Japanese Anemone
To close the series of the Japanese Anemone, a last one in color.
Shot with Nikon Zf, edited using Snapseed and Marksta. Click the picture for a larger version.
To close the series of the Japanese Anemone, a last one in color.
Shot with Nikon Zf, edited using Snapseed and Marksta. Click the picture for a larger version.
I like monochrome photography for many reasons. One of them is the ability to play with the mood in the photo. Just by adjusting the aperture time or the opening of the lens, the same light delivers a different mood. This one and the photo I published yesterday, were shot on the same day.
Lens- Artist Challenge #364 is ‘Quiet Moment’. Close ups of natural beauty are a wonderful instrument to just be quiet, enjoying the view. And to realize all is connected.
Shot with Nikon Zf, edited using Snapseed and Marksta. Click the picture for a larger version.
Lens- Artist Challenge #364 is ‘Quiet Moment’. Close ups of natural beauty are a wonderful instrument to just be quiet, enjoying the view. And to realize all is connected.
Shot with Nikon Zf, edited using Snapseed and Marksta. Click the picture for a larger version.
Lens- Artist Challenge #364 is ‘Quiet Moment’. A bicycle ride to clear the head. Seeing the bulbs for Spring being planted.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
The aim is to get up into the light and find your place among the rest of the garden.
Shot with Nikon Zf, edited using Snapseed and Marksta. Click the picture for a larger version.
The Japanese Anemone in the front garden at close look.
Shot with Nikon Zf, edited using Snapseed and Marksta. Click the picture for a larger version.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
Incoming flights can be annoying, on the other hand they offer a dynamic photo subject!
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
Meet the edge of the polder, the dyke.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
During the Summer we see much more incoming traffic to Schiphol Amsterdam. Quite annoying actually, every minute a plane coming in. During day time they approach just over 600 meters, but in the evening they fly in from 1000 meters. When the wind turns West again in Autumn it will be over. However, who enjoys sitting in his garden in Autumn rain?
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
The morning sun reflecting the drops of rain that the night left behind.
Shot with Nikon Zf, edited using Snapseed and Marksta. Click the picture for a larger version.
A long dry Summer with a garden begging for rain.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
On a warm Summer’s day, there are traffic jams on the canal.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.
This is the famous Cley windmill at Cley next the sea. It’s by far the best name for a coastal village. Interestingly, it actually does not have a sea front. The mill was owned by the family of James Blunt.
Shot with Nikon Zf, edited using Snapseed and Marksta. Click the picture for a larger version.
A plant in the front garden offers months of beauty in the sunlight of the morning sun. Using the portrait mode of the iPhone results in ‘hovering’ effects of parts of the plant that seem now unattached.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
A plant in the front garden offers months of beauty in the sunlight of the morning sun.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
The garden of castle De Keukenhof.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
In Spring this field produces either hyacinths, daffodils or tulips. In Summer this year it produces Dahlia.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.

The garden of castle De Keukenhof.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version







The Netherlands, Lisse – August 2025
In Summer the garden of castle De Keukenhof is filled with beautiful Dahlia’s.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
This week’s Lens-Artists Photo Challenge #361 is ‘Doors revisited’. That theme was also the brief for LAPC #20. A door is a pass way to another space behind it. That space can be something we know already. Or something we like to imagine to see there when we go through. And in books you can end up in another world. In this post a few doors I met in my life. One I used for a long time, most I just passed by or passed through on holidays.
The word ‘doors’ for me is also linked to the band The Doors. The name of the band came from a book by Aldous Huxley, The doors of perception. And Huxley took it from William Blake, who used it as a metaphor:
“If the doors of perception were cleansed every thing would appear to man as it is, Infinite. For man has closed himself up, till he sees all things thro’ narrow chinks of his cavern . Doors lead you to another side or space, break on through to the other side.”
‘Break on through to the other side’ became the title of a Doors’ song.
So a lot can be said about doors. Luckily, we still have the photos. Here are a few from my conscious memory.
This is the front door to the house I was born and lived in for 25 years. The photo is shot on Ilford XP with a Pentax K1000.
This door in Caylus is ready to be knocked. Shot on Nikon D70.
I looked through my archive. It struck me that lots of the doors I saw there are doors of small or bigger churches. This one is on Karpathos. Shot on Nikon D70.
Another church door on Karpathos, shot on Kodak TriX with Nikon F90.
In Spring this field produces either hyacinths, daffodils or tulips. In Summer this year it produces Dahlia.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.


