visitors of this blog to give an answer to John’s question, for I can’t for myself. What do you think? Is there a red line in my snaps? Or is it a mixed bag of pieces? I appreciate your feedback.
The Lens-artists challenge #197 is ‘rule of thirds’. The rule of thirds is a rule of thumb how to compose images. There are more ‘rules’; another is the ‘s’ like in the photo above. But there are other ‘rules’ to make a photo attractive, and one is the use of lines. The city hall of Leiden.