LAPC 309 is about balconies. I have to admit that I do not pay special attention to balconies, unless they trigger me as I look around and they catch my eye. I do however ‘collect’ French windows. So occasionally they pop up in a frame. This is one of those, in one of my favourite cities, Paris. From the analogue archive of December 1993.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta . Click the picture for a bigger version.
The Kurhaus is an old style hotel in Scheveningen. It is the only left over of the historical sea facade. The rest was demolished, and replaced with high rising concrete cubes.
The beach of Scheveningen, a few hours before sunset. The hour before sunset is always a kind of holy grail for photographers, but at about three hours before sunset the light over sea starts to change dramatically. The domain of gulls, flying around over the beach restaurants, scavaging for food, lit up against a backdrop of golden rays.
The Pier of Scheveningen, blocked out by a fence that is erected to work on the boulevard. A weird composition of lines, colours and objects, filled in with some gulls. And I do like the lamp post.
The Netherlands, Scheveningen – June 2024 (top) The Netherlands, Katwijk aan Zee – June 2024 (bottom)
LAPC 308 is about perfect pairs, by creating a diptych (two images placed in proximity to one another, forming a pair). Every self respecting town and village needs a ferris wheel.
The basin of an old watertower against the sky. It is not the nicest of buildings, but somehow it draws my attention when I see it. Last year I published its head in color, this time I choose for mono.
Lines in the sky seen from one of the most beautiful frames for pictures in The Netherlands: a train window offering a beautiful frame with always changing content in it.
A rose is a rose is a rose, someone wrote that a long time ago. But it is still true, each rose is unique. So much symbolism and sweetness in a picture. The garden offers them in abundance this year.
The A12 motorway leading into Den Haag downtown. You have to get into town to get out of the car, a free wording of a slogan used in the sixties and later in a beautiful Genesis song ‘Carpet Crawlers’ (the link to the Ray Wilson/Steve Hackette live version of 2014 in the Royal Albert Hall)
Allium is one of our favorite bulbflowers in the garden. I present it as a twin set of mono next to color. Each version brings out different qualitaties in the flower I think, but that is of course subjective.
A wet garden at night. And by the way, I love that WordPress AI generating amazing titles that I can not come up with. I stick with them as long as they make me smile. Nocturnal, sounds like a great piece of music.
LAPC #306 is ‘habitat’. As humans we share the earth with lots of natural life, we share habitats (the human home, the natural ecosystem), we co-exist. Our relation with earth is not balanced. It tilts favorably towards the human interest, disrupting the natural habitats of many. If we as humans do not change our relationship with earth, then humanity kills itself, leaving a planet to recover from being abused. Not survival of the fittest, but termination of the dumbest.
A Heron, sitting on a lamppost, overlooking the articificial canal, as a cyclist uses a cycling path in the background.
Architecture can be beautiful in full color as well in monochrome. In ‘twins’ I show the monochrome twin of the color shot at the Kop van Zuid in Rotterdam. The fift and last set is again New Orleans.
Architecture can be beautiful in full color as well in monochrome. In ‘twins’ I show the monochrome twin of the color shot at the Kop van Zuid in Rotterdam. The fourth set is New Orleans.
Architecture can be beautiful in full color as well in monochrome. In ‘twins’ I show the monochrome twin of the color shot at the Kop van Zuid in Rotterdam. The third set is the Montevideo.
Architecture can be beautiful in full color as well in monochrome. In ‘twins’ I show the monochrome twin of the color shot at the Kop van Zuid in Rotterdam. The second set is an old elevator at the Rijnhaven.
Architecture can be beautiful in full color as well in monochrome. In ‘twins’ I show the monochrome twin of the color shot of the high risings in Rotterdam on the Kop van Zuid in Rotterdam. The first set is De Rotterdam by Rem Koolhaas.
LAPC challenge #305 is about composition: two rectangles as a play tool to frame a photo. Sometimes you get lots more than two, which adds to another aspect of composition: repetition. Not sure if this qualifies as a valid entry, but I do like the building. This is De Rotterdam by Rem Koolhaas.