I have a fondness for black and white aka monochrome. That grew on me. Mono was cheaper 50 years ago and more ‘easy’ to handle in a dark room. Monochrome gives something extra at times. The sphere, the grain. And over all these years I learned to see objects in monochrome, visualizing what something looks like in grays.
When I bought my first Nikon digital camera (the D70), I naively asked ‘where is the monochrome setting?’. It was not there. Shooting was color only. If I wanted mono I had to create it myself afterwards in Lightroom, Photoshop or an app like Snapseed. But lucky for me, on the iPhone and on the recent Nikon Zf, there are monochrome settings. To be honest, that was one of the reasons to buy a Zf. So now I have a choice: choose a mono or color setting, or turn color afterward turn it into mono.
I know the taste of my ‘audience’ is different than mine. In three days I like to find out more about your taste. What do you fancy more: a photo in mono or in color?
This third and last one is about flowers, waiting for the recycle bin. The photo was shot in color.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.


I have a fondness for black and white aka monochrome. That grew on me. Mono was cheaper 50 years ago and more ‘easy’ to handle in a dark room. Monochrome gives something extra at times. The sphere, the grain. And over all these years I learned to see objects in monochrome, visualizing what something looks like in grays.
When I bought my first Nikon digital camera (the D70), I naively asked ‘where is the monochrome setting?’. It was not there. Shooting was color only. If I wanted mono I had to create it myself afterwards in Lightroom, Photoshop or an app like Snapseed. But lucky for me, on the iPhone and on the recent Nikon Zf, there are monochrome settings. To be honest, that was one of the reasons to buy a Zf. So now I have a choice: choose a mono or color setting, or turn color afterward turn it into mono.
I know the taste of my ‘audience’ is different than mine. In three days I like to find out more about your taste. What do you fancy more: a photo in mono or in color?
This second one is about sky. Always there, lots of it. In color it can be blue, white, gray, dark. In mono it delivers whites, grays and dark zones. In mono the image changes it seems. An abstract sky can turn into something mysterious. The photo was shot in color.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.


I have a fondness for black and white aka monochrome. That grew on me. Mono was cheaper 50 years ago and more ‘easy’ to handle in a dark room. Monochrome gives something extra at times. The sphere, the grain. And over all these years I learned to see objects in monochrome, visualizing what something looks like in grays.
When I bought my first Nikon digital camera (the D70), I naively asked ‘where is the monochrome setting?’. It was not there. Shooting was color only. If I wanted mono I had to create it myself afterwards in Lightroom, Photoshop or an app like Snapseed. But lucky for me, on the iPhone and on the recent Nikon Zf, there are monochrome settings. To be honest, that was one of the reasons to buy a Zf. So now I have a choice: mono or color.
I know the taste of my ‘audience’ is different than mine. In three days I like to find out more about your taste. What do you fancy more: a photo in mono or in color?
This is the famous Cley windmill at Cley next the sea. It’s by far the best name for a coastal village. Interestingly, it actually does not have a sea front. The mill was owned by the family of James Blunt. The photo was shot in color.
Shot with Nikon Zf, edited using Snapseed and Marksta. Click the picture for a larger version.
And another update from the garden: the Magnolia is doing superb this year. Let’s hope the abundance of green in leaves will lead to an abundance of flowers next Spring.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.
This year we try to grow tomatoes and cucumbers in the garden.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.
And yes, another sunset. Well, they come around every day. This one is a golden gem.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.
The delicious ending of a wonderful dinner.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
One can not take enough photos of sunsets.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
This week’s Lens-Artists Photo Challenge #359 is ‘Tools of Photo Compositions: Lines, Colors and Patterns’. Photography is about seeing. But what do you see? I can only talk for myself. It all starts with an appeal. Something in the real world captures my eyes. Most of the times that is spontaneous. It is about being there in the moment. What I visualize tells me a story, a small whisper, ‘come, shoot me! It’s fun’. And when building the photo lines, patterns, colors (or monochrome tones) are tools to try to bring that story out. And then the shutter clicks. My photo’s are my story of the world. My way of giving ‘voice’ to something that made me press the shutter, that reflects inside me. Yet, my click with the image can be totally different than the click of the observer.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
Lens-Artists Photo Challenge #359 is ‘Tools of Photo Compositions: Lines, Colors and Patterns’.
A sunset over the Galgenwater in Leiden. A warm Summer night, with lots of boats cruising the canals. In the background the replica of the windmill of Rembrandt van Rijn’s father.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
Lens-Artists Photo Challenge #359 is ‘Tools of Photo Compositions: Lines, Colors and Patterns’.
Long leading lines, nice shapes etc are pretty obvious to use when building a nice frame. But what about chaos? Can that be appealing too? A field with spiderwebs, wet by the fog. A photo from almost 30 years ago, taken in Brittany at St. Samsom-sur-Rance, near Dinan. To see it at its best, click the photo please.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
Lens-Artists Photo Challenge #359 is ‘Tools of Photo Compositions: Lines, Colors and Patterns’.
The harbor of Le Conquet at low tide during sunset, as equestrians pass by. To say I was surprised when I spotted the horses, is an understatement.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version


