Thinking in the Rain
Winter rain and a bronze statue.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
Posts from the ‘nikon’ category
Growing Up
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
Growing Up Magnolia 2
I started documenting the Magnolia, taking a photo a day from the kitchen window. Here is the second gallery.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
Python
The Efteling is a famous theme park in Kaatsheuvel in Brabant. This is one from a dusty archive, with a negative that could have been a lot better in exposure, but at that time you could not look at the back of the camera to see information for improvement! It shows the rollercoaster Python, circling towards the end of the ride. For lens artists challenge #290 Circular Wonders.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Growing Up Magnolia
I started documenting the Magnolia, taking a photo a day from the kitchen window. Here is a first gallery.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
Water Watcher
A familiar sight in the neighborhood. He never looks good on iPhone but now on Nikon the details of his feathers are quite impressive.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
Seafront Silhouette
The theme for this week’s Lens Artists Challenge #286 is ‘Weather’.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
Moving the Posts
Sea view.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
Just Passing
A ferry passes an anchored cargoship in the Channel. For LAPC #285 ‘warm colors’.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
Catching Up
The Channel from the England/Kent side, two ships catching up in the reflection of the sunlight. For LAPC #285 ‘warm colors’.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
Division Line
A view from the Kingsdown cliffs. A powerline cuts the image.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
Kingsdown Beach
A view from the Kingsdown cliffs up north.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
Kingsdown Beach and Cliffs
The cliffs at Kingsdown at noon for LAPC #284 ‘day&night’.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
Shipping Lane
The Channel from the coast of Kent at Walmer for LAPC #284 ‘day&night’. Start of the morning.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
The whole of the moon
I pictured a rainbow
You held it in your hands
I had flashes
But you saw the plan
I wandered out in the world for years
While you just stayed in your room
I saw the crescent
You saw the whole of the moon
The whole of the moon
The Waterboys – Whole of the moon
The moon over The Channel for LAPC #283 ‘quote or poem’.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
Moon Night
The Channel under a silver moon for LAPC # 283 ‘dramatic’.
aShot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
Deal
An old house on Queen Street in Deal, for LAPC #283 ‘dramatic’.
aShot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
Dusk
The Channel at dusk for LAPC # 283 ‘dramatic’.
aShot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
Gull
A dark rain sky as a backdrop for LAPC # 283 ‘dramatic’.
aShot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
View on Deal Pier
A view up north towards Deal.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
St. Margaret’s Bay
St. Margaret’s Bay, seeing the ferries to and from Dover.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
A Brand New Day
The start of a brand new year, the first day with 365 following, given this is a leap year. A calm sea, the light breaking into the waves, painting a gorgeous sky in the clouds. It’s all in the details. The small boat heading out to a new port of call.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
On the edge of 2023
2023 is in its final day, tomorrow opens a brand new year. Not a complete blank canvas, but one with lots of room and opportunities for new initiatives, changes, life! I wish you a wonderful new year in freedom, as a gull on his wings soaring the sea and land. Carpe diem!
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
Hill of Slane
Some photos do not fit the LAPC’s themes, so there is a rest category ‘last chance’ being #280. I never am guided by the themes in the photos I shoot. Some fit in, some don’t. But I never know the theme while shooting. Here is one from the archive I recently stumbled upon, never published.
Slane Hill in Ireland. Close to Slane Castle castle that is famous among other historical facts, for being the recording site for U2’s The unforgettable fire’ in 1984. And famous open air concerts.
Outside the village is The Hill of Slane with a small old ruined chapel, a ruined monastery and a graveyard, overlooking the landscape and the river Boyne.
The most interesting place is a small hill with undergrowth right behind the site, from which this photo was taken.
shot with Nikon D70, edited using Snapseed and Marksta. Click the picture for a larger version.
Elgin Marbles
These sculpture (nicknamed The Elgin Marbles) are originally from the Parthenon in Athens. Lord Elgin supposedly bought them from the Ottomans, who occupied the present Greece at that moment. The Greek try to return these marbles for decades, the UK government refuses, saying it’s British heritage. Last week a meeting of the UK prime minister with the prime minister of Greece was cancelled, after the Greek PM reiterated the ownership of the marbles. How mesmerizing and wonderful must it be to see these ornaments in the place they belong, on top of the Acropolis over Athens.
The lens artists photo challenge #278 is ‘unique’.
shot with Nikon D70, edited using Snapseed and Marksta. Click the picture for a larger version.
On display
Lens Artists Photo Challenge #270 is ‘on display’. These photos were part of an assignment of a photo class in France in 1998.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed andMarksta. Click the picture for a bigger version
On display
Lens Artists Photo Challenge #270 is ‘on display’. A window display and street display of a shop in Naarden, The Netherlands.
shot with Nikon D70, edited using Snapseed and Marksta. Click the picture for a larger version.
On display
Lens Artists Photo Challenge #270 is ‘on display’. A photo from Arundale Castle.
shot with Nikon D70, edited using Snapseed and Marksta. Click the picture for a larger version.
Swans
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
Faces of Yemen 1998
25 years ago I was fortunate to visit Yemen. For this week’s Lens Artists Photo Challenge #263 ‘A face in the crowd’ I will publish some street portraits of that trip. Looking back at old photos can raise questions: what happened to them in those 25 years? Especially now this beautiful country is suffering from a terrible war.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta . Click the picture for a bigger version.
