Autumn: Dark Green
Just at the start of Autumn. The grass was greener.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
Posts from the ‘Monochrome’ category
France 1996: Two Faced Ornament Brittany
A two face ornament in Questembert in the Morbihan region of Brittany. Photos from 30 years ago.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
France 1996: Morning Fog
A field in the morning fog, cobwebs covered in dew lighting up. Photos from 30 years ago, taken in Brittany at St. Samsom-sur-Rance, near Dinan.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version
France 1996: Dinan Brittany
The Rue du Petit Fort in Dinan in Brittany. An old medieval city with a beautiful set of old houses and streets. LAPC #419 is ‘landmarks and monuments’.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version.
Amsterdam 1995: Canal Houses
Amsterdam is famous for its canals, here in the Jordaan, a neighbourhood of Amsterdam. LAPC #419 is ‘landmarks and monuments’.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version.
Amsterdam 1995: Hooks In Row
A street in the Jordaan, a neighbourhood of Amsterdam. The stairs and doorways of these houses are too small to move big items, so they have a hook to hoist big items through the windows.
Amsterdam 1995: Old Meets New
As in more cities around the world, Amsterdam had to decide what architecture should replace demolished old houses. The French have a ‘laissez faire’ approach and are quite bold in it. The Grand Projects of presidents (Centre Pompidou, The Pyramid at the Louvre, Grande Arche) are very modern constructions in an old context. And more cities insert modern architecture in old contexts. Is it a success? Basically it is the eye of the beholder who judges success or failure. Here a photo of old meeting new in the Jordaan, a neighbourhood of Amsterdam. LAPC #419 is ‘landmarks and monuments’.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version.
Amsterdam 1995: Westerkerk
The Jordaan is a neighbourhood of Amsterdam. The most iconic landmark is the Westerkerk. The church is right next door to the Achterhuis where the Frank family hid from Nazi prosecution during World War 2. LAPC #419 is ‘landmarks and monuments’.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version.
Amsterdam 1995: Jordaan
A street in the Jordaan an old neighbourhood of Amsterdam.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version.
Amsterdam 1995: Café de Looier
The Jordaan is a neighbourhood of Amsterdam.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version.
France 1997: Carré d’Art Nîmes
usée Carrée Nîmes
Inside the Carré d’Art in Nîmes.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version.
France 1997: Terrace in Arles
France, Arles – August 1997
A terrace inArles. Everyone has a memory of a terrace I bet.
LAPC #417 is ‘Memories’. Sometimes the LAPC themes coincide with my ‘planning’ for my blog. The last weeks I am looking back into my archive of photographic memories. And this is one of them.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version.
France 1997: Bureau de Tourisme Arles
The Bureau de Tourisme in the Hotel de Ville at the Rencontres d’Arles in 1997. Arles is a beautiful town, with a long history dating back to the Romans. Not only with a famous annual photographic exhibition, but with a rich cultural history.
LAPC #417 is ‘Memories’. Sometimes the LAPC themes coincide with my ‘planning’ for my blog. The last weeks I am looking back into my archive of photographic memories. And this is one of them.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version.
France 1997: Street Scene Arles
A street scene at the Rencontres d’Arles in 1997. Arles is a beautiful town, with a long history dating back to the Romans. And of course Vincent van Gogh lived and worked there for a year and produced a now famous painting of a terrace at night.
LAPC #417 is ‘Memories’. Sometimes the LAPC themes coincide with my ‘planning’ for my blog. The last weeks I am looking back into my archive of photographic memories. And this is one of them.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version.
France 1998: Swan
LAPC #417 is ‘Memories’. In a way freezing images of moments in time is creating and storing a memory. In the analogue time of film the notion of shooting a great set of photos was the first step in a process. The next step was printing it in the darkroom. That was manual labor. And some photos are just not easy to bring out. A big step towards the digital time of now. Software now is amazing, and allows me to create what I could not achieve with my not adequate dark room skills.
So this is a memory of a moment I did not feel too well being harshly told off by a French garage owner to piss off and not bother him trying to shoot photos at his workshop. As part of a course assignment in a workshop.
I walked to the bridge and this swan came down, landing in the river. Majestic. A gift.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version.
France 1998: Fountain Saint-Hippolyte-du-Fort
A night at the town square of Saint-Hippolyte-du-Fort. The fountain in the light of the streetlights.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version.
France 1998: Pétanque St. Hippolyte du Fort
A night at the town square of Saint-Hippolyte-du-Fort. On the edge a game of pétanque is in play.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Shot with Nikon F90 on Kodak TriX, scanned from film and edited using Snapseed and Marksta. Click the picture for a bigger version.
Rome 1997: Trevi Fountain
The Trevi Fountain – in Rome. Nowadays one has to pay an entrance fee to see it, trying to mitigate the amount of visitors. The myth is that you throw a coin over your right shoulder in the fountain, and you wish to come back. That worked for me three times already. Albeit long ago. LAPC #416 is ‘where does this lead?’. Mass tourism in big cities is a problem for the locals.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Rome 1997: Scooter Alley
What is Rome without scooters? LAPC #416 is ‘where does this lead?’.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Rome 1997: Villa Borghese
Rome is build on seven hills, but some hills are not counted in that list. One of the non listed hills is the Pincian Hill, that – like all of them – offers beautiful views over the eternal city. On top of the hill is Villa Borghese and a garden of statues.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Rome 1997: View from Pincian Hill 3
Italy, Rome – September 1997
Rome is build on seven hills, but some hills are not counted in that list. One of the non listed hills is the Pincian Hill, that – like all of them – offers beautiful views over the eternal city.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Rome 1997: View from Pincian Hill 2
Italy, Rome – September 1997
Rome is build on seven hills, but some hills are not counted in that list. One of the non listed hills is the Pincian Hill, that – like all of them – offers beautiful views over the eternal city.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Rome 1997: View From Pincian Hill
Italy, Rome – September 1997
Rome is build on seven hills, but some hills are not counted in that list. One of the non listed hills is the Pincian Hill, that – like all of them – offers beautiful views over the eternal city.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Rome 1997: Street Life
The Via dei Condotti in Rome.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Greece 1992: Kato Gouves Crete
In 1992 the beaches at Gouves were much more open, and the village was rather small. Now it is all modern and built to the brim. A view from a hotel room long ago.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Greece 1992: Chania Crete Side Street
A side street in the old part of Chania in the west of Crete.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Paris 1989: The Back of Centre Pompidou
When the Centre Pompidou opened, the Parisians nicknamed it ‘the refinery’. It is a unique construction. But quite hard to maintain given all the angles and open spaces. The art collection inside is nice to walk around when in Paris. Always a place to visit again, when there.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Paris 1989: Musée d’Orsay
The Musée d’Orsay. One of my favourite museums. Not only for its architecture, but also for their collection of impressionist paintings. Here school kids, drawing in front of them.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Paris 1989: Notre Dame as Background
The Notre Dame in Paris before the fire. A view from the quay toward the Île de la Cité. From a walk along the river, the third I took at almoste the same point. The previous ones I published yesterday and the day before yesterday, showing bridge arches.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Paris 1989: Notre Dame and Seine
France, Paris – January 1989
The Notre Dame in Paris before the fire. The bridge arch offers a template on a sunny Winter morning. The first shot in a set of shots of three. The second I published yesterday.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Paris 1989: View on Notre Dame and Seine
The Notre Dame in Paris before the fire. The bridge arch offers a template on a sunny Winter morning. Earlier published but a bit adjusted. This is the second shot in a set of three. The first one will be on tomorrow, the third the day after.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Rome 1993: Spanish Steps
The Spanish Steps in Rome. Nowadays people are not allowed to sit on the steps, but back then you could. Another one from the archives for Lens Artist’s Photo Challenge 414 looking back at challenge 44: Harmony.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Rome 1993: Cigarette Lady
One from the archives, 32 years ago. A street photo of a smoking sunglass wearing young woman in front of the Trevi Fountain in Rome.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Rome 1993: Dry Trevi Fountain
Lens Artist’s Photo Challenge 414 looks back at challenge 44: Harmony. One from the archives, 32 years ago. The Trevi Fountain – without water – in Rome.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
Rome 1993 – Fountain Piazza d’Aracoeli
Lens Artist’s Photo Challenge 414 looks back at challenge 44: Harmony. One from the archives, 32 years ago. The fountain at the Piazza d’Aracoeli, at the bottom of the stairs to the Piazza di Campidoglio, Capitol Hill in Rome.
About the B4 retouch series:
I browsed my archive for pictures to publish. Some of them are partly retouched but most do have scratches, dust and stains.
Originally shot with Nikon F301 on Kodak TriX, scanned from negative and tweaked using Snapseed and Marksta. Click the picture for a larger version.
A Long Shot
A slightly different shot than yesterday. With a bit more of the atmosphere of the canal itself.
