The Jordaan is a neighbourhood of Amsterdam.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version.
usée Carrée Nîmes
Inside the Carré d’Art in Nîmes.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version.
A terrace inArles. Everyone has a memory of a terrace I bet.
LAPC #417 is ‘Memories’. Sometimes the LAPC themes coincide with my ‘planning’ for my blog. The last weeks I am looking back into my archive of photographic memories. And this is one of them.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version.
The Bureau de Tourisme in the Hotel de Ville at the Rencontres d’Arles in 1997. Arles is a beautiful town, with a long history dating back to the Romans. Not only with a famous annual photographic exhibition, but with a rich cultural history.
LAPC #417 is ‘Memories’. Sometimes the LAPC themes coincide with my ‘planning’ for my blog. The last weeks I am looking back into my archive of photographic memories. And this is one of them.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version.
A street scene at the Rencontres d’Arles in 1997. Arles is a beautiful town, with a long history dating back to the Romans. And of course Vincent van Gogh lived and worked there for a year and produced a now famous painting of a terrace at night.
LAPC #417 is ‘Memories’. Sometimes the LAPC themes coincide with my ‘planning’ for my blog. The last weeks I am looking back into my archive of photographic memories. And this is one of them.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version.
LAPC #417 is ‘Memories’. In a way freezing images of moments in time is creating and storing a memory. In the analogue time of film the notion of shooting a great set of photos was the first step in a process. The next step was printing it in the darkroom. That was manual labor. And some photos are just not easy to bring out. A big step towards the digital time of now. Software now is amazing, and allows me to create what I could not achieve with my not adequate dark room skills.
So this is a memory of a moment I did not feel too well being harshly told off by a French garage owner to piss off and not bother him trying to shoot photos at his workshop. As part of a course assignment in a workshop.
I walked to the bridge and this swan came down, landing in the river. Majestic. A gift.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version.
A night at the town square of Saint-Hippolyte-du-Fort. The fountain in the light of the streetlights.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version.
A night at the town square of Saint-Hippolyte-du-Fort. On the edge a game of pétanque is in play.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version.
The Trevi Fountain – in Rome. Nowadays one has to pay an entrance fee to see it, trying to mitigate the amount of visitors. The myth is that you throw a coin over your right shoulder in the fountain, and you wish to come back. That worked for me three times already. Albeit long ago. LAPC #416 is ‘where does this lead?’. Mass tourism in big cities is a problem for the locals.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
What is Rome without scooters? LAPC #416 is ‘where does this lead?’.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Rome is build on seven hills, but some hills are not counted in that list. One of the non listed hills is the Pincian Hill, that – like all of them – offers beautiful views over the eternal city. On top of the hill is Villa Borghese and a garden of statues.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Rome is build on seven hills, but some hills are not counted in that list. One of the non listed hills is the Pincian Hill, that – like all of them – offers beautiful views over the eternal city.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Rome is build on seven hills, but some hills are not counted in that list. One of the non listed hills is the Pincian Hill, that – like all of them – offers beautiful views over the eternal city.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
The Via dei Condotti in Rome.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
In 1992 the beaches at Gouves were much more open, and the village was rather small. Now it is all modern and built to the brim. A view from a hotel room long ago.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
A side street in the old part of Chania in the west of Crete.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
The old harbour of Chania in the west of Crete.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Olympus Mju on Fuji Color, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The Göreme Historical National Park in Cappadocia is a mesmerizing part of Turkey. Erosion and geological layers build a tapestry of shapes and colors. That combined with a beautiful history of cultural human existence it is an experience you never forget.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Fuji 200, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Early morning market in Kayseri, central Turkey.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Fuji 200, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version., the light falls over a group, if I remember correctly, German tourists listening to a guide.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Fuji 200, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
The Galata Bridge in Istanbul at sundown, taken from the Bosporus.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Fuji 200, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version., the light falls over a group, if I remember correctly, German tourists listening to a guide.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Fuji 200, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
The Hagia Sofia in Istanbul, the light falls over a group, if I remember correctly, German tourists listening to a guide.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Fuji 200, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