Faces of Yemen 1998
25 years ago I was fortunate to visit Yemen. For this week’s Lens Artists Photo Challenge #263 ‘A face in the crowd’ I will publish some street portraits of that trip. Looking back at old photos can raise questions: what happened to them in those 25 years? Especially now this beautiful country is suffering from a terrible war.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta . Click the picture for a bigger version.
Faces of Yemen 1998
25 years ago I was fortunate to visit Yemen. For this week’s Lens Artists Photo Challenge #263 ‘A face in the crowd’ I will publish some street portraits of that trip. Looking back at old photos can raise questions: what happened to them in those 25 years? Especially now this beautiful country is suffering from a terrible war.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta . Click the picture for a bigger version.
Faces of Yemen 1998
25 years ago I was fortunate to visit Yemen. For this week’s Lens Artists Photo Challenge #263 ‘A face in the crowd’ I will publish some street portraits of that trip. Looking back at old photos can raise questions: what happened to them in those 25 years? Especially now this beautiful country is suffering from a terrible war.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta . Click the picture for a bigger version.
Faces of Yemen 1998
25 years ago I was fortunate to visit Yemen. For this week’s Lens Artists Photo Challenge #263 ‘A face in the crowd’ I will publish some street portraits of that trip. The first is from Kaukaban. Looking back at old photos can raise questions: what happened to them in those 25 years? Especially now this beautiful country is suffering from a terrible war.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta . Click the picture for a bigger version.
Swan and Fisherman
Lens Artists Weekly Photo Challenge #262 is ‘framing’. This is Burton Mill Pond in West Sussex.
shot with Nikon D70, edited using Snapseed and Marksta. Click the picture for a larger version.
Paris 2003: watching gulls go by
This week LAPC #260 is ‘overlooked’. Taking the word literally, one from the film archives. One of the ponds in Les Tuileries in Paris, looking at the small arch and the Louvre.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta . Click the picture for a bigger version.
Stray Dog having a Break
This week LAPC #259 is ‘unbound’. A stray dog takes a break in the shadows at the temple of Kom Ombo.
The B4 retouch series
I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed. Shot with Nikon F90 on KodakTriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
Karnak 2002
This week LAPC #254 is ‘spiritual places’. The temple at Karnak. The human measure.
The B4 retouch series
I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed. Shot with Nikon F90 on KodakTriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
Stonehenge Analogue
This week LAPC #254 is ‘spiritual places’.
- The B4 retouch series
- I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed. Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
Shot with Nikon D70, edited using Snapseed and Marksta. Click the picture for a larger version.
Stonehenge Digital
England, Stonehenge – August 2006
This week LAPC #254 is ‘spiritual places’. In August 2006 I was lucky to visit the inside of Stonehenge at sunrise. It was rather cloudy but it was a beautiful experience to be within the circles of stone, without crowds of people around.
Shot with Nikon D70, edited using Snapseed and Marksta. Click the picture for a larger version.
Hill of Tara and Stone of Scone and Coronation Chair
The Hill of Tara was the location for the inauguration of the High Kings of Ireland. The candidate should lay his hand on the stone, and if earth roared in acceptance, the candidate should be King. The present stone is not the original one. The original Lia Fáil (Irish for “stone of destiny”) used at Tara for inaugurating the High Kings of Ireland, was taken by the King of Scotland and move to Scone. In 1296, during the First Scottish War of Independence, King Edward I of England took the stone as spoils of war and removed it to Westminster Abbey, where it was fitted into a wooden chair – known as the Coronation Chair or King Edward’s Chair – on which most subsequent English and then British sovereigns have been crowned. For the full story I refer to Wikipedia’s Stone of Scone.
shot with Nikon D70, edited using Snapseed and Marksta. Click the picture for a larger version
Morning Flight 3
At sunrise on the marshes at Blakeney. The weekly theme for LAPC #237 is ‘bringing softness’. I pulled the camera following a flight, coming in towards the rising sun, and here coming into the light.
Here is morning flight 1, here is morning flight 2. And if you follow my blog you have seen the photo of the same flock after they passed the sun ‘winter sunrise over the marshes’.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
Morning Flight 2
At sunrise on the marshes at Blakeney. The weekly theme for LAPC #237 is ‘bringing softness’. I pulled the camera following a flight, coming in towards the rising sun. Here is morning flight 1.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
Morning Flight
At sunrise on the marshes at Blakeney. The weekly theme for LAPC #237 is ‘bringing softness’. How sweeter can it get?
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
Walk the Dog
At sunrise on the marshes at Blakeney.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
Sunrise over Marshes
Sunrise over the marshes near Blakeney.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
Marshes at Sunrise
Sunrise over the marshes near Blakeney.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
Dog Walk
Dog walk at sunrise on the marshes near Blakeney.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
Blakeney Point
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
On the Wing
New Year’s Day, geese on the wing over the marshes near Blakeney.
Shot with Nikon D500, edited using Snapseed and Marksta. Click the picture for a bigger version.
What's (in) the Picture? 