Ending the year in the UK, a roadside view from the car over a foggy Norfolk countryside. Hence the sharpness is not optimal.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta Click the picture for a larger version
Ending the year in the UK, a roadside view from the car over a foggy Suffolk countryside. Hence the sharpness is not optimal. This is another one I used GrainLab to put in an analogue grain feeling. It softened the darks and gave the photo a more balanced view in the highlights. Snapseed tends to distort big surfaces in the sky, and this is a nice retouch effect to repair that.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta Click the picture for a larger version
Ending the year in the UK, a roadside view from the car over a foggy Suffolk countryside. Hence the sharpness is not optimal. This is the first time I used GrainLab to put in an analogue grain feeling. It softened the darks and gave the photo a more balanced view in the highlights. Snapseed tends to distort big surfaces in the sky, and this is a nice retouch effect to repair that.
Shot with iPhone 15 Pro Max edited using Snapseed, GrainLab and Marksta Click the picture for a larger version
Leann Cole suggested ‘tourist attractions, near and far’ as LAPC’s 307. My motivation for going to places changed in my life time. From ‘active’ holidays (including climbing some big mountains by bycicle) to complete leisure (eg seeing the Greek Isles with lots of lazy moments). And in between the travels to dig into the culture and essence of a place on earth, to learn and experience it. But wherever I went as a ‘photographer’ I tried to capture where I was. To be stunned by what is just there in front of you, the unexpected. And yes, the times I did visit an ‘iconic attraction’ I tried to find my own way of framing it, trying to keep away form the cliches that are so widely known. For this challenge I dig into my blogs archive, all the photos are here published already.
Over the years I learned to value and appreciate my own way of looking, being surprised by my own views of what I saw and how I saw it. To appreciate simple things of beauty that stuck out or the composition of objects. If you travel far, you are only there for a moment, if you stay close to home you have access all of the time. But being close to home the challenge is bigger to stay open, to see what is there, to not take it for granted.
After the ‘near’ version yesterday, today is the ‘far’ version. My blog archive here goes back to 2018 so that is de scope of picking. I started picking them in a big gallery, and doing that it got quite big. But I leave it as it is. I hope you bear with me and browse through them.
You can see randomly photos from England, Greece, France, Germany (some are from Berlin in november 1989), Egypt, Turkey, Yemen, Tibet, Nepal, Belgium, Ireland, Malta, Italy (Rome), Spain. Occasionally you wil see an iconic object, but most of the time I was there for the landscape, the street encounters, nature etc. And I cheated a bit: there are some photos of Tourist Attractions from far that came to Amsterdam in the Ziggo Dome: Genesis and Peter Gabriel.
I hope you do enjoy the gallery, and if you want to plunge deep into more of it I invite you to search by category or countries if you are interested in more.
The outside terrace of The Parrot in Forest Green/Dorking.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
A pub, one of the best places for community connections (connect LAPC 303).
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Reading a book on a bench, looking up and seeing this makes a monochrome fan jump. (connect LAPC 303)
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The best way to explore and connect is to walk around and be surprised with what is in view! It’s the best way to connect to a town for me (LAPC 303)
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A bench in the lazy shade offers a view, looking up to see the top and roofs of the houses. It’s a way to connect to a town for me (LAPC 303)
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A walk through Horsham starts here.
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Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
The view from the outside terrace of The Parrot in Forest Green/Dorking.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Murphy, a Showstopper. He is quite a showman himself, adorable and so cute. Never stops playing until he falls over.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
An approach of any plane over a motorway strikes me always with a little anxiety. Not it will crash but the opportunity to have a nice shot at it.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
Shot with iPhone 13 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
Entering the city of Dover from inland offers a beautiful view on the harbor.
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The theme for this week’s Lens Artists Challenge #286 is ‘Weather’.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
Sea view.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
A ferry passes an anchored cargoship in the Channel. For LAPC #285 ‘warm colors’.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
The Channel from the England/Kent side, two ships catching up in the reflection of the sunlight. For LAPC #285 ‘warm colors’.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
A view from the Kingsdown cliffs. A powerline cuts the image.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
A view from the Kingsdown cliffs up north.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
The cliffs at Kingsdown at noon for LAPC #284 ‘day&night’.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
The Channel from the coast of Kent at Walmer for LAPC #284 ‘day&night’. Start of the morning.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
Dusk at Walmer for LAPC #284 ‘day&night’.
Shot with iPhone 13 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
The week towards Christmas there was a beautiful light event in the grounds of Walmer Castle, with a lighted installation that made sounds like tubular bells. A visit in the early evening for LAPC #284 ‘day&night’.
Shot with iPhone 13 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
The light on the corner with the low lights of Deal in the background. Imagine the sound of the Channel in the background LAPC #284 ‘day&night’.
Shot with iPhone 13 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
Deal‘s pier.
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Deal‘s The Royal Hotel reflecting in the wet pavement.
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Deal at a rainy night after Xmas.
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… For wanting things that can only be found
In the darkness on the edge of town
Bruce Springsteen – Darkness on the edge of town
An alley in Deal for LAPC #283 ‘quote or poem’.
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How I wish, how I wish you were here
(…)
Wish you were here
Wish you were here – Pink Floyd
The sea front of Deal for LAPC #283 ‘quote or poem’. It is easy to miss someone or something.
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A house on a street in Deal.
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I pictured a rainbow
You held it in your hands
I had flashes
But you saw the plan
I wandered out in the world for years
While you just stayed in your room
I saw the crescent
You saw the whole of the moon
The whole of the moon
The Waterboys – Whole of the moon
The moon over The Channel for LAPC #283 ‘quote or poem’.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
The Channel under a silver moon for LAPC # 283 ‘dramatic’.
aShot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
An old house on Queen Street in Deal, for LAPC #283 ‘dramatic’.
aShot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
The moon over the Channel. ForLAPC # 283 ‘dramatic’.
Shot with iPhone 13 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.
The moon over the Channel with two anchored ships on the horizon. ForLAPC # 283 ‘dramatic’.
Shot with iPhone 13 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.
The Channel at dusk for LAPC # 283 ‘dramatic’.
aShot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
A dark rain sky as a backdrop for LAPC # 283 ‘dramatic’.
aShot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
Old garden furniture, showing the effects of wind and weather for LAPC # 283 ‘dramatic’.
Shot with iPhone 13 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.
Shot with iPhone 13 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.
Shot with iPhone 13 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.
The moon is up over an off shore supply vessel.
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Arriving by LeShuttle (formerly known as Eurotunnel) and passing through Dover to catch a different glimpse of the famous white cliffs.
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A view up north towards Deal.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
St. Margaret’s Bay, seeing the ferries to and from Dover.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
What's (in) the Picture? 