France – Morbihan, Questembert – August 1996
Lens-Artists Photo Challenge #359 is ‘Tools of Photo Compositions: Lines, Colors and Patterns’.
The dreamy field with freshly pressed straw rolls offers a nice challenge. It is an opportunity to create something that makes sense in images. The idea that they actually roll. Near Questembert in the Morbihan region of Brittany.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
Lens-Artists Photo Challenge #359 is ‘Tools of Photo Compositions: Lines, Colors and Patterns’.
A local railway track, disappearing in the fog. A photo from almost 30 years ago, taken in Brittany at St. Samsom-sur-Rance, near Dinan.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
Tram station Prinses Beatrixlaan.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
One of my favorite bands is Genesis. In 1976 A Trick of the Tail came out with a beautiful song ‘Mad Man Moon’. Last month I tried to take a shot of the moon using my iPhone. And this is the result.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
And the sun also rises in gold on a Summer morning. And when you shoot it in color, it is literally photographer’s gold.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
Summer mornings can sometimes welcome you into a warm, joyful and laid back day. This is one of those days filled with ease. The sun also rises, each day, at more or less the same place. And when you catch it early, it is photographer’s gold.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
Sun shining through the trees on the start of another warm Summer day.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version,
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
We Dutch are often described as being on the penny. Of course, we all wear wooden clogs. We eat stroopwafels all the time. We have a fetish for windmills. And do not forget to accuse us of creating our own country by fighting the sea. We drink to gain courage and let you pay your own meal. Add tulips and other bulb flowers to finish the picture of the Dutch. Oh yes, we are considered rude. We call it ‘direct’.
In the end we sure have a laugh about all that is said about us, Dutchies, worldwide. But if you combine being on the penny with buying flowers, you choose flowers that stay good for weeks: Chrysanthemum. As Johan Cruyff used to say: “every disadvantage, has its advantage”.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version
The iPhone 15 Pro Max is a wonderful clever piece of photographic technology. It is the ideal snap instrument, that is always in my pocket. The quality of the images is improved immensely over the years. And to be honest, I shoot most of my photos with it nowadays. Just because I always have my phone with me. What I still do not like is the quality of images when you use the zoom. This shot is on full zoom and the details disappear. Unfortunately I was not able to move closer at that moment. At these moments I wish I had my Nikon Zf at hand, with a nice long lens.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version.
In The Netherlands, we do grow lots of cut flowers. A lot of them are exported but there is plenty of supply for the domestic market. In our household we have fresh cut flowers every week. Last week we had these big fellows. Gladioli are famous for the saying ‘death or the gladioli’. A Dutch proverb that translates to ‘all or nothing’ or ‘do or die’. Success or failure.
Shot with iPhone 15 Pro Max edited using Snapseed and Marksta Click the picture for a larger version