About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
Mona Lisa is one of the most famous and genius works of art in the world. I was lucky to view it for the first time when the Louvre was not modernized. On a Monday morning in February 1984 me and a friend were the only persons in the room to admire her mysterious smile. In 2008 I saw her again from a distance, in a sea of pressing people, holding up phones and camera’s to get a glimpse of her. I have not been there since, but I can imagine what it must look like on a normal day before the pandemic. A wave of smartphones will be raised towards her, in a never ending stream of people on visiting times of the Louvre. Apparently 80% of the visitors of the Louvre come to see her.
I read in an article that at present people seek personal attention in combination with important objects and/or moments. A selfie is the instrument to gain that attention on Instagram or Twitter or Facebook or Tiktok. Mona Lisa/Lisa Gherardini never wanted that attention, a brilliant artist painted her portrait. And the rest is history. She must feel lonely now, no one is coming to see her. Or is she finally getting her well deserved rest.
The B4 retouch series I browsed my archive for pictures to publish. All of them are not completely retouched yet. Scratches, dust and stains are not removed.
The picture was originally shot with a Pentax K1000 on Ilford FP4, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
About the B4 retouch series: I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
What's (in) the Picture? 