The iPhone had developed into a nice camera. It is not the same quality als a DSLR or system camera, but it is a lovely point and shooter with more and more options added. The zoom is quite nice, but the human side – holding it still – is a challenge.
This week’s Lens Artitsts Photo Challenge (#321) is Intentional Camera Movement (ICM). Yesterday I published photos shot analogue on film: the result is only visible after developing the film. This one is from 2004 with my first digital Nikon D70. The fun of digital is that you can actually see on the back what the result is, and use this feedback to try again. Digital gives freedom and is cheap and gives instant feedback. 20 years of digital playing.
Autumn has arrived. Some trees take a fast lane to color and shed, some take more time. Each year this tree is delight of gold.
This week’s Lens Artitsts Photo Challenga (#321) is Intentional Camera Movement (ICM). That is a creative technique, but in this case the movement was non-intentional, caused by the extreme zoom of the iPhone, my unsteady hand and the amount of light available. However, it gave an overall glow to the photos that I do like. I hope the hose of this week Anne is not offended by this entry.
Autumn brought is rain. After a beautiful Summer that was quite dry it is time to get used to grey clouds and their contents. And be grateful we do have rain.
Cut flowers are a common good in The Netherlands. This is the field of a grower, just around the corner. He harvested the thistles and moved them to the flower auction for sale. This is the ones left over on the field. For Lens Artists Weekly Photo Challenge #316 ‘Common Object’.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
Shot with Nikon F90 on KodakTriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
Shot with Nikon F90 on KodakTriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version.
LAPC 309 is about balconies. I have to admit that I do not pay special attention to balconies, unless they trigger me as I look around and they catch my eye. This in Rethymnon on Crete. A bit of a messy shot, but I spotted the sign of the night club (does one have to be envious to visit?) and the adjacent balconies and roof, mimicking the eye lashes of the club sign. A kind of eyebrows raised photo.
LAPC 309 is about balconies. I have to admit that I do not pay special attention to balconies, unless they trigger me as I look around and they catch my eye. This in Rethymnon on Crete. My first entry was an original monochrome on film. With this one I could not decide between the original and the edited monochrome version. Hence you see them both. Beauty is in the eye of the beholder.
LAPC 309 is about balconies. I have to admit that I do not pay special attention to balconies, unless they trigger me as I look around and they catch my eye. This in Antwerp. My previous entry was an original monochrome on film. With this one I could not decide between the original and the edited monochrome version. Hence you see them both. Beauty is in the eye of the beholder.
LAPC 309 is about balconies. I have to admit that I do not pay special attention to balconies, unless they trigger me as I look around and they catch my eye. I do however ‘collect’ French windows. So occasionally they pop up in a frame. This is one of those, in one of my favourite cities, Paris. From the analogue archive of December 1993.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta . Click the picture for a bigger version.
The Kurhaus is an old style hotel in Scheveningen. It is the only left over of the historical sea facade. The rest was demolished, and replaced with high rising concrete cubes.
LAPC #306 is ‘habitat’. As humans we share the earth with lots of natural life, we share habitats (the human home, the natural ecosystem), we co-exist. Our relation with earth is not balanced. It tilts favorably towards the human interest, disrupting the natural habitats of many. If we as humans do not change our relationship with earth, then humanity kills itself, leaving a planet to recover from being abused. Not survival of the fittest, but termination of the dumbest.
A Heron, sitting on a lamppost, overlooking the articificial canal, as a cyclist uses a cycling path in the background.
Architecture can be beautiful in full color as well in monochrome. In ‘twins’ I show the monochrome twin of the color shot at the Kop van Zuid in Rotterdam. The third set is the Montevideo.
Architecture can be beautiful in full color as well in monochrome. In ‘twins’ I show the monochrome twin of the color shot at the Kop van Zuid in Rotterdam. The second set is an old elevator at the Rijnhaven.