The Netherlands has its fair share of water (canals, lakes, ponds) and a fair share of bridges and even aquaducts. LAPC #413 is ‘bridges’. The two overlapping bridges (behind the front one is a motorway bridge) are not my favourites as the brief of LAPC asks for. They are the most practical in daily life to cross the canal. In the Archive bridges you find more photos of bridges. Most of them are from ordinary daily life close to home. But two of my favourites are the Millennium Bridge in London and the Pont de Normandie in Normandy.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
Masked Bridge
The Netherlands has its fair share of water (canals, lakes, ponds) and a fair share of bridges and even aquaducts. LAPC #413 is ‘bridges’. The two overlapping bridges (behind the front one is a motorway bridge) are not my favourites as the brief of LAPC asks for. They are the most practical in daily life to cross the canal. In the Archive bridges you find more photos of bridges. Most of them are from ordinary daily life close to home. But two of my favourites are the Millennium Bridge in London and the Pont de Normandie in Normandy.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
Bridged
The Netherlands has its fair share of water (canals, lakes, ponds) and a fair share of bridges and even aquaducts. LAPC #413 is ‘bridges’. This two bridges (overlapping) are not my favorites, but with the bridge this one is taken from, the most common I see every day.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
Haarlem Station
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
Mono and/or colour? Zandvoort Beach
The beach at Zandvoort. The west coast of The Netherlands is one big sand beach. Choosing for mono or colour is a choice for atmosphere. But also a way to get more attention to certain parts of the frame. Silhouettes in black in mono work stronger than in colour for me. But in the end, it is a matter of taste of course.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
Mono and/or coloured? Before Take off, Schiphol
Waiting for boarding can be boring, but sometimes there is an opportunity for a nice photo. And again, a tough choice, pick your favourite. LAPC #412 is ‘places shaped by water’. The airport Schiphol is located in what used to be a lake till the mid 1800 century.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
Mono and/or Colour? Dutch Polder Landscape
A polder landscape. Living below sea level water management is needed to keep us dry. Here you see a typical polder landscape.
LAPC #412 is ‘places shaped by water’.
Mono and/or Coloured? Volkerakdam
One of the first questions I had buying my first digital DSLR was ‘how do I shoot monochrome photos from now?’. In the past it was just choosing what film I put in a camera. Going digital implied using editing to revert from color to monochrome. More recently black and white modes came back on devices. Not only on iPhone. My choice for Nikon Zf was influenced by it. But it all is a question of taste. And taste is specific. When I see a subject nowadays I try to use the monochrome settings and the standard colour settings; knowing that I can nowadays see the results straight away. That is a blessing.
Two different photos of the road over the Volkerakdam. This dam and the locks in it, are part of the Delta Works, safeguarding The Netherlands against floods.
LAPC #412 is ‘places shaped by water’. I think that applies exactly to the existence of The Netherlands.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
Leaves Leave in Autumn
Sun baked green in monochrome.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
Nobody Can Wait Forever
Waiting for boarding on Schiphol Amsterdam.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
In The Dirty Window
Herbs in the kitchen window that needs a wash.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
Mono and/or Colored? Entangled at St. Georges-sur-L’Aa
One of the first questions I had buying my first digital DSLR was ‘how do I shoot monochrome photos from now?’. In the past it was just choosing what film I put in a camera. Going digital implied using editing to revert from color to monochrome. More recently black and white modes came back on devices. Not only on iPhone. My choice for Nikon Zf was influenced by it. But it all is a question of taste.
Two photos of the power lines at St. George-sur-L’Aa in France. Pick one or both. Both were shot on iPhone without the mono setting.
Every time we travel to or from the UK via the Channel Tunnel, I try to take photos of these steel giants. They carry power lines in the area of St. George-sur-l’Aa. No worries, I’m in the passenger seat.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
Mono and/or Colored? Haarlem Station
One of the first questions I had buying my first digital DSLR was ‘how do I shoot monochrome photos from now?’. In the past it was just choosing what film I put in a camera. Going digital implied using editing to revert from color to monochrome. More recently black and white modes came back on devices. Not only on iPhone. My choice for Nikon Zf was influenced by it. But it all is a question of taste.
The same photo of the station of Haarlem in color and (edited) monochrome. Pick one or both.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version.
Sky Stripes
Sunsets these days are sometimes interesting with cloud shapes light up. Even in monochrome.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
Sheet
This Sumer a lot of nights were really warm, so a sheet is just what you need for cover LAPC #408 is ‘over the top’.
Shot with iPhone 17 Pro Max edited using Snapseed and Marksta. Click the picture for a larger version