When the Centre Pompidou opened, the Parisians nicknamed it ‘the refinery’. It is a unique construction. But quite hard to maintain given all the angles and open spaces. The art collection inside is nice to walk around when in Paris. Always a place to visit again, when there.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
The Musée d’Orsay. One of my favourite museums. Not only for its architecture, but also for their collection of impressionist paintings. Here school kids, drawing in front of them.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
The Notre Dame in Paris before the fire. A view from the quay toward the Île de la Cité. From a walk along the river, the third I took at almoste the same point. The previous ones I published yesterday and the day before yesterday, showing bridge arches.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
The Notre Dame in Paris before the fire. The bridge arch offers a template on a sunny Winter morning. The first shot in a set of shots of three. The second I published yesterday.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
The Notre Dame in Paris before the fire. The bridge arch offers a template on a sunny Winter morning. Earlier published but a bit adjusted. This is the second shot in a set of three. The first one will be on tomorrow, the third the day after.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
One from the archives, 32 years ago. A street photo of a smoking sunglass wearing young woman in front of the Trevi Fountain in Rome.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Lens Artist’s Photo Challenge 414 looks back at challenge 44: Harmony. One from the archives, 32 years ago. The Trevi Fountain – without water – in Rome.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Lens Artist’s Photo Challenge 414 looks back at challenge 44: Harmony. One from the archives, 32 years ago. The fountain at the Piazza d’Aracoeli, at the bottom of the stairs to the Piazza di Campidoglio, Capitol Hill in Rome.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
The front of the Reichstag. A visit was on the top of my list. In 1989 the Berlin Wall was right next to the building; and since 1989 this area was completely developed. So we booked a visit to the dome. On this photo I left the dome out consciously. I wanted to have an image like the building looked in November 1989 below.
The history of the Reichstag is connected to my hometown and Leiden. In 1933 Marinus van der Lubbe was accused, tried and sentenced by the Nazi-regime for setting fire to the building. He was born in Leiden en lived in Oegstgeest, as did his family.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version. The monochrome photo of 1989 was shot with Nikon F301 on Kodak TriX.
Brandenburger Gate (Brandenburger Tor) in Berlin was an iconic point at the time of the Berlin Wall (Berliner Mauer). The gate then stood in no mans land, and showed the alienating effects of division through the city. Now the Brandenburger Gate is a symbol of unity of Berlin. It was a pleasure to walk through the gates, and enjoy the people and streets around it. And the see the gate back at its splendor.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
The monochrome set of 1989 was shot with Nikon F301 on Kodak TriX. The colorfilm was Fuji, and shot on Pentax Espio 115M. 2025 photos shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the pictures for a larger version.
This week’s Lens-Artists Photo Challenge #361 is ‘Doors revisited’. That theme was also the brief for LAPC #20. A door is a pass way to another space behind it. That space can be something we know already. Or something we like to imagine to see there when we go through. And in books you can end up in another world. In this post a few doors I met in my life. One I used for a long time, most I just passed by or passed through on holidays.
The word ‘doors’ for me is also linked to the band The Doors. The name of the band came from a book by Aldous Huxley, The doors of perception. And Huxley took it from William Blake, who used it as a metaphor:
“If the doors of perception were cleansed every thing would appear to man as it is, Infinite. For man has closed himself up, till he sees all things thro’ narrow chinks of his cavern . Doors lead you to another side or space, break on through to the other side.”
‘Break on through to the other side’ became the title of a Doors’ song.
So a lot can be said about doors. Luckily, we still have the photos. Here are a few from my conscious memory.
This is the front door to the house I was born and lived in for 25 years. The photo is shot on Ilford XP with a Pentax K1000.
This door in Caylus is ready to be knocked. Shot on Nikon D70.
I looked through my archive. It struck me that lots of the doors I saw there are doors of small or bigger churches. This one is on Karpathos. Shot on Nikon D70.
Another church door on Karpathos, shot on Kodak TriX with Nikon F90.
A chapel door in Lesbos, also shot on Nikon D70.
Lens-Artists Photo Challenge #359 is ‘Tools of Photo Compositions: Lines, Colors and Patterns’.
Long leading lines, nice shapes etc are pretty obvious to use when building a nice frame. But what about chaos? Can that be appealing too? A field with spiderwebs, wet by the fog. A photo from almost 30 years ago, taken in Brittany at St. Samsom-sur-Rance, near Dinan. To see it at its best, click the photo please.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
Lens-Artists Photo Challenge #359 is ‘Tools of Photo Compositions: Lines, Colors and Patterns’.
The harbor of Le Conquet at low tide during sunset, as equestrians pass by. To say I was surprised when I spotted the horses, is an understatement.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
France – Morbihan, Questembert – August 1996
Lens-Artists Photo Challenge #359 is ‘Tools of Photo Compositions: Lines, Colors and Patterns’.
The dreamy field with freshly pressed straw rolls offers a nice challenge. It is an opportunity to create something that makes sense in images. The idea that they actually roll. Near Questembert in the Morbihan region of Brittany.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
Lens-Artists Photo Challenge #359 is ‘Tools of Photo Compositions: Lines, Colors and Patterns’.
A local railway track, disappearing in the fog. A photo from almost 30 years ago, taken in Brittany at St. Samsom-sur-Rance, near Dinan.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
The temple of Horus at Edfu in Egypt. A quick backflash.
The B4 retouch series
I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
Shot with Nikon F90 on KodakTriX, scanned from film and edited using Snapseed, GrainLab and Marksta. Click the picture for a bigger version.
This week’s Lens Artitsts Photo Challenge (#321) is Intentional Camera Movement (ICM). These photos are from a workshop in 1997 in France, where we had to create movement with a low shutter speed while following the subject. Basically a fun excercise but done on film. So the result literally came to light after developing the film. The excitement and anxiety about the possible results were out of scale! Patience.
These film archives are the source of my B4 retouch series.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed andMarksta. Click the picture for a bigger version
The view on the Moltkebrücke over the river Spree on an Autumn morning in November 1989. The world was waiting for the Berlin Wall to open formally. Further upstream the Spree was part of the border between East and West. We are walking towards the transitpoint for foreigners in the Invalidenstrasse (link to interactive map of the former Berlin Wall) to enter East Berlin.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
This obelisk misses his twin, now standing in Paris on the Place de la Concorde, site for a lot of sports during the Paris 2024 Olympics.
The B4 retouch series
I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
Shot with Nikon F90 on KodakTriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version.
A left over from an earlier LAPC ‘balconies’.
The B4 retouch series
I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
Shot with Nikon F90 on KodakTriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version.
LAPC 309 is about balconies. I have to admit that I do not pay special attention to balconies, unless they trigger me as I look around and they catch my eye. I do however ‘collect’ French windows. So occasionally they pop up in a frame. This is one of those, in one of my favourite cities, Paris. From the analogue archive of December 1993.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta . Click the picture for a bigger version.
An old photo of ‘ringsteken’ (if you follow the link you can see some photo’s in action). A traditional activity where horse pulled carriages try to pick off little metal rings from a rope held piece of wood hanging over the road. For lens artists challenge #290 Circular by Wonders.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
The picture was originally shot with Pentax K1000 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
The Efteling is a famous theme park in Kaatsheuvel in Brabant. This is one from a dusty archive, with a negative that could have been a lot better in exposure, but at that time you could not look at the back of the camera to see information for improvement! It shows the rollercoaster Python, circling towards the end of the ride. For lens artists challenge #290 Circular Wonders.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Lens Artists Photo Challenge #270 is ‘on display’. British Museum in London. Again one from the film archive.
The B4 retouch series
I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The picture was originally shot with a Pentax K1000 on Ilford FP4, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Lens Artists Photo Challenge #270 is ‘on display’. These photos were part of an assignment of a photo class in France in 1998.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed andMarksta. Click the picture for a bigger version
Lens Artists Photo Challenge #270 is ‘on display’. Nelson overlooking London on top of his crows nest on Trafalgar Square.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
The picture was originally shot with a Pentax K1000 on Ilford FP4, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
25 years ago I was fortunate to visit Yemen. For this week’s Lens Artists Photo Challenge #263 ‘A face in the crowd’ I will publish some street portraits of that trip. Looking back at old photos can raise questions: what happened to them in those 25 years? Especially now this beautiful country is suffering from a terrible war.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta . Click the picture for a bigger version.
25 years ago I was fortunate to visit Yemen. For this week’s Lens Artists Photo Challenge #263 ‘A face in the crowd’ I will publish some street portraits of that trip. Looking back at old photos can raise questions: what happened to them in those 25 years? Especially now this beautiful country is suffering from a terrible war.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta . Click the picture for a bigger version.
25 years ago I was fortunate to visit Yemen. For this week’s Lens Artists Photo Challenge #263 ‘A face in the crowd’ I will publish some street portraits of that trip. Looking back at old photos can raise questions: what happened to them in those 25 years? Especially now this beautiful country is suffering from a terrible war.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta . Click the picture for a bigger version.
