Don Quichotte has to stand tall nowadays
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Ending the year in the UK, a roadside view from the car over a foggy countryside. Hence the sharpness is not optimal.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta Click the picture for a larger version
Ending the year in the UK, a roadside view from the car over a foggy Norfolk countryside. Hence the sharpness is not optimal.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta Click the picture for a larger version
Ending the year in the UK, a roadside view from the car over a foggy Suffolk countryside. Hence the sharpness is not optimal. This is another one I used GrainLab to put in an analogue grain feeling. It softened the darks and gave the photo a more balanced view in the highlights. Snapseed tends to distort big surfaces in the sky, and this is a nice retouch effect to repair that.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta Click the picture for a larger version
Ending the year in the UK, a roadside view from the car over a foggy Suffolk countryside. Hence the sharpness is not optimal. This is the first time I used GrainLab to put in an analogue grain feeling. It softened the darks and gave the photo a more balanced view in the highlights. Snapseed tends to distort big surfaces in the sky, and this is a nice retouch effect to repair that.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta Click the picture for a larger version
The weekly LAPC #327 is ‘five elements’. Four of the Greek (fire, water, earth, sky) and metal from a Chinese philosophical edge. The only fire in this photo is invisible and contained in the wind sweeping the water onto the beach. And as far for metal, it keeps the wooden fence together. Water, sky and earth in abundance. Funny we do not look in ‘elements’ to a photo.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version

Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
This week’s Lens Artists Photo Challenge #322 is ‘there is a crack in everything, that’s how the light gets in’. The quote is from a verse by Leonard Cohen about imperfection and beauty, redemption, healing and growth to overcome pain and hurt. The origin is more ‘cosmic’ and is much older (e.g. Rumi): the only perfect ‘being’ (the light) is the source of all. As humans we are not perfect but we can let the light in to heal our wounds and pain. And essentially learn from it.
Yesterday I showed a photo from the bright side, this one is from the sunrise, and I must say I love the light and the atmosphere.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
This week’s Lens Artists Photo Challenge #322 is ‘there is a crack in everything, that’s how the light gets in’. It is from a verse by Leonard Cohen about imperfection and beauty. This photo is just a blunt statement: the light comes from the right. But considering my more frequent photo moments in the early morning on this spot, it is after noon. A total different view on the same view. The way the light hits a scene gives it meaning. And shows different details. It softens, warms an strikes with a tender touch, showing the deeper beauty. Not perfect, but priceless.
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‘Wild cows’ enjoy the water in the dunes near Valkenburg. The image is taken by hand on the maximum zoom of the iPhone, so it is a bit unsharp.
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In about six months these fields will be covered with blooming bulb flowers. Can you imagine the colors?
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A view over the meadows in an old Dutch masters light.
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The Netherlands is famous for its Spring bulbflower fields, but we produce flowers in Summer and Autumn as well.
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Yes, we produce flowers in Summer and Autumn as well.
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A bicycle tour brought us to the Zijwatering, a canal from Wassenaar to the Oude Rijn (in the time of the Roman Empire the present Old Rhine was part of the Rhine estuary and came into the Northsea at Katwijk). It was a surprise and also a delight to see the beauty of the landscape under a beatiful early Autumn sun. The bottom photo is a panorama, using this feature on the iPhone makes straight lines bend.
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The use of glasshouses is widespread in The Netherlands for all kinds of crops and flowers. Lens Artists Weekly Photo Challenge #316 is ‘Common Object’.
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Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Dramatic morning over the Haarlemmermeerpolder near Abbenes.
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Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
It is that time of year again, bulbflowers spreading colors and aromas around.
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It is that time of year again, bulbflowers spreading colors and aromas around.
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This week’s Lens Artists Challenge #287 is ‘Sound’. The road is busy, the sound of cars is in my ears as I try to frame this mill against the sunset, trying to avoid a car in the frame at first. Then zooming out and coming back to the road I ended up with this one, showing the lamplight and the cars coming and fading in the distance. This is the last in a series of four of Windmill ‘Hoop doet leven’ in Voorhout against the Winter sunset. The first three in a list in order of publication:
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For LAPC #285 is ‘warm colors’. A warm toned Winter sunset.
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An iconic view of The Netherlands for many tourists. Windmill ‘Hoop doet leven’ in Voorhout against the Winter sunset for LAPC #284 ‘day&night’.
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Arriving by LeShuttle (formerly known as Eurotunnel) and passing through Dover to catch a different glimpse of the famous white cliffs.
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A view up north towards Deal.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.


England, Walmer – December 2024
The panoramic mode on the iPhone is not a favorite setting for me. On Instagram you get bombarded by adds about all Apple did not tell you about taking photos on iPhone: some work, eg using panorama setting for a wider angle (the fun for me using an iPhone is to be curious about all you can do finding it out for yourself).
But making a panorama having a straight line in front of you (a road eg) is hilarious. What would a sky panorama look like? So I did a 360 sky and a 180 horizon of the sea front at Walmer. Just for fun.
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On the road to Christmas to Le Shuttle in Belgium.
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Each time I pass here on the way to or from Calais, I take a picture of the power lines in St. Georges-sur-l’Aa.
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Belgium, Veurne and Koksijde – December 2023
On the road to Calais and Le Shuttle, on a dark grey morning through le plat pays of Jacques Brel.
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Each time I pass here on the way to or from Calais, I take a picture of the power lines in St. Georges-sur-l’Aa.
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Some photos do not fit the LAPC’s themes, so there is a rest category ‘last chance’ being #280. I never am guided by the themes in the photos I shoot. Some fit in, some don’t. But I never know the theme while shooting. Here is one from the archive I recently stumbled upon, never published.
Slane Hill in Ireland. Close to Slane Castle castle that is famous among other historical facts, for being the recording site for U2’s The unforgettable fire’ in 1984. And famous open air concerts.
Outside the village is The Hill of Slane with a small old ruined chapel, a ruined monastery and a graveyard, overlooking the landscape and the river Boyne.
The most interesting place is a small hill with undergrowth right behind the site, from which this photo was taken.
shot with Nikon D70, edited using Snapseed and Marksta. Click the picture for a larger version.


Empty spaces along a motorway used for commercial expressions. Empty spaces is the theme of LAPC #277.
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Two prints from the same panorama source on the iPhone. Choose your favorite! LAPC #276 is ‘looking up/looking down’.
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Lens Artists Photo Challenge #276 is ‘looking up/looking down’. Road side view while not driving myself.
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Shot with iPhone 13 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version



The Netherlands, Abbenes – November 2023
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Lens Artists Photo Challenge #273 is ‘Symmetry’.
The trip from Den Haag to Leiden by train, offers a diverse view on fields and trees.
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The trip from Den Haag to Leiden by train, offers a diverse view on fields and trees.
Shot with iPhone 13 Pro Max edited using Snapseed and Marksta Click the picture for a larger version

The trip from Den Haag to Leiden by train, offers a diverse view on fields and trees.
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The Netherlands, Katwijk aan Zee – September 2023
Lens Artists Photo Challenge #269 ‘over the edge’.
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Lens Artists Photo Challenge #269 ‘over the edge’.
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The Netherlands, Alphen aan den Rijn – September 2023
Windmill Vrouwgeestmolen at the Heimanswetering.
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Flat, low horizon, roads lined with trees cutting through farmland and meadows.
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The iPhone in pano mode creates weird lines